Stef M. Shuster: Trans Medicine, The Emergence and Practice of Treating Gender

GSS Book Review

Hale Robinson

            Although the emergence of trans-medicine as a discipline and the discourse surrounding it appears rather recent, transgender healthcare has existed since the early 20th century (Schuster 23). Despite this, physicians and other medical professionals are both hesitant and inexperienced in regard to the treatment of transgendered individuals. The book Trans Medicine, The Emergence and Practice of Treating Gender details how and why this disinclination to treat transgendered patients has occurred and the consequences of medical authority over gender and sexuality. Furthermore, the author seeks to identify practices and ideologies that have been normalized and “legitimized” in the decades of trans-medicine. Through this short publication, Schuster analyzes both contemporary and historical trans-medicine systems and norms in addition to specific examples highlighting the interactions between varying forms of healthcare and their implications on trans-medicine as a whole. From this we can understand how trans-healthcare provides a middle ground for intersection of personal values and scientific thought.

            To compile the examples and evidence presented in the book, author Stef M. Schuster used a multi-sited research design (Schuster 11). The majority of Schuster’s research is his collection of correspondence between healthcare providers in the 20th and 21st century (Schuster 2). Schuster also relies upon biological artifacts, collections of discourse, and other forms of scientific literature. (Schuster 6). Additionally, the author is an associate sociology professor at Michigan State University with a M.A. and Ph.D. in sociology and has conducted a number of interviews with both therapists and physicians as well as attended scholarly conferences on the topic of trans-medicine (Schuster 12). His final source of data collection came in the form of analyzing clinical guidelines, standards of care, and diagnostic criteria used by both contemporary and historical physicians (Schuster 13). Finally, the author notes that terminology surrounding gender and sexuality is fluid and specific word choice in the book may not be representative of the terminology used in the past or future.

            Early development of trans-medicine began in the mid-1950s in the post-World War II era (Schuster 23). Public trust in scientific communities to solve social and biological ills was at an all-time high (Schuster 23). According to Schuster, this increase in medical authority over gender and sexuality and the power difference between doctor and patient is one of the root causes of why trans-medicine has made little progress from the 20th to 21st centuries (Schuster 24). While there have been attempts to decentralize authority of medical providers, many still hold the view that the “doctor knows best” (Schuster 9). In terms of trans-healthcare, this mindset has resulted in a number of subsequent issues. Medicalization refers to “the process of how non-medical problems become defined and treated as medical problems” (Schuster 9). Through medicalization and especially regarding transgender-healthcare, social issues about bodies and bodily autonomy become scientific issues.

Schuster argues that the medicalization of transgenderism resulted in early physicians perceiving transgender patients as “severely troubled” and transgenderism was understood in terms of symptoms of “delusional thinking” (Schuster 24). On one hand, Schuster details how the medicalization of trans-sexuality excited physicians as it was a new uncharted form of medicine. On the other hand, many physicians were hesitant and felt unequipped to treat transgendered patients. As Schuster details in chapter 1, few endocrinologists and physicians in the U.S. were willing to assist transgender individuals out of fear of criticism from peers, revoking of medical licenses, and possible patient regret and future lawsuits following procedures (Schuster 24). It is from this medicalization and hesitance to treat patients that specific guidelines and evidence-based medicine (EBM) emerged. Providers began placing increased expectations onto their transgender patients in an attempt to ensure that the patient was truly willing to undergo hormone/surgical procedures. Schuster states that from these expectations, new scientific language, approaches, and guidelines for trans-medicine were created (Schuster 64). The Diagnostic and Statistical Manual of Mental Disorders (DSM) and the World Professional Association for Transgender Healthcare (WPATH) sought to define transgenderism and create a step-by-step protocol to treating transgender patients respectively (Schuster 80). While guidelines may serve as a “handrail” in other forms of medicine, Schuster explains that the steps outlined in the guidelines suggest a linear pathway, while gender transitions tend to be anything but linear and vary from individual to individual (Schuster 105). Furthermore, standardizing and defining transgenderism is ineffective as trans people’s experiences and self-concepts may not fit into binary modes of thought. Not all transgender patients have similar experiences and the notion that gender is fluid (not just extremes) is hard to process for many.

In addition to the medicalization of trans-sexuality, Schuster argues that certain strategies and mindsets have become normalized in trans-healthcare. One of these strategies is what he calls the “fake it till you make it” mindset (Schuster 131). Because few providers are trained in the social contexts and manifestation of gender, this lack of understanding causes discomfort amongst medical professionals. Many have trouble admitting their lack of knowledge in a field which further causes incorrect practices to become normalized over time (Schuster 134). Schuster also details the trope of the “self-assured expert” who present information in ways that leave little room for discourse and change (Schuster 138). Additionally, some solely follow clinical guidelines and understand trans identification as a clear, straight pathway “from point A (assigned gender at birth) to point B (undergoing a physical transition to the “other” binary gender)” (Schuster 138). The final and perhaps most prevalent strategy that Schuster recalls is “gate-keeping” and defining who is “truly” transgender (Schuster 106). To protect themselves from being sued by a patient, many providers were strict (and still are today) about who is able to obtain treatment procedures (Schuster 94). Schuster identified the following techniques that providers used to determine who would be able to receive hormone therapy. To begin, individuals who did not engage in illegal or risky activities indicated to providers that they could function as a “normal” person upon transitioning (Schuster 72). Second, those who were able to pass the “real life test” or live their life as if they had already received transgender treatment proved to providers that the patient was committed to go all the way with the procedures (Schuster 39). Finally, trans-patients whose ideologies closely aligned with traditional gender roles were significantly more likely to receive hormone therapy and surgical interventions (Schuster 16).

Schuster argues that progress in transgender medicine in recent times has been minimal. While he does not explicitly provide any solutions, he does detail specific providers who are making beneficial progress in trans-healthcare by utilizing smarter and favorable practices. He defines “flexible interpreters” as providers of trans-medicine who are able to “embrace the uncertainty in trans medicine and interpret the guidelines in ways that puts patients’ needs, and their varied ways of identifying as trans, first” (Schuster 117). In other words, these are medical professionals who are able to find a balance between social values and scientific fact and who refer to guidelines as recommendations rather than laws (Schuster 117). According to Schuster, flexible interpreters realize that guidelines take away focus on the individual and their healthcare needs (Schuster 118). When considering that each patient is unique, it is impossible to follow clinical guidelines exactly.

Schuster’s book thoroughly and concisely explains the emergence and history of trans-medicine from the 20th to 21st century. It highlights specific examples of social and medical trends that have impacted trans-healthcare over the years. For example, the book delves into topics such as the medicalization of sexuality through the DSM and WPATH and explains how this has had an effect on treatment strategies. Schuster draws upon various sources to formulate his claims and arguments with one of the sources being scholarly/medical conferences. However, the most convincing sources are direct quotes and letters of correspondence from the 1960s. These primary sources allowed the author to form arguments with supporting examples. This is demonstrated on page 31 in which Schuster presents a letter written by a transgender patient, “This letter is no trick and all I write is the truth and not made up. I want you to understand that my need to have this operation is not in passing, but is something of the deepest importance to me and has been for a long time…” This quote directly supports the author’s argument of the trope of transgender “trickster” where transgender people deliberately misrepresented information about themselves in order to gain access to hormones and surgery (Schuster 31). The abundance of direct quotes and examples make the book an informative and credible read.

While the author’s support of “flexible interpreters” is clear, the author says little about potential solutions and courses of action for the future of trans-medicine. Instead of offering specific solutions to the problems in trans-medicine that have been normalized over the years, Schuster simply critiques and summarizes these issues. While proposing healthcare solutions may be beyond the author’s expertise, with the immense amount of research collected to write this book, I would have expected the author to describe future plans and implications of his findings. In the conclusion and in the section titled “Redefining the treatment of gender,” the author states that “changing the protocols and shifting attention away from trans people as a problem to fix enables some providers to redefine the ‘treatment’ of gender in a way that shifts the attention to broader social inequalities that trans people experience in everyday life, rather than perpetuating inequalities in healthcare encounters” (Schuster 164). While I agree with this claim, it is a simple blanket statement that does not enact any specific changes or solutions.

Overall, Trans Medicine, The Emergence and Practice of Treating Gender, by Dr. Stef M. Schuster was an enjoyable and informative read. The book answers the questions of how medical authority over gender has occurred as well as what practices have become normalized over the years in trans-medicine and their specific consequences. While the author takes a clear stance against the current and past states of trans-healthcare, he does not dive in depth into solutions. In summary, I would recommend this book to anyone who is interested in history and specifically in the history of medicine and sexuality. Furthermore, I feel it is imperative that those pursuing a career in healthcare read this book. As healthcare and social values are increasingly interconnected, it is critical that our future healthcare providers adapt with the times to help serve diverse communities.


Works Cited

Shuster, Stephen M. Trans Medicine: The Emergence and Practice of Treating Gender. New York University Press, 2021.

Onnagata: An Assessment of Female-likeness within Kabuki Theater

Kabuki theater is a traditional form of Japanese performance art. Known for its highly stylized performances, including songs, dance, mime, and lavish costumes, Kabuki theater has remained a major theatrical form in Japan for over four centuries. In 1629, the shogun, Tokugawa Iemitsu, banned women’s participation in Kabuki theater as he felt their sensuality was disgraceful. As a result, male actors filled these roles. Today, Kabuki theater is known for its use of male actors in female roles—referred to as “Onnagata.” The Onnagata have, WCfor far too long, been referred to as the “essence of femininity” (Mezur, 2005, p. 24). In her monograph, Beautiful Boys/Outlaw Bodies, Devising Kabuki Female-Likeness, Katherine Mezur counters this belief by asserting that The Onnagata’s stylized acts of female-likeness contradict the actual concept of a woman. Rather, modern perception of the Onnagata represents the male fantasy of what women should be, exemplifying traits such as submission, repression, and endurance (Mezur, 2005, p. 196). The Onnagata are a fictional depiction of female-likeness created during the Edo period (Mezur, 2005, p. 5). This monograph is not only a fascinating discussion of Kabuki theater but also a necessary analysis of gender and traditional Japanese theater.

In Beautiful Boys/Outlaw Bodies, Devising Kabuki Female-Likeness, Katherine Mezur uses two methods to evaluate the Onnagata and its relationship to gender. Her first method reviews Onnagata’s history and scholarly studies to garner concrete factual information. Her second method analyzes Onnagata aesthetics for artistic value. Dr. Mezur is a scholar and artist who specializes in gender studies and transnational dance and theater in western Asia. She received her Ph.D. in Theater and Dance with an emphasis on Asian performance from the University of Hawaii, Manoa. Mezur’s background in Nihon buyô dance—a classical Japanese dance style that originated from Kabuki theater—her firm understanding of Western feminism, as well as her firsthand experiences watching Kabuki theater prepared her well for synthesizing studies on the Onnagata that were written by both Japanese and non-Japanese scholars. Though Kabuki theater is structured within Japan’s binary and masculinist society, the Onnagata serve as a displacement of gender norms (Mezur, 2005, p. 153-154). In my opinion, Dr. Mezur’s methods are appropriate. By reviewing the history of Kabuki theater and using scholarly papers, such as William Malm’s “Studies in Kabuki: Its Acting, Music, and Historical Context” and Takashi Tsukada’s “Stratified and Composite Social Groups in Tokugawa Society,” Dr. Mezur gained valuable insight that provided a foundation to build her assessment on. In the social sciences, it is important to draw from the work of previous scholars and add to it. By reviewing writings from both Japanese and non-Japanese authors, Mezur is able to make credible conclusions through a diversity of voices. For the aesthetics method, it is appropriate because Dr. Mezur has established herself as a subject matter expert in this area and is applying this valuable skill to add a novel contribution to the study of Onnagata within Kabuki theater.

In her monograph–>REVISE THE BEGINNING TO MAKE IT CLEAR THAT YOU ARE INTRODCUING CENTRAL RESEARCH QUESTIONS, Mezur addresses the following: In what way is the female gender portrayed by the Onnagata? How is the naturalized concept of desire and identity undermined by the Onnagata? In what ways does the Onnagata transcend gender as we traditionally see it? To answer these questions, Mezur pulls from theories presented by notable Western feminist scholars AND TRANSNATIONAL?. The summary of Mezur’s conclusions to these questions will be discussed below.

Judith Butler’s theory on performative gender was a point of inspiration for Mezur. This theory asserts that gender identity cannot exist outside of gendered acts. Drawing from this, Mezur maintains that when the Onnagata perform stylized gender acts (such as turned-in walks) or wear certain costumes (such as kimonos) and these acts are repeated in a formulaic pattern, the Onnagata ‘gender’ is created (Mezur, 2005, p. 36). Therefore, the Onnagata do not represent female likeness; they are a stylized fiction of women. The Onnagata are not an ideal representation of womanhood or female essence, but an entirely new gender role. Mezur takes the theory presented by Butler and applies it to Kabuki theater to effectively assess how the Onnagata present gender. By doing this, she addresses an interesting perspective that Judith Butler failed to touch upon.

Mezur also pulls from Sue-Ellen Case, a scholar on feminism and theater. To Case, gender is an effective mode of repression, and those in power have often encouraged the naturalization of gender roles, both on-stage and off (Mezur, 2005, p. 39). Mezur argues that the Onnagata destabilizes and questions the binary. She asserts that while the Onnagata are often designated as the female roles, they are really a challenge of this designation. The Onnagata fiction, controlled and shaped by the male body, represents an alternative gender possibility, disrupting the masculinist ideology prevailing in Japan (Mezur, 2005, p. 46). Though Kabuki theater is structured within Japan’s binary and masculinist society, it more accurately serves as a medium for a displacement of gender norms (Mezur, 2005, p. 153-154). Though Mezur agrees with the basic concept voiced by Case, she expands upon it in order to gain a better understanding of how and why the Onnagata may be challenging structural repression.

This deterioration of the gender binary then allows for a transcendence of gender. Onnagata gender—especially as it relates to the aesthetics of eroticism, sensuality, and attraction—is complex. The lack of gender role specialization permitted the consolidation of only a few Onnagata gender acts, and these acts transcended gender altogether (Mezur, 2005, p. 114). The limits of a single-gender identity do not apply. The Onnagata are delicate, graceful, and refined while also being chaotic and unbalanced (Mezur, 2005, p. 167). Their gender is ambiguous. This is what makes the Onnagata gender so powerful and tantalizing. Mezur further notes that while the Onnagata gender is independent of the binary—existing more in a liminal state—it requires the male body. Mezur emphasizes that this does not mean the Onnagata are males playing female roles; in fact, she would find this perspective to be problematic (Mezur, 2005, p. 141). Instead, she feels that the ‘male body beneath’ is a requisite for the Onnagata.

Spectators occasionally catch glimpses of the ‘male body beneath.’ For example, when the Onnagata bow, unpainted patches of skin near the wig line and nape of the neck are often visible. Clearly, even in a delicate moment, the male body is still ever-present. Mezur argues Onnagata gender acts must be created by the ‘male body beneath’ since the Onnagata “simultaneously performs both his male body beneath and his role,” (Mezur, 2005, p. 8). This stance, of course, prevents the possibility for women to act in this role, as an audience member could no longer imagine a male body beneath the kimono. Katherine Mezur’s assertion on this particular topic works against cultural feminism by reemphasizing the superiority of the male body. However, I do not find this perspective to be intentional, as Mezur has openly criticized other scholars for this position.

Having done a lot of recent reading on Kabuki theater, it disappointed me to see that Mezur overlooked important female Kabuki actresses. During the peak of Japonisme—a time following the reopening of foreign trade with Japan and when Japanese art influenced several Western European artists—Sada Yacco, a popular Japanese geisha, actress, and dancer, toured with the first Kabuki theater troupe ever seen in the West. Therefore, while women in Kabuki are certainly a minority, they do exist. This dismantles the notion of the requirement for a ‘male body beneath.’ As long as the body of those acting in the role of Onnagata continues to be concealed, it is unclear to me why the ‘male body beneath’ would add any importance. Asserting that actresses will never attain the power and vigor of the male actor only enables the de-powering of women—a major patriarchal goal.

Mezur concludes her monograph with an important message: gender is neither true nor false. Gender is not original nor obtained. To Mezur, the Onnagata are not ‘natural.’ They reject womanhood while ‘portraying’ femininity. They defy the patriarchal and naturalized binary. They transcend gender altogether. Katherine Mezur challenges contemporary theater makers and scholars to break the binary when enacting human roles, as this ambiguous transformation will create an entirely new theatrical dimension. Beautiful Boys/Outlaw Bodies, Devising Kabuki Female-Likeness is a valuable contribution to the study of Kabuki theater. I am confident that readers will have much to consider regarding Onnagata female-likeness, or rather, lack of it, after reflecting on Mezur’s analysis.

Bibliography  

Mezur, K. (2005). Beautiful Boys/Outlaw Bodies: Devising Kabuki Female-likeness. Palgrave Macmillan. 

Perception of women in the Victorian Times: Review of Sexual Science: The Victorian Construction of Womanhood

“Women, it seemed, had no right to self-fulfillment that could stand for a moment against the claims of society on their wombs” (Russett 1989, 123).

Living in a society is equal to facing a variety of expectations, roles, and behaviors deemed acceptable or unacceptable. Women’s roles, in particular, have changed quite a lot in the past few centuries. Nowadays, people with uteruses have more reproductive freedom and opportunities to be economically equal to men than in the nineteenth century. The book Sexual Science: The Victorian Construction of Womanhood by Cynthia Eagle Russett describes how women were perceived in the Victorian times. It focuses mainly on the source of the viewpoints, on people who had the power to convince the society of those perceptions – scientists. The book describes their findings and conclusions about womanhood, one by one, and dismantles them in a very powerful way.

In the nineteenth century, women had little to no say over their bodies, minds, and rights. White male scientists focused greatly on explaining differences between sexes; in other words, why they had little to nothing in common and why women were inferior to men. They took control over proving that women are physically and mentally unable to be equal to men due to Nature’s challenges that people with uteruses had to face, such as menstruating or being able to carry a child. Scientists at that time accepted only facts that would agree with that claim and rejected all information against their beliefs.

The author, Cynthia Eagle Russett, was born in Pennsylvania in 1937. She was a historian, earned her Bachelor’s Degree from Trinity Colege and her Master’s and Ph.D from Yale University, where later she worked as a faculty member. She wrote several books, though she is best known for her exploration of Victorian “findings” about womanhood in Sexual Science: The Victorian Construction of Womanhood. Cynthia passed away in 2013, aged 76 years old, leaving behind a great legacy of fighting for women’s rights through exploring history.

A lot of what Cynthia Russett does is present statements and reasoning of white male scientists and let their words speak for themselves throughout the majority of the book; those alleged findings are challenged later on, at the very end. She mentions “experts” from a variety of fields of science, including phrenology, anthropology, craniology, biology, sociology, and many concepts within those fields of study. Victorian scientist greatly contributed to how women were perceived by the society at that time and what roles they were allowed to hold due to “the near-total absence of information in the field of sex differences, which made it inevitable that ideas now seen as preposterous were not preposterous at the time” (Russett 1989, 183). People listened to them; they had no other choice as no other credible source of information was available to them. Scientists were responsible for shaping society’s beliefs, despite the fact that later on they were proved wrong.

In the Victorian times, it was well-established that women were inferior to men. Many white male scientist were highly motivated to prove that statement to be correct. Any differences between men’s and women’s bodies, they emphasized, and automatically made men the one to hold the superior traits, no matter what they were. They held a firm belief that bigger equals better, which applied mainly to people’s bodies and brains. It was known that men were bigger than women, both in terms of physical appearance and brain volume/skull size. They claimed that “women’s brains were smaller and lighter than those of men” (35) and women’s skulls resembled more those of gorillas than men (36). Scientists refused to admit that heavy brains existed among “idiots, imbeciles, criminals, insane, and other defectives” (37). Women were also compared to children, said that “the brain of woman as a whole was always in a more or less infantile condition” (54). The full maturity of women was seen to be reached earlier than in men, which meant that a crucial part of development, women never attained. Men would always be better developed; they pass the “woman stage” and develop abstract thinking and reasoning. Half the population was automatically put in a disadvantaged position to be considered a significant contribution to society’s success. Simply put, a woman was an underdeveloped man (74).

A very important stigma that was emphasized during the Victorian times and still exists in many spaces today is menstruation. GIVE DATE Scientists claimed that “the phenomenon of menstruation was alone fully sufficient to explain why women could never hope to stand on a level of social and professional equality with men” (30). They connected it to the claim that the more someone eats, the more they think, and the more energy they have. Menstruation took away that energy. They used method of manipulation to make sure women understand the responsibility they bear – that of preserving the human race. They claimed that “the necessary outcome of an absolute intellectual equality of the sexes would be the extinction of the human race” (105). They also stated that the energy that men can put into thought and education, girls have to use during the development of their reproductive systems. Because of what Nature “gifted” them with, they were set for failure, both in educational and professional settings.

Scientists also decided that motherhood is a woman’s only role and goal in life. “She is the sex sacrificed for reproductive necessities,” they said (43). Alongside came the claim that the suffering connected to childbirth is exaggerated because women, just like Black people, do not feel pain; “[…] even the pains of childbirth caused little suffering to women” (56). Feeling pain was associated with courage, which was a characteristic of men and men only, therefore “[women’s] courage must be indifference; their endurance, insensibility” (57). That particular example shows a point previously mentioned about scientists deeming acceptable only information that fits their beliefs. Since there was a possibility that women were brave because of the way they could cope with pain, it needed to be dismantled, therefore they were claimed to be numb, unable to feel physical pain.

The book provides an opportunity for the reader to put the present and the past into perspective. Many people do not realize that the oppression that women face today started in the place of no evidence for many aspects of womanhood. Some individuals nowadays might say that societal roles are there for a reason and are based on science. As Cynthia Russett proves in her book, the science of the past is not what we would define as science in modern times. In Victorian times it was far from objective, not based on real evidence, and many findings at the time were assumed based on pre-existing beliefs. In other words, a group of white men decided that women are inferior and have no benefit from education or equal opportunities – and people listened, accepted it as the universal truth, and passed it over generations.

One of the things that readers might struggle with while reading the book is being overwhelmed by the amount of names and scientific facts presented. The author includes a great number of names; however, there is rarely any relevant information about their backgrounds. It would be a great addition to know the context of how popular a scientist was at the time, how influential, and to put more focus on explaining that to the reader. Additionally, a lot of theory was presented, though only addressed to be wrong or incorrect at the very end, if ever. The author might have tried to remain objective, which she succeeded in, though information shared in the book is disproportionate to the challenging of that information present. Moreover, women’s voices were not amplified enough, they played a passive role in the book. For example, there is no mention of general population’s response to most of the harmful claims made by the scientists (such as women compared to gorillas or children). It is an aspect that can be seen as missing, and might have made the book significantly stronger.

Sexual Science: The Victorian Construction of Womanhood by Cynthia Eagle Russett is a very important resource as it provides an accurate and well-researched historical context of women’s oppression. Even though what Victorian scientists claimed was seen as true a long time ago, a lot from what they said still applies to a certain extent to modern times. The book is a powerful tool for everyone, especially those involved in the fight for women’s rights. It can create a research-supported argument against the fact that, for example, women’s role is to bear children and their wombs can and should be controlled by the society and the government.

Works cited:

Fox, Margalit. 2013. “Cynthia Eagle Russett, Chronicler of Women’s History, Dies at 76.” New York Times, December 18, 2013. https://www.nytimes.com/2013/12/19/books/cynthia-russett-historian-of-women-dies-at-76.html

Russett, Cynthia Eagle. 1989. Sexual Science: The Victorian Construction of Womanhood. Cambridge: Harvard University Press.

Book Review: The Tragedy of Heterosexuality

I was raised by my two lesbian moms, so my perception of love and heterosexuality is admittedly skewed. In my house, coming out as straight is more of an unfortunate realization and is always followed by the same comment, “if sexuality really was a choice, who on earth would choose men?” Apparently my family is not alone in asking this question. Jane Ward felt strongly enough about the issues with being attracted to heterosexual men that she wrote a whole book to check on straight women and see if they’re okay. After her in-depth analysis of primarily black, queer, feminist rhetoric to explore the true tragedies of heterosexuality for straight women, I’m left wondering, am I in fact okay?

The main argument of The Tragedy of Heterosexuality is that heterosexuality is not the “ideal” sexuality, but rather has plenty of its own systemic issues that are deeply engrained in our society. This book not only highlights these issues, but explores the root causes so that we as a whole can better understand how to work toward resolutions. Ward starts to approach this through the common misconception that gay people would be straight if they could choose, and proposes how that narrative itself is evidence of the oppression in our society that makes heterosexuality so tragic. The book consists of five partsCHAPTERS–  “Let’s Call it What It Is: The Tragedy of Heterosexuality,” He’s Just Not That into You: The Misogny Paradox, Pickup Artists: Inside the Seduction Industry, A Sick and Boring Life: Queer People Diagnose the Tragedy, and Deep Heretosexuality: Toward a Future in Which Straight Men Like Women So Much That they Actually Like Women. Each part plays its own role in establishing the issues of heterosexuality throughout history and how fixes in our systems of race and gender can ultimately contribute toward the resolution of the tragedy that is heterosexuality. 

Ward herself is an American author from California where she teaches Feminist Studies at University of California Santa Barbara. Her work both in and out of the classroom focuses on gender and sexuality studies, specifically from her own queer, feminist point of view. The book The Tragedy of Heterosexuality is arguably the most successful of her three works, all of which address the politics of gender and sexuality in our society today, with the other two entitled Not Gay and Respectably Queer. Her extensive studies of the history of sexuality, the self help industry, and even pick up artists, establishes her as a vast source of knowledge on the topics discussed throughout the book. Both this book and her work overall as an author prompt the desire to know more about what we have come to accept as straightness and question if it really is what we display on the surface when you break it down to its roots. This question provokes further research into what other societal issues need to be addressed in order to solve the true tragedies– racial inequality, women’s rights, problems of a patriarchal society– encompassed by the tragedy of heterosexuality. 

The first chapter, Let’s Call It What It Is, Ward hopes to “sufficiently introduce the idea of the tragedy of heterosexuality” (Ward, 30) and lay out her plans for the remaining four chapters. In chapter two, He’s Just Not That Into You, it provides historical context for how heterosexual expectations have changed and developed. For example, Lysol’s douching advertisement saying it “can keep her husband and herself eager, happy married lovers” inspired the subsequent expectation of women to work to appeal to their husbands (Ward, 52). Pickup Artists: Inside the Seduction Industry, the third chapter of the book, explores the idea of women being a “game” to be won (Ward, 78). In this chapter, Ward addresses the idea of women being seen as a “birthright” to straight men, and how society has capitalized on that to make millions of dollars (Ward, 79). Next, Sick and Boring Life: Queer People Diagnose the Tragedy is included to address the role queerness has in the creation of what it means to be straight. The author explores the idea of homophobia being “the outward expression of heterosexual misery” and other subsequent oppression queers face as a result of heterosexuals own distate for the reality of their personal sexualities (Ward, 115). 

The final chapter, Deep Heterosexuality, ties together all the pieces that make up the tragedy of sexuality and highlights the main goal of the book, to unify queer and straight women alike to defy the patriarchy that oppresses them all (Ward, 155). The final page shares the three main takeaways of this book. First is the need for us as a society to address the violence that women, particularly straight women, face at the hands of men, and how addressing this issue will lead to a more loving version of heterosexuality (Ward, 172). Next, self-help movements and other capitalistic ideas influencing sexuality should not be underestimated nor left unaddressed (Ward, 173). The chapter and book conclude with the final argument, listening to outside perspectives, in this case queer viewpoints of heterosexuality, can give insights and guidance we might otherwise lack in our own decision making, leading to overlooked problems and missed opportunities (Ward, 173). 

The strongest aspect of this book was Ward’s vast research, knowledge, and utilization of marginalized perspectives. Immediately in the second chapter, Ward develops the history of heterosexuality from eighteenth century colonial America to modern day, with the inclusion of global perspectives such as nineteenth century Iranian accounts of the misogyny paradox (Ward, 35-37). Ward addresses the root causes of sexist associations to heterosexuality and travels through the history of men’s feelings for women as actual people. She succeeds in her goal of presenting a new relationship between queers and straights, a new meaning to the word “ally”. Overall, the “dyke’s-eye view” (Ward, 31) may have its own biases, and to some may make it seem like Jane Ward is unqualified to talk about being straight, but after reading, I’d argue it’s the opposite. The combination of  queer, feminist, black, and marginalized voices produces a powerful critique that left me second guessing everything I knew about myself as a straight woman, and truly reassessing my role in my own sexuality. 

While I ate up every last word of this captivating book, I was left a little hungry for more information on how we really go about addressing the issues of heterosexuality. The author does an incredible job laying out what the issues are throughout the chapters and dives into solutions for straight women, but I was left wondering, how would this work? Yes, straight women can demand more from their heterosexual relationships and refuse abuse (Ward, 172). Yes, queer women can work to better support women as a whole so that we can conquer the issues of patriarchy that we face regardless of sexuality (Ward, 173). Yes, queer men and women alike can change the narrative that being straight is the preferred sexuality if given the choice (Ward, 160), but how? Many, if not all, of the things Ward suggests in the book require widespread change amongst individuals. The book thoroughly explains how each of these solutions works to address the problem at hand, but I desired a more clear bridge between where we are now and how we start. For example, how do we get the majority of women to stop accepting the bare minimum from men?  The issue I see is that yes, we could influence women one by one to expect more, but what do you do about the women who are then willing to step in their spots and accept less? If “Men who say they love women need to show women the receipts”(Ward, 173), how do they do this? I think if Ward had spent a little more time discussing how we encourage so many individuals to change their ideas and behaviors, there would be a much better connection to how these solutions are feasible and less questions left unanswered. 

I have told my three roommates that The Tragedy of Heterosexuality will be living on the coffee table in our apartment, and my reasoning is twofold. The primary reason is I think anyone who enters the apartment stands to benefit in one way or another from the information included. Regardless of who the audience is, this book provides new ideas of sexuality through the utilization of frequently skipped over perspectives and experiences, those of marginalized groups. So whether it is a straight woman who might need a reality check of what she is putting up with from men or a homosexual man who stands to learn the role that he plays in oppression of women, Jane Ward does an amazing job of getting just about anyone to stop and question why our norms are what they are and what we can do to change them. My second reason for the book’s new home in a predominant spot of the apartment is the reactions. This book is not an attack, but instead an attempt to bridge the gap between what we advertise as happy heterosexuality and the reality of straightness today. Initial reactions of men in my apartment, especially those who identify as straight, might be defensive. However, my personal agenda is to see whether or not these men are willing to push past their uncomfortability to actually educate themselves through Jane Ward’s mission to obtain a society of love and respect regardless of race, sexuality or gender identity. So, while I risk causing arguments or losing friends, I consider those who deprive themselves of joining Ward’s journey through the reality of heterosexuality tol be at the real loss. After this book of empowerment you will not be asking straight women if they are okay, but rather asking men if their privilege and masculinity are okay. 

Works Cited

Ward, Jane. “Jane Ward: Scholarship for the Feminist Future.” Jane Ward, https://www.janewardphd.com/. 

Ward, Jane. The Tragedy of Heterosexuality. New York University Press, 2020.

McDill Book Review: Learning Femininity in Colonial India: 1820-1932

In recent years, historians have looked to the diverse perspectives of Indian and Anglo-Indian women to understand the female experience under the British Raj. While the period of the British Raj is defined as 1858-1947, British, and European, influence in India began long before, starting with the establishment of the Dutch East India Company. Particularly, British educational and medical programs were essential to shaping conceptions of femininity in colonial India. Tim Allender’s book Learning Femininity in Colonial India: 1820-1932 examines “the changing influences and networks that operated around the female education dynamic in India, including those that applied to medical training” to understand the interaction of education, gender, and empire in colonial India (Allender 2-3). Methodologically, Allender traces continuity and change over time in these approaches to education, both in academics and medical education. The book is divided into nine chapters, tracing the evolution of these systems from 1820 to 1932. Allender asserts that throughout this 112-year period, under the “strong race and class agenda” of the British raj, “official gender articulation became a complex but powerful conduit for attempted enculturation from the West” (297). Ultimately, Allender argues that “the interaction between state and schoolgirl created a powerful and distinctive symbiosis that evolved over time” (3). Particularly, by conducting this temporal analysis, Allender seeks to “demonstrate that the colonial project remained capable of evolution, producing broader outcomes that both accentuated and reconfigured race and class and gender boundaries as they related to women and girls in India” (3).

Dr. Tim Allender is a professor at the University of Sydney specializing in the study of history, gender, and empire. For the past twenty years, Allender’s research has focused on education in India specifically, and Learning Femininity in Colonial India is one of several monographs on female education he has recently published. Allender is an acclaimed scholar, and Learning Feminity is the recipient of the “Anne Bloomfield book prize awarded by the HES (UK) for best history of education book published between 2014 and 2017.” More broadly, his research falls at the intersection of the disciplines of history, gender and sexuality studies, education, and postcolonialism. For this reason, Allender’s work is valuable in understanding the reciprocal relationship between education and conceptions of race and gender. 19th-century colonial India is an excellent setting for this type of study, because it witnessed tremendous cross-cultural exchange between the colonizers and colonized, and these interactions were also informed by global social movements, like first-wave feminism. 

The book is organized chronologically and thematically, with each chapter covering a different period from the early 19th to early 20th centuries. Allender incorporates existing secondary scholarship on each topic with primary source material, like letters from government officials or Anglo-Indian women’s personal writings. He describes the intention behind this methodology, writing, “the book’s illustrative approach gives voice to the rich experiences of many of these women, and to groups of women living in colonial India through the strong documentary record that remains”(34). By using a variety of primary sources, located “in the dispersed depositories still available to scholars of gender in India and Pakistan, and at the old metropole, and in depositories located in other former colonies of empire,” Allender shows the diverse perspectives of women, both from the imperialist and Indian female point of view (34). This produces a more well-rounded and nuanced narrative of state-sponsored education in India, unlike previous scholarship, especially in the twentieth century, which focused on the British perspective without acknowledging the personal experiences of Indian women in their own words.

Chapter one, titled “Finding Feminine Scholars, 1820-65” starts with a brief overview of Indian female education prior to British occupation. Allender then goes on to describe the British authorization of evangelical education missions in 1813, and how these programs developed until 1865 (48). The chapter describes “how fledgling Western education endeavours began to take hold” in India, with Allender concluding that this “sporadic evangelical mission engagement” established a “Christian stereotype about the emotional deficits of Indian women, requiring remedy by the metropole” (27).Chapter two, “Shaping a New Eurasian Moral Body 1840-67,” expands upon the first chapter, stating that between 1840 and 1867, education moved away from the missionary model established in the 1820s, and reflected British anxieties about Indian female morality (71). He states that in this period, the purpose of female education in India shifted to become a “mediator of English middle-class moral norms”(88). As a result, education sought to separate the Indian student from the “cultural benefits of her own traditional Indian education,” in favor of an education that taught middle-class, British values (88). This shift encouraged more European women to enter into the Indian education system, which Allender elaborates on in chapter three.

Chapter 3, “Mary Carpenter and Feminine ‘Rescue’ from Europe 1866-77,” focuses on the influx of European women to India, and their impact on educational efforts for Indian women and girls (91). Allender uses the work and life of Mary Carpenter, a prominent British educational reformist, to frame this chapter. He concludes that the European, female intervention in education during this period “was made possible” when “the newly established relationship between statecraft and female education was taken over by a novel narrative concerning the teacher ‘training’ of women” (28-9). Chapter four,  “Both sides of the Mission Wall 1875-84,” describes the work of female missionaries beyond the walls of the missionary compound, especially education within the zenana, a space in some Indian homes reserved exclusively for women. However, he also recognizes that despite moving outside of the physical mission “the actions of women missionaries…remained bounded by the co-imperatives of piety and conversion,” which framed their motivations in conducting these missionary efforts (154). Allender transitions to the next section of the book, stating that “such female missionary work also set up new avenues of female learning for Indian females…this time concerning Indian female medical care” (154).

In chapters five and six, Allender shifts his focus to medical education. Chapter five, “Female Medical Care: A New Professional Learning Space” examines the evolution of women’s medicine in India between 1865 and 1890 (30). Sanitation was a major concern for medical professionals in this time period, and Allender relates ideas of cleanliness with the British moral purity mission, writing how, for example, “the white starched uniforms of its practitioners suggested a fierce conformity to European propriety and procedure” (159). Chapter six, “Feminine Missionary Medical Professionalism and Secular Medical Feminists 1880-1927,” explores similar themes, but focuses on the consolidation and formalization of medical practices by the end of the nineteenth century. He writes that this effort “was at the hands of Indian, Eurasian and European women working both inside and outside these race and class divides and also with the broader Indian population in view” (178). In particular, he focuses on the Lady Dufferin medical fund as an example of the streamlining and operation of hospitals in India.

In chapter seven, “Code School Accomplishments and Froebel: Race and Pedagogy 1888-1903,” Allender returns to the issue of education, this time in the late nineteenth century. He writes that, the “ earlier endeavour of female missionaries concerning medicine had inconveniently blurred raj race and class agendas,” so it was determined that the “teacher training of women: could be used to “stem this racial and class shifting in policy application” (31). This emphasized the importance of bringing white, female teachers to India to teach the native population, solidifying differences across racial lines. However, this was difficult for British, female teachers, who were expected to “satisfy market demand in India for British middle-class credentials in a way that was also sensitive to India’s socio-cultural realities concerning females” (32). Chapter eight, “‘Better Mothers’: Feminine and Feminist Educators and Thresholds of Indian Female Interaction, 1870-1932,” examines the ways European teachers engaged with Indian culture to effectively engage their students. Specifically, Allender speaks about “the emerging receptiveness of leading European females to the increasingly recognisable, to them, veracity of Indian cultural and intellectual educational spaces” (233) It was difficult to reconcile these cultural differences, because this period witnessed greater Indian opposition to British rule, intensifying tensions between the two groups. Finally, chapter nine “Loreto and the Paradigm of Piety 1890-1932,” describes education reform in India at the turn of the nineteenth century and the beginning of the twentieth century. The educational effort in India was impacted by Britain’s involvement in WWI, during which Catholic nuns dominated the Indian education system (271). Allender finishes the chapter by describing the longevity of some of these Catholic missionaries, like Loreto schooling for girls, which has changed over time but remains active in India today (294).

Overall,  Learning Femininity in Colonial India: 1820-1932 provides a thorough and well-rounded analysis of medical and educational systems in colonial India, and how they shaped ideas of womanhood. Allender uses a copious amount of primary sources to back up his claims, and effectively demonstrates the continuity and changes within these systems over time, using a narrative thread to connect each chapter to the previous one. However, India is a huge and diverse country, and a 112 year span is a large amount of time to cover in a single monograph. Allender’s focus was to show the evolution of education in India over time, but it limited the extent he could dive into each time period. Each chapter of the book could be made into a monograph, so Allender’s study is limited by the span and scope of his project.

In the conclusion, Allender summarizes his longitudinal study. He then speaks about the legacy of the educational programs of the nineteenth and early twentieth centuries in Indian schools today. Finally, Allender briefly puts his research in conversation with scholarship on education in post-colonial India. In doing so, he proposes new avenues for historical inquiry building off of his established work.

Token Reflection: Natalie Moore’s Abortion and Race in the City

In 2011, Stephen Broden, a member of a Dallas-based pro-life organization, Life Always, put up an anti-abortion billboard. The billboard stated, “that the most dangerous place for an African American is in the womb.” The effect of the billboard was monumental. 

Marsha Jones, co-founder and executive director of the Afiya Center, responded to Broden’s statement with a billboard of her own. Establishing the hashtag #trustblackwomen, Jones unapologetically declared that “Black women take care of their families by taking care of themselves. Abortion is Self-Care.” Jone’s billboard received more pushback than Broden’s billboard. The message was strong, but was it worth the pushback it received? What feelings did the message spark within Black women? Author, playwright, and news reporter Natalie Moore too had these questions, many of which served as the origin story for her play, “The Billboard.” The play features a fictional women’s clinic in Chicago and their fight with a local individual running for City Council that puts up an affronting billboard that spurs the clinic to fight back. Both the plot of the play and the real events served as the base of her talk. 

I, as a privileged White woman, was unaware of the controversy between Broden and Jones. Yes, I was young when this all went down, but the lasting implications do not apply to me. Because I am not a Black woman, I was not impacted by the events that occurred. I feel like this connects to the discussions we have been having in class recently regarding feminist movements. In “There is No Hierarchy of Oppressions,” author Audre Lorde writes, “There is no hierarchy of oppression. I cannot afford the luxury of fighting one form of oppression only. I cannot afford to believe that freedom from intolerance is the right of only one particular group.” The feminist movement is one of the groups Lorde calls out; the feminist movement has long been a White women’s movement. I am privileged to be included in the feminist movement. Yet, this very inclusion also contributes to my ignorance. Personally, Natalie Moore’s talk served as a self-reminder that I need to continue to educate myself, continue to acknowledge my privilege, and continue to fight for all people experiencing oppression. 

Sexuality, Disability, and Aging: Queer Temporalities of the Phallus Review

26% of the United States population and 16% of the entire world’s population has some type of disability–born with or later acquired in life. That makes disability the largest minority. Yet, so often it is forgotten, especially when discussing topics of sexuality. Despite the lack of discourse around disability, there are some scholars that choose to examine disability through a disability studies lens or through crip theory. According to the University of Minnesota, crip theory is “a blurring or merging of queer theory and critical disability studies. Crip theory explores how the social pressures and norms around ability intersect with the social pressures and norms around gender/sexuality.” In the book “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus” by Jane Gallop, crip theory is utilized to examine the intersections of disability, sexuality, and disease.  

Rather than making an argument in “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus,” Gallop instead chooses to explore the intersections of disability, sexuality, and aging through anecdotal theory. By doing that she hopes to share her experience of sexuality, while aging with a disability. 

Jane Gallop was born in Duluth, Minnesota and went to Cornell University for her undergraduate and graduate degrees. Now she works at University of Wisconsin-Milwaukee as a professor in the English department–specializing in feminist, queer, and critical theory alongside academic writing. Gallop, a long-time feminist, is known for her writing on feminism, and is credited for writing ten books. Gallop developed her interest in disability from her own physical disability. She was born with her disability, flat feet and weak ligaments, but its symptoms did not start to manifest themselves until her late 40s. As her foot pain started to progress into chronic pain, she began to walk less–eventually using a wheelchair as her primary source of aid. Claiming her disability identity was not easy for Gallop, as she struggled with feeling invisible and unattractive. As time went on she began to explore the intersections of disability, sexuality, and aging, which is what prompted her to write “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus.”

The book opens with Gallop saying that “This book is, first and foremost, rooted in the way crip theory resonates with my own experiences” (Gallop 2). That sets the tone for the rest of the book. Gallop then proceeds to explain where she got the ideas for the different themes of the book. When discussing aging she says, “The swath of experience that can be understood either as disability or as aging” (Gallop 5) suggesting that as we age we develop more disabilities. Then she believes that sexuality and disability are so intertwined that both topics are wrote about together, saying, “I immediately loved the attitudinal kinship of ‘crip’ with ‘queer’ and felt that was the direction I wanted my theorizing to head’” (Gallop 1). Lastly, she explains where she developed the idea for the phallus. Initially she was unsure if she should include phallus in the subtitle, as, “Someone who contributed to the feminist critique of the psychoanalytic concept of the phallus, I feel sheepish indeed to return here to the phallus as a term for thinking about sexuality” (Gallop 14). Yet, she does acknowledge the phallus is male centered. There are only two chapters within the book. Staying true to her anecdotal theory, she opens each chapter with a personal narrative. The first chapter’s narrative is about her discovering her disability and how she associates it with castration, but then she discovers how to navigate it and it becomes phallus for her. The second narrative is about her discovering her sexuality after her husband discovers and is treated for prostate cancer. There, castration is used to describe her husband’s illness, and phallus is used when they become sexual again. 

The main strength of “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus” is the way Gallop’s personal narrative is used throughout the entire book. Each chapter opens with a story of Gallop either realizing her disability or learning to navigate it then for the rest of the chapter she uses the different themes of her story to discuss the intersections of disability, sexuality, and aging. The great amount of personal narrative used helps the reader sympathize with Gallop’s experiences, and better comprehend the investigation within the book.  

The overarching weakness of “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus” is the lack of accessibility of the content to the general reader. Throughout the book Gallop references different theories–temporality theory, crip theory, queer theory, decline theory, and psychoanalytic theory, to name a few. Gallop mentions and refers to these theories without explaining them or defining them. The lack of detail makes much of the content difficult to understand. I have had to look up many of the terms myself, causing the reading to be extremely tedious. It makes it very obvious that the intended audience is not the everyday reader, but rather other scholars who are already familiar with the topics. 

In conclusion I thought “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus” by Jane Gallop was extremely interesting. It gave me another perspective on the intersections of disability, sexuality, and aging that I did not have before. Yet, the inaccessible nature of this book was very prominent. I believe anyone would benefit from reading this book, as the topic is almost never talked about. However, the lack of details when stating different terms or theories used makes it quite challenging for someone not well-versed in these theories to truly understand the full message behind the book. Overall, “Sexuality, Disability, and Aging: Queer Temporalities of the Phallus” by Jane Gallop is an interesting, well-written and extremely informative book, especially for someone already familiar with the theories underpinning it.

Work cited

Gallop, Jane. Sexuality, Disability, and Aging: Queer Temporalities of the Phallus. Duke University Press, 2019. 

Testimonies from Transgender Youth: A Book Review of The Trans Generation

Every year, transgender youth in North America become increasingly prevelent, and yet Canadian and United States societies continue to fail them with a lack of safety, support and protection. Not SINGLE institution can be blamed for the oppression of trans kids; many systems in North America, often intentionally, work to promote and enforce harmful gender norms. Even more so now in The United States, anti-trans bills are being introduced across the nation. This transphobia perpetuated in North America has caused transgender youth to be disproportionally affected by mental illnesses, drug abuse and violence. While the situation seems hopeless, trans activists and scholars in the country have long been fighting for a better future. One, Ann Travers(they/them), aimed to do so with their book, The Trans Generation. 

In the scholarly monograph, published in 2018, Travers documents the negative effects of growing up transgender in North America through personal accounts of transgender youth and their parents. While the children interviewed are mostly coming from supportive families, governments, school administrations and other systems that uphold the gender binary often prevent transgender kids from having complete and fulfilling childhoods. Travers notes, “It would clearly be beneficial to all children if gender were not used to organize kids at school” (147). Travers argues that without that rigid gender binary imposing on the lives of children, young kids of all genders would be more freely able to express their identities. Travers quotes geographer  Kath Browne to echo their own statement, saying “Gendered spaces are disabling environments; it is the normative constructions of sex that are both built into, and interact in, everyday spaces that reproduce the ‘abnormal’” (79). Additionally, Travers makes a strong effort to decenter their whiteness and draw attention to the inequalities within the trans community due to differences in race, class, sexuality, etc. As Travers questions what can be done to improve the conditions for transgender children in North America, they discuss how any efforts made to protect these children would only affect the most privileged few. Travers quotes political scientist Kimberley Manning in saying, “Publicly tackling transphobia is only possible for those who can afford the costs of time, labor, finances, and risk” (128). This statement especially highlights the need to keep underprivileged children at the forefront of the fight to end trans oppression. Only some kids can afford to transition, switch schools, connect with other trans people, etc., though all of these opportunities are crucial to a child’s physical and mental wellbeing. Systems upholding racial and class opression would need to be dismantled before these opportunities could be made available to everyone, however Travers believes decentralizing the gender binary is the first step to reducing the precarity of trans kids.

Ann Travers devoted 5 years to learning from 36 transgender kids aged 4-20 about their experiences, working to find children of various identities, races, classes and family structures. Despite being a non-binary person themself, Travers commentS on how “transformative” this RESEARCH was for them, CLARIFYespecially in their lack of using the words ‘gender assigned at birth’; they state, “In writing this way, I have endeavored to model a much more open and less biologically deterministic way of enabling and respecting each person’s right to determine their own gender” (8). Their desire for writing this book was to improve the quality of life for both transgender children and cisgender children alike. 

The book itself covers topics ranging from parental support to bathroom usage to healthcare to sports teams, all exemplifying that most areas of life for transgender children are frequently interrupted because of their identities. In the case of education, trans children often must switch schools or leave school entirely because of the oppressive environment they are in. As Travers states, “Gender policing and harassment affect mental health, school attendance and achievement” (67). The harassment children face from peers, teachers and parents is not only detrimental for trans kids’ physical and mental health, but causes them to miss out on academic opportunities as well. A lack of access, safety or inclusion in public spaces such as restrooms also contributes to physical and mental health risks for kids of all ages. Travers explains how several young children in their study would wet themselves before using a public restroom. Since some schools prohibit transgender students from using their desired bathroom, the discomfort surrounding public gendered spaces is often heightened there. A GLSEN report included in the monograph documents that “60% of students had been restricted to using a bathroom or change room according to their legal sex” (50). Trans oppression from school administrations does not stop at bathroom usage, AS many schools prevent children from using their desired name or pronouns and in extreme cases HAVE suspended /CAN SUSPEND or expelled children who want to transition while attending school. Even for schools that do support transgender children, there are still barriers due to two-sex systems, especially in sports. Many subjects of Travers’s study talk of needing to leave a sport they are passionate about because they either cannot play on their preferred team or they face harassment from team members, coaches and parents, among other reasons. Travers states broadly, “For trans people of all ages, the sex segregation of sport is a key obstacle to participation” (95). The statements from the subjects and their parents as well speak volumes to the interruptions of “normal” childhood life. 

I found the testimonies from this book particularly enlightening as they spoke to the way young children experience gender. The usage of personal voice from these young kids highlights the self-awareness and understanding one gains from questioning and discovering their identity. With their clear and open definitions of the gender spectrum, they are truly paving the way for a more less sex-segregated future. One child, as Travers notes, “Believes that children and young people should be able to ‘try stuff out, find what fits for them’” (31). THIS CHILD ALSO articulates clearly the fluidity of gender and children’s right to self-determination. Travers describes another kid REVISE,  “Stef resists both a binary-based trans narrative of permanence and the kind of criticism of that narrative that legitimates trans-opressive refusals to acknowledge the ‘realness’ of trans kids’ gender identities” (30). These personal accounts educate readers on both the transphobia children endure as well as validate gender as a spectrum. All people, transgender or cisgender, young and old, can learn from this new generation of children. 

While this monograph succeeds in addressing the severity of trans kids’ mental health issues, some of the descriptions of self-harm and suicide are in need of content warnings. Of course, trans children are disproportionately at risk, but the explicit and somewhat graphic detail used is not necessary. The main instance of this is in a description of a young boy named Finn who took his life. While the language used came from his mother’s announcement in an online parent group and was only quoted by Travers, their discussion of the death was disturbing. Again, suicide is an uncomfortable and disturbing topic to begin with, but also a significant aspect of trans oppression. Travers explains that they see Finn as a “casualty” of this oppression due to his feelings of “hopelessness about the future” and the “limited agency available to him” (35). This description does help readers understand the state of despair of trans children, but I don’t believe this serious of an issue can be brought up so honestly in this way.

Overall, I thought this book was incredibly informative and well constructed considering the difficult subject matter. Not only did Travers broaden my understanding of trans life in North America, they ended the book in such a thoughtful conclusion of the nuances within the trans community given intersecting identities. I would be curious to know how the history of trans youth has expanded since 2018; much has changed in the past 4 years and I wonder what effect the pandemic especially has had on trans youth. Besides the outrageous amount of anti-trans bills proposed in 2021, I do wonder if conditions in schools have improved for trans children with the growing impact social media has on society. While the contents of the monograph are deeply saddening, this book is a must read for anyone wanting to learn from children affected by trans oppression. 

Travers, Ann. The Trans Generation. New York University Press. New York. 2018.

Book Review: The Work of Rape

Rape has been a phenomenon experienced throughout history and redefined through centuries (Webster). Rape is currently defined as “unlawful sexual activity and usually, sexual intercourse carried out forcibly or under threat of injury against a person’s will or with a person who is beneath a certain age or incapable of valid consent because of mental illness, mental deficiency, intoxication, unconsciousness, or deception” .The work of rape, written by Rana M. Jaleel in October 2021, shows a great representation of the process of “understanding rape and sexualized violence- as well as their primary components, namely consent, force and coercion” that have been a product of history. The Work of Rape examines “how rape has historically functioned as a technology of racial terror enabled by law and the state, women of color feminism and queer scholarship have only sporadically engaged the role of the US race making and empire”. In other words, Dr. Jaleel writes about the redefinition of sexual violence through international law by examining mass rape in areas such as Yugoslavia, Rwanda, Guatemala, and Peru.


Dr. Jaleel is an associate professor of Gender, Sexuality, and Women’s studies at the University of California Davis. She has a Ph.D. in American studies from New York University, a JD from Yale Law school, and an MFA in poetry from the University of Michigan. The Work of rape received the Author of Color’s first book award from Duke University Press. Dr. Jaleel is “Chair of the Cultural Studies Graduate Group, Chair of the Designated Emphasis in Feminist theory and research, Faculty Advisor for the Sexuality studies Minor, and the co-director of HATCH: the feminist Arts & sciences initiative”(Snow).


REVISE The work of Rape starts of in the introduction, where this book asks” what is uplifted, occluded or viciously suppressed within the very definition of rape so that sexualized violence might be recognized”(4). ADD SIGNPOSTS THROUGHOUT THIS PARAGRPHDr. Jaleel explains how The work of Rape “demonstrates the wide ranging importance of rape within contemporary sociolegal understandings of power transnational”(4). Dr. Jaleel goes more in depth about the several meanings to what rape is, and has been defined by global feminists. This brings awarness to bigger questions “How do we enter into our imaginaries of sex-how we determine, how we know, what sex is and what bad or violent sex might be? How do we approach the long, diverse histories of indigenous women, women of color, Third World feminisms and queer/trans responses to rape and other forms of sexualized violence”(6). While these questions aren’t answered in the introduction, Dr. Jaleel makes sure to restate them later on in her book.


In chapter one Dr. Jaleel discusses the rape epidemic seen in Africa, emphasizing the impacts happening during the Cold war era in Yugoslavia and Rwanda.HOW ARE THE CONTINENTS AND COUNTRIES MENTIONED ABOVE RELATED ACCORDING TO THE AUTHOR? HOW DOES SHE APPROACH THE DIFFERENT SITES? She introduces the history of Yugoslavia and explores “how The divisive, transnationally mobile feminist theorizations and dialogues surroiding mass rape,war rape and genocidal rape enabled conflict in the former Yugoslavia and, later, Rwanda”; NEW SENTENCE. ALSO GIVE THE ANSWER AUTHOR GIVES TO THE HOW ABOVE while doing this Jaleel highlights some elite?POWERFUL feminist WRITING? inFROM? the 1990s. In chapter two Dr. Jaleel explores mass rape in Guatemala, peru and Argentina during the civil wars . Jaleel explains how “legal feministS? portrayed sexualized violence in Latin America either as proof of the general pervasiveness of wartime sexualized violence, or a domestic violence or intimate terror which they subsequently named torture”(89).


Dr. Jaleel presents a view on rape that I have yet seen before. She includes various examples from several countries in order to present a further argument. For example, Dr.Jaleel explores rape in former Yugoslavia and Rwanda, where “racialization is an ongoing process that produces the war-raped as a population internationally managed and governed”(51). This chapter suggests different approaches on what is now the global mandate to end rape and sexualized violence. FOR EXAMPLE.. Moreover, Jaleel introducesCONNECTS? the radical feminists seen during the forged antiwar movement seen by Chicanos, Asian American, Native Americans and Black liberations.AND DRAWS WHAT CONCLUSION? Dr. Jaleel establishes several terms such as “settler sexual contract” to describe how racialized sexualized violence comes to bear on state sovereignty through human rights guarantees of international law (106).


In chapter three, the MCA is introduced EXPLAIN ACRONYM, as it repurposed international law to codified definitions of torture, rape, and sexual violence. Jaleel argues how the theorization of rape and other sexualized violence creates a different between the individual and teh population. The last chapter, four, explains in campus “entanglement of animality and sexuality” through a series of scenes(142). Jaleel explains how the stories mentioned are in order to underlie lines of force that animate different subjective sexual claims. Through this chapter Jaleel considers the relationship between campus sexual securitization initiatives and tribal nations jurisdictional struggles with the federal government. Dr. Jaleel concludes the book by promoting activism and protest that can ultimately bring everyone together. GIVE EXAMPLE


Although Dr. Jaleel’s work well presents the ongoing issues with mass rape, and the representation through history, i found that the text was very hard to read. This text uses a lot of big words or complex vocabulary, very similar to that of Michel Foucault’s books. Although this can be seen throughout the whole text, I found it the most prominent in the introduction of the book. This can discourage readers from analyzing the text, as the words can make it hard to understand, or even keep up with the book. In addition, the text does not well introduce books/articles that are presented to support Dr. Jaleel’s argument. The lack of introducing information about mentioned articles can negatively affect readers who get lost during the reading, just like I did.
Finally, The Work of Rape has evolved into a book that questions and redefines rape. Dr. Jaleel “argues that the redefinition of sexual violence within international law as war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination,” as demonstrated by a number of examples across the countries. It is critical that people read this book at least once because it explains mass rape in a way that no one else has.

Works Cited

Jaleel, Rana M. The Work of Rape. Duke University Press, 2021. 

Snow, Hunter Kyle. “Rana Jaleel.” Gender, Sexuality and Women’s Studies, Ucdavis, 19 Sept. 2022, https://gsws.ucdavis.edu/people/rana-jaleel. 

“Rape Definition & Meaning.” Merriam-Webster, Merriam-Webster, https://www.merriam-webster.com/dictionary/rape. 

“Inside Greek U.” Book Review

Even in the era of fourth wave feminism, most American children still grow up in a rigid gender binary. They learn to practice gender roles that shape their personalities and their lives. Then, those with a certain amount of privilege find themselves thrown onto American college campuses with unprecedented freedom in their gender identity and expression. How do they navigate this freedom? Do they play into the gender roles they have been taught or learn new ways of existing as a human? A place where these questions are especially relevant is in American Greek life. Fraternities and sororities are the epitome of gendered social organizations and they have been the subject of much controversy over the past 200 years. How does gender manifest itself inside these privileged organizations, and what are the solutions to the woes of Greek life?

In his book “Inside Greek U,” Alan DeSantis (he/him) breaks down gender within America’s fraternities and sororities. His deep dive into Greek life through being a professor and Greek advisor at University of Kentucky (nicknamed GU for Greek University), led to five conclusions about the state of modern fraternities and sororities with a specific focus on gender. After his five specific conclusions, DeSantis summarizes what he has come to believe through his extensive research:

Continue reading ““Inside Greek U.” Book Review” →

Improving Straight Culture: A Review of The Tragedy of Heterosexuality

“Men want women and also hate women” (Ward 28). In American culture, misogyny, strict gender roles, and the normalization of heterosexuality are elements that have become so ingrained in our society that people rarely question them. We teach young girls that their purpose in life is to find a husband and live happily ever after and young boys that their identity must be found in rigid masculinity, all while creating a society where the patriarchy is rampant and controlling. While the violence, hatred, and shame of heterosexual culture have been normalized in our society for hundreds of years, feminists and scholars of gender and sexuality studies are beginning to unpack the framework of heterosexual culture and take a critical view of the issues that historically, few have addressed. 

One such author is Jane Ward, who addresses misogyny and the patriarchy, as well as race, gender, and queerness in her 2020 book, The Tragedy of Heterosexuality. Ward, a professor of Feminist studies at the University of California Santa Barbara, is an author and scholar. Originally receiving her PhD in sociology from the University of California Santa Barbara, Ward now focuses her studies on queer and feminist cultures, including heterosexuality, race, and trans cultures. Prior to writing The Tragedy of Heterosexuality, Ward wrote and published two other books, Not Gay: Sex Between Straight White Men (2015) and Respectably Queer: Diversity Culture in LGBT Activist Organization (2008) (Ward). As a queer woman, Ward takes a critical approach to both heterosexual culture, patriarchy, and white queer culture in her works. 

In The Tragedy of Heterosexuality, Ward examines the history of heterosexuality within the United States through a queer feminist lens. She analyzes primary elements of straight culture, such as what she refers to as the “heterosexual repair industry”, and looks towards queer lesbian culture to claim that as a society, men should improve their treatment of and their actual desire for women and women should heighten their standards for the men in their lives. Ward also argues that while people often treat heterosexuality as the “default” and the “easiest” option in society, it is actually not the case. She writes, “This book argues that the basic premise of this question–that heterosexuality is easier than queerness–requires renewed investigation” (Ward 2). Though heterosexuality may be seen as the “default” in society, Ward claims that heterosexual culture requires significant improvements, and envisions a better, more authentic, and more desirable future for heterosexuals. 

In the opening chapter of The Tragedy of Heterosexuality, Ward clarifies her intentions for the book. First, she is not fighting against heterosexuality itself, but simply envisioning a better future for heterosexuality. She even uses language that straight people often use towards queer people, writing “To the straight people reading this book, let me say with all my love and solidarity, I am your ally” (Ward 7). Second, Ward aims to take an intersectional approach to the topics of straight and queer cultures. She acknowledges that queer culture is often represented from a privileged white point of view, and wants to recognize and honor the intersections of race, as well as class and ability, in her critique of straight culture. To do so, she writes, “I have leaned heavily on the writings of queer feminists of color and placed their insights at the forefront of my analysis” (Ward 7). Lastly, Ward uses multiple forms of evidence throughout the book, such as citing interviews and writings with other scholars in her field, looking towards cultural and media evidence, and even conducting her own small forms of research among the queer people in her community. It is through this methodology and philosophy that Ward forms her critiques of heterosexual culture. 

One of Ward’s greatest strengths in her writing of The Tragedy of Heterosexuality is her unique approach to issues of heterosexual men and patriarchy. Instead of simply using the rampant evidence of the oppression of women to criticize men and their heterosexuality, she claims that much of heterosexual culture would be improved if men actually like women more. While we often view heterosexuality and patriarchy as men’s control of women through their lust and desire for women, Ward writes that “heteromasculinity is characterized by a much weaker and far more conditional desire for women’s bodies than is often claimed” (Ward 19). At the forefront of her arguments is the idea that men do not actually like women very much, but instead, they like the power, control, and ownership that heterosexuality gives them. In her analysis of the history of heterosexuality in America, Ward writes, “Across time and place, most forms of heterosexual coupling have been organized around men’s ownership of women (their bodies, their work, their children), rather than their attraction to, or interest in, women” (Ward 34). Instead, Ward writes that straight men should look within themselves for a greater desire for women, not just sexually, but as people, which would result in greater respect for women. As Ward points out, in our intensely heterosexual culture, it is often in social differences between men and women that we are taught to see as desirable; it is from these differences that sexual and romantic compatibility emerges. However, more often than not, this is a falsehood. The strict gender binary culture of heterosexuality results in harsh, and often forced, differences between the genders that do not result in a desire for one another, but instead in annoyance and misunderstanding of one another. As Ward claims, a greater understanding between men and women, as well as greater acceptance of gender expression would result in men and women desiring one another more. This line of thinking, which is foundational to the arguments of the text, is a compelling and unique one that offers tangible ways in which cishet men can treat women better. 

Another strength of The Tragedy of Heterosexuality is Ward’s open critiques of white queer culture. Ward, even as a white queer woman, does not hold back in her criticism. She writes, “Many queer subcultures, like straight culture, are built on intersecting forms of violence: anti-Blackness, misogyny, transphobia, ableism, and economic injustice. . . In other words, taking queerness seriously as a cultural formation distinct from straight culture does not obscure hierarchies among queer people” (Ward 119). While uplifting queer, and particularly lesbian, culture, Ward still takes a critical view and acknowledges the racism and other injustices that are often far too present within white queer culture. In particular, she is critical of white gay male culture, writing that “Gay men, especially white gay men, are often the greatest defenders of the narrative about queer suffering, probably because they have more power and privilege to lose as a result of inhabiting and nonnormative sexual orientation (and sometimes a nonnormative gender)” (Ward 3). So, while being critical of heterosexual culture, Ward is still able to express her critiques of queer culture, as well as the extreme differences between lesbian culture and gay male culture (and particularly white gay male culture) which are rarely discussed. Ward’s ability to present a nuanced view of white queer culture speaks to the quality of her writing and the arguments in The Tragedy of Heterosexuality. 

While The Tragedy of Heterosexuality has many strengths in its arguments and methodology of writing, it could include more quantitative studies and research. Ward cites evidence throughout the book, such as quotes from other feminist scholars, as well as evidence such as ads and media sources that display gender roles. In the fourth chapter of the book, she even conducts her sample study in which she surveyed and quoted people within her own queer community about their views of heterosexual culture. While the quotes from queer people in her life provided relatively sufficient evidence of her claims, I believe that she could have strengthened the chapter by expanding her research and giving a survey to a much larger group of people outside of her own queer community. Conducting research about queer views on heterosexual culture could have provided Ward with more compelling evidence to back her claims. However, Ward does acknowledge the challenges of conducting this type of large-scale research, writing, “Suffice it to say that the kind of quantitative data that would be most useful to the queer feminist investigation at hand are, by their very nature, limited. The field of critical heterosexuality studies is still in its infancy, and ‘straight culture,’ so hegemonic as to be unnameble outside of queer space, is a relatively new object of inquiry” (Ward 27). As Ward points out, The Tragedy of Heterosexuality is a unique work in a relatively new field, so finding and conducting sufficient research can be difficult. 

In The Tragedy of Heterosexuality, scholar Jane Ward addresses large-scale issues of American heterosexual culture that few have before. With intersectionality in mind, she encourages men to look to lesbian queer culture as an image of how women should be treated, desired, and loved, all while encouraging women to hold high standards for the men in their lives. The text is sufficiently nuanced, especially in its allyship and encouragement towards straight people, as well as its accurate critiques of queer culture. I believe that this relatively-accessible text is one that everyone should read and could benefit from, regardless of gender or sexuality. This thought-provoking and unique text could help anyone and everyone reimagine the oppressive heterosexual culture that has been ingrained in our society.

Works Cited

Ward, Jane. “Jane Ward: Scholarship for the Feminist Future.” Jane Ward, https://www.janewardphd.com/. 

Ward, Jane. The Tragedy of Heterosexuality. New York University Press, 2020.

Review of Wild Things: the disorder of desire

Photo of Jack Halberstam and cover of book by Vincent Tullo

In Jack Halberstam’s Wild Things: the disorder of desire, wildness is a multifaceted concept intertwined with queerness, queer bodies, and human desire. There are many ways of thinking of the “wild” and “wildness” in culture today. The wild speaks of uninhabited growth and unrestrained actions of something (un)natural, of people resisting societal rules, and of animals refusing to submit to humans. The wild is often something that we do not, and cannot, fully understand. Therefore, it is applied to a variety of things that do not make sense to a society that thinks in binaries of male and female, heterosexual and homosexual, and animal and human. With wild queerness comes wild desire. Wild desire is neither heterosexual nor homosexual, but also neither normal nor perverse (Halberstam 11). The people that exhibit wild desire have sexualities that are difficult to place in post-1800s conceptions of sexuality and that are sometimes linked to a longing to become wild and even fully feral (23). Halberstam also investigates what makes something wild, the rules of wildness, and our role in destroying or perpetuating the wild. Wild Things: the disorder of desire explores human fascination with the wild, wildness’ ability to escape binary thinking, and the benefits of being wild.   

Through the book’s nine sections, Halberstam traces the wild through the past and the present to assert various arguments about the humanity-wildness connection but also to explain how the wild challenges human hierarchies that separate the human from the other. He begins by locating the original European-American ideas of wildness and longing for the wild in colonialism; wildness was something “native,” non-European, pagan, or savage that Europeans fell in love with and tried to replicate (35, 53-54). At the same time, he highlights Native American and Black uses of wildness; where wildness was once used to control and dehumanize these groups, they reject the idea of humanity as defined by Western standards, choosing to live outside any colonial or Western conception of what they should be (26). He then analyzes specific modern narratives of falconry to point out that some people do not only wish to replicate wildness, but also long to shed their humanity and become feral animals (79). These lines between human and animal blur even further in the section on pets and children that not only brings together wildness and domesticity, but also introduces “zombie humanism” wherein humans project living death onto others so that their humanity can only be discerned when compared with these (un)dead beings (116-120). First, he expands on the feral child, asserting that before entering the adult world, the child lives in a space of wild emotion and rejection of adult-imposed power systems, opting instead to follow the rules of the wild  (130). Second, he expands on the trope of the zombie that represents modern anxiety over the blurring boundaries between the wild, the domestic, the living, and the dead (148-149). He finally concludes that the wild is all around us and urges us to deconstruct the world we know and let the wild accept us into its fold (180). Halberstam communicates these arguments as the wild and queerness continue to fascinate him in his professional career and personal experiences. 

Jack Halberstam is known mostly for his scholarly writing and public speaking about gender, sexuality, and popular media. He holds a Ph.D. and an M.A. in English Literature from the University of Minnesota, Minneapolis and a B.A. with Highest Honors in English from the University of California Berkeley (“CV”). He is currently a professor of English and Gender Studies at Columbia University and the author of seven books including Female Masculinity and The Queer Art of Failure (Jack Halberstam). In 2018, Places Journal awarded him its Arcus/Places Prize for “innovative public scholarship on the relationship between gender, sexuality, and the built environment” (Jack Halberstam). He has also written articles for journals and magazines and is a co-editor and public speaker on topics such as queer failure, subcultures, gender variance, popular film, and animation (“Bio”). In recent years of his everyday life, Halberstam has gone by he/him pronouns but tried not to ‘police’ other iterations of his pronouns or his name, such as Judith or Jude (Sexsmith). His attitude towards his own gender expression in his personal life reflects the way of living outside binaries that he illustrates in Wild Things. This relationship between queerness, media, and the wild intrigues him so much that he is working on a second volume of this work titled The Wild Beyond: Music, Architecture, and Anarchy (Jack Halberstam).

Halberstam’s methodology for illustrating his arguments in Wild Things is to weave together a variety of media that supports his theories. The book is divided into two parts, the first of which is “Sex in the Wild” which explores wild sexualities and their histories. The first instance of wild sexuality that he mentions appears in chapter one, “Wilderness, Loss, and Death,” with Roger Casement, an Irish diplomat who was both an anti-colonialist figure and a man who sought sexual favors from men in the Congo and the Amazon whose rights he fought for. To Halberstam, Casement displays an ‘untimely sexuality:’ a desire for the wild, non-European person and his/her world understood as queer and yet established before the language of homosexuality (Halberstam 43). In discussing colonial wild desire, he also mentions anthropologist Michael Taussig’s theory that colonialism views the non-western other as savage and violent and in trying to subdue those wild traits ends up displaying those traits itself (37). Halberstam then uses The Rite of Spring in chapter two, “‘A New Kind of Wildness:’ The Rite of Spring and an Indigenous Aesthetics of Bewilderment,” as an example of that colonial view of wildness in art. Through examining its convention-breaking choreography, its inversion of musical chords and instrumentation, its creative team’s queer relationships with each other, and its riotous reception by critics, he presents the ballet as a replication of a fictional Native American rite and of queer fantasies of wildness (53-60). However, his analysis of Kent Monkman’s paintings points to a Native American embracing of this characterization of wildness through works like Seeing Red that parody western art by inserting queer symbols such as Monkman’s alter ego Miss Chief Eagle Testickle (74). Moving away from colonialism, the falconry accounts of J.A. Baker, Helen Macdonald, and T. H. White in chapter three, “The Epistemology of the Ferox: Sex, Death, and Falconry,” demonstrate wild desire outside of the hetero/homo binary that is not attributed to being in the closet or longing for human connection and while related to sexuality, is not actually sexual (79). The wild desire here is to live vicariously through birds and use their knowledge even when that knowledge makes no sense in human contexts (80, 82). According to the falconers, when people have this desire that does not fit human categories, they long for a similarly wild place where their desire does not have to be dissected or designated (94). Thus, part one of the book connects colonialism, art, and queer theory with different interpretations of wildness. 

Part two of the book, “Animality,” explores wild animals, children, and forms of living. The introduction to part two, “Animals Wild and Tame,” examines capitalism’s role in human-animal relationships. Halberstam looks at Gabriel Rosenberg’s “How Meat Changed Sex: The Law of Interspecies Intimacy after Industrial Reproduction” which details a contradiction of anti-bestiality laws that forbid bestiality on moral grounds yet allow human-animal contact for meat production, suggesting that the difference between a companion and meat is not love but capital (120-122). Extrapolating from Jane Bennet’s book, Vibrant Matter, he states that pets are not alive in their wild original form, but are not dead like animals for slaughter (119). A pet is useful in its companionship but has to live by human rules; it can nip but cannot bite, so pets become prosthetic extensions of humans doomed to a half-wild life (119). Halberstam also looks at the child, that other half-wild creature, and compares Max from Maurice Sendak’s Where the Wild Things Are with Pi from Yann Martel’s Life of Pi. He notes that both boys understand that the wild separates people into predator-prey relationships, that it has a set of rules entirely different from the human realm, and that the only way to survive it is to follow those rules and participate in the ‘wild rumpus’ (134-139). Halberstam then returns to “zombie humanism” and how zombies force us to consider the value of life. In the film, White God, animals will revolt if given the chance as in the case of Hagen, an abandoned dog who spends the film meeting and killing other dogs, rising up against pound guards, and feeling indifferent when reunited with his previous owner (159-160). In looking at zombie films, Halberstam demonstrates that zombies’ motivation in The Walking Dead is not to become human but to destroy humanity as agents of the wild (170). He compares this motivation with how In the Flesh tries to question the importance of life over a zombified existence through a gay protagonist who committed suicide and then was revived as a zombie. (172). In his final chapter, “The Ninth Wave,” he analyzes the B-side of Kate Bush’s album Hounds of Love and encourages readers to surrender to the wild in their lives just as Bush seems to surrender to the themes of her music (176-180). 

Wild Things’ use of multiple forms of media and of racial, class, and economic perspectives contributes greatly to its success. While referencing other scholars like Foucault, Wild Things works within queer theory by arguing against the view of wild desire as specifically homosexual, instead suggesting that it is something entirely different because the desire is not for a human subject. It also adds to philosophical discourse about the differences and similarities between humans and animals and to racial discourse on slavery as well as empowerment. By looking at where wild things appear in popular culture, making connections, and speculating as to the implications for our lives, the book calls for furtherinvestigation by queer scholars. A good amount of writing on this relationship between wildness and queerness exists, but Halberstam seems to have written the first monograph within the discipline. The book’s insistence on accepting the wild also fits into Halberstam’s previous work with accepting failure as a queer way to escape the status quo enforced by nationalism, capitalism, and heteronormativity. All of this is delivered through Halberstam’s succinct writing, lively tone, and reference pictures for a quick but deep read that makes one question one’s assumptions. 

However, Wild Things falls short in a few areas. First, it requires that one know or research large amounts of (sometimes obscure) media. Without knowledge of the referenced material, one’s understanding of the book cannot be as deep as Halberstam assumes it is. One might even say he overuses media. Almost the entire book is quotes of other people, and what original main ideas he does have he sometimes struggles to make flow from chapter to chapter or to sum up efficiently. While he focuses on queer sexuality, he omits queer gender and misses out on analyzing the popular media trope of the wild woman. Most importantly, he offers a critique of modern thinking by pointing out certain issues, but does not attempt to convince the reader to take action. In the chapters on pets, he seems to oppose pet owning, but provides no alternative. He says nothing about his personal stance on pet owning and focuses almost exclusively on dogs, leaving out other more independent house pets such as cats. One is often left wondering if other scholars would agree with his assumptions about and connections between pieces of evidence. 

Despite its flaws, I would recommend this work to scholars and those interested in learning more about queer theory or wildness as a concept. However, an open mind is essential to reading this book because of the heavy and occasionally controversial topics Halberstam takes on such as bestiality, animal domestication, and sexual exploitation. Overall, Wild Things presents a roaming yet insightful analysis of the wild and wildness. 

Works Cited

1. Halberstam, Jack. Wild Things: the disorder of desire. Duke University Press, 2020. 

2. Jack Halberstam. Department of English and Comparative Literature. Columbia University, 2022. https://english.columbia.edu/content/jack-halberstam. Accessed October 21, 2022. 

3. “Curriculum Vitae.” jackhalberstam.com. http://www.jackhalberstam.com/cv/. Accessed October 21, 2022. 

4. “Bio.” jackhalberstam.com. http://www.jackhalberstam.com. Accessed October 21, 2022. 

5. Sexsmith, Sinclair. “Jack Halberstam: Queers Create Better Models of Success.” Lambda Literary, February 1, 2012. https://lambdaliterary.org/2012/02/jack-halberstam-queers-create-better-models-of-success/. Accessed October 21, 2022. 

6. Tullo, Vincent. Photo of Jack Halberstam and book cover of Wild Things: the disorder of desire. “Bergen Kunsthall.”https://www.kunsthall.no/en/events/2571-2022-09-29/#. Accessed November 12, 2022. 

7. Monkman, Kent. Seeing Red. 2014. kentmonkman.com. https://www.kentmonkman.com/painting/2014/seeing-red. Accessed November 12, 2022.

Seeing Red — Kent Monkman

Book Review – Asexual Erotics: Intimate Readings of Compulsory Sexuality

Asexual Erotics: Intimate Readings of Compulsory Sexuality, was written by Ela Przybylo and published in 2019 by the Ohio State University Press. In the monograph, Przybylo focuses on the topics of asexuality and erotics. She looks at both terms from a unique perspective and works to redefine them in a new light instead of one based on ideas influenced by heteronormativity and compulsory sexuality. She hopes that in writing Asexual Erotics she can combat the centralization of sex as a central factor in the experience of sexuality and erotics. Przybylo uses the term “asexual erotics” to show that these two ideas that seem like polar opposites when viewed in the typical way of thinking, can in fact go hand in hand. She wants readers to understand that erotics do not always have to be in reference to sex and sexuality doesn’t always mean sexual.

Ela Przybylo (she/her/ona) received her B.F.A. in Visual Communication Design, B.A. in Women’s and Gender Studies, and M.A. in English and Film Studies and Women’s and Gender Studies from the University of Alberta. She also received her Ph.D. in Gender, Feminist, and Women’s Studies from York University in 2016. Asexual Erotics is her only mongraph but she has published many articles and chapters in peer-reviewed journals during her career. She is currently working as Assistant Professor in the Department of English and is also a core faculty member in the Women’s Gender and Sexuality Studies Program at Illinois State University. Przybylo is also one of the founders and managing editor of Feral Feminisms, a peer-reviewed journal. The Ohio State University Press was founded in 1957 and publishes an average of fifty to sixty books every year. They are a member of the Association of University Presses and specialize in literary and cultural studies. In addition to publishing new books, they also publish a number of distinguished journals.

In order to write her monograph, Przybylo had to gather the data she used to support her arguments. She used a derived and compiled method for generating this data. Rather than conducting studies to generate brand new information, she sorted through the data that had already been collected by other researchers and compiled their findings to back up what she discussed in her monograph. She used a wide variety of sources which were referenced throughout her monograph.

Przybylo’s main argument that showed up many times throughout the book, was the idea of redefining asexuality and erotics. She uses the monograph to build her argument for why these concepts need to be redefined, focusing on multiple subjects within the wider umbrella of these two topics. She begins her monograph by providing readers with a clear view of where her work falls within the field of knowledge about asexuality, as well as sexuality in general. She references the work of many other authors – including Audre Lorde and Cameron Awkward-Rich – as well as past studies that have been conducted on topics ranging from health and medical research to feminist and queer theories in order to establish what is known about the subject. She uses the information from these other authors and researchers to establish a frame for how she wants readers to think about asexuality and erotics as they read the monograph. Then Przybylo goes on to discuss the gaps in knowledge and uses what follows after the introduction to fill those. Other works have talked about the idea that sexuality and the erotics don’t need to be linked to sex, but Przybylo’s monograph is the first to provide readers with a language they can use to discuss intimacy without needing to talk about it in terms of sex.

Przybylo places a lot of focus on how sex has historically played a huge role in determining people’s sexual identities even though it only allows for a generalized understanding of these identities. Sex is not the only form of intimacy and basing one’s sexual identity solely on who they feel inclined to engage in sexual behaviors with does not allow for investigation of the intricacies of relationships with others. Asexuality is a sexual identity that allows for a new perspective on how people relate to each other. Asexual identifying poeple are still able to determine how they feel about others without depending on sex as a way to define their feelings.

The idea that sexuality and the erotic are not inherently linked to sex or other sexual things is crucial to Przybylo’s reinvention of these concepts. She goes into a lot of detail about how compulsory sexuality – the assumption that heterosexuality is standard – has been ingrained in society for centuries. In the past, asexuality has been labeled as someone having a low sex drive and viewed as a health issue. Asexual Erotics says while many asexual identifying people have low sex drives is true, it is not unnatural or unusual despite the fact that compulsory sexuality makes this seem as though this is the case. This compulsory sexuality originated from a heteronormative system that labels sexuality and calls anyone who doesn’t follow the standards of those in power – usually white, straight, cis men – unnatural. This system is grounded in its assumption that sex is a natural and necessary thing and those who don’t want it must be sick or lying. Przybylo says the creation of the term “allosexual,” currently defined as someone who does experience sexual attraction, is one way to challenge this system because it refutes the heteronormative notion of compulsory sexuality. 

Focusing on asexuality, another important part of the redefining of asexuality that’s highlighted by Przybylo’s writing is the understanding that there is not only one kind of asexuality. The current official definition of this sexual orientation says that an asexual person is someone who does not experience any sexual attraction. Przybylo writes that this definition is very limiting and does not allow for the nuances that come with each individual’s experience of asexuality. She believes that asexuality can’t be reduced to a lack of sexual attraction and this is another one of the many reasons why it needs to be redefined in a way that allows people to talk about it without needing to relate it to sex. 

There is still a lot of work to be done but Przybylo’s creation of new definitions for the concepts of asexuality and erotics is the first step toward addressing the problems faced by asexual identifying people. These are discussed in the monograph and they come from many sources both external and internal. Some of the external problems include standards for sexuality established by systems based on heteronormative ideals, lack of representation in the media, asexphobia, and incels that make it difficult for some people to distinguish between incels and asexual identifying people. Many of the problems within the asexual community stem from it being a predominantly white space. Minorities within the community often feel isolated and are subject to racism. Przybylo writes that even in the media, asexual characters are almost always white, cis men. Przybylo achieved her goal of using Asexual Erotics to provide a new way to view asexuality and other sexual identities and setting the groundwork for decentralizing sex within society. Even though there is still much to do before this decentralization becomes a reality, her monograph has opened up conversations about how this can be attained. This matters not only because it will allow society to shift away from a system grounded in heteronormativity and compulsory sexuality, but also because it encourages people to recognize that anything that deviates from what is considered the societal norm is not necessarily unnatural. Once people begin to realize this the world can become a much more accepting place where people are free to be themselves and express themselves. There will be less pressure put on people to live up to society’s standards because the standard will allow for so many nuanced experiences of life and identities. Przybylo’s Asexual Erotics is one of the first steps towards helping people open their minds to different experiences and learning to be more accepting of things they don’t currently view as normal.

Works Cited

“Dr. Ela Przybylo.” College of Arts and Sciences, June 8, 2017. https://cas.illinoisstate.edu/faculty_staff/profile.php?ulid=emprzy1#fs-tabs-accord1.

Przybylo, Ela. Asexual Erotics: Intimate Readings of Compulsory Sexuality. Columbus: The Ohio State University Press, 2019.

“The Ohio State University Press.” The Ohio State University Press. Accessed November 12, 2022. https://ohiostatepress.org/.

Intersectional Feminism in bell hooks’ Feminist Theory: From Margin to Center

Although bell hooks’ Feminist Theory: From Margin to Center was found to be “provocative” when it was published in 1984, hooks’ ideas of intersectional feminism fit well in 4th wave feminism. In Feminist Theory, hooks aims to create a blueprint for a mass-based feminist revolution that speaks to all genders, races, and classes. hooks explores the limitations of various aspects of feminist theory and practice, how to improve them, and other experts’ opinions. 

bell hooks, born in Kentucky in 1952, studied English at Stanford University and the University of Wisconsin-Madison. In 1983, following years spent teaching and writing, she received her Doctorate in English from the University of California, Santa Cruz. Before her untimely death in 2021, she published around 40 books ranging from essays and poetry to children’s books, as well as scholarly articles. 

Her writings address ideas of intersectionality of race, gender, and capitalism, and how these concepts produce and perpetuate systems of oppression and domination. Despite her breadth of academic experience and qualification, hooks is known for her skill in writing for a the greater public with accessible language, furthering her goal of a common language for feminism.

In Feminist Theory, hooks approaches topics by analyzing how much progress has been made by 1984, then discusses what must be changed for feminist revolution. She enhances arguments by supporting or refuting other feminist scholars’ voices including Betty Friedan, Toni Morrison, Grace Lee Boggs and James Boggs, Charlotte Bunch, Lucia Valeska, and Paulo Freire.

hooks first criticizes Betty Friedan’s The Feminine Mystique, because it ignored women who did not fit the white, upper-middle class mold. She asserts that Black women are the most victimized group of women in terms of sexual oppression, bearing the brunt of sexist, racist, and classist oppression. Their marginality gives them a unique consciousness and central role in feminist movement.

In the second chapter, hooks expands on feminist revolution. She states how race, class, and sex work together to determine the extent to which an individual will be oppressed. Although this book was written in 1984, the importance of intersectional feminism remains relatively new in dominant feminist thought. According to hooks, the mainstream attempts at defining feminism in 1984 reflected the class nature of the movement, being liberal in origin, because society is more respective to feminist demands that don’t threaten the status quo. 

In chapter three, hooks addresses the significance of feminism as a channel for ideological meetings between people. She states that liberal white feminists never explained why feminism is important, believing that social equality was a universal concern. This resulted in failure to emphasize the necessity for mass-based movement and grassroots organizing, making feminism appear relevant only to women in feminist organizations. In reality, hooks believes that sexist oppression is the domination that most people experience. She argues that children are socialized from birth to accept group oppression and family liberation must be a result of feminist movement.

In chapter four, hooks explains the importance of solidarity among women. Male supremacist ideology encourages women to believe they obtain value only by relating to or bonding over men, which corresponds to the Bechdel Test. hooks analyzes the competitive nature of women, and how this must be unlearned in order to build a sustainable movement. She argues that many white bourgeois feminists exploit the stories of Black women for their issues, but don’t include them in the movement or acknowledge their racism. Women are taught to bond over images of women as victims, which white women liberationists embraced, allowing them to abdicate responsibility for their role in the maintenance and perpetuation of sexism, racism, and classism. They victimized themselves in order to make Black women the perpetrator, another result of a patriarchal society and form of white supremacy. hooks explains that women should work together to expose, examine, and eliminate sexist socialization within ourselves to build a foundation for solidarity. Feminist movement needs to show women how racism and sexism are connected, rather than pit one struggle against the other or blatantly dismiss racism.

The feminist movement has also splintered into special-interest groups because women doubt that other groups see the significance of their individual experiences. However, this erects unnecessary barriers to Sisterhood, because feminists must learn to fight oppressions that may not directly affect us as individuals. When we show our concern for the collective, we strengthen our solidarity.

In chapter five, hooks discusses why men are our comrades in feminism. When women lead the feminist movement, this assigns another “sex-role” to them of making feminist revolution (68). This rhetoric reinforces sexism, implying that women’s liberation is at the expense of men. However, men do not share a common social status, because patriarchy does not negate the existence of class and race privilege. Anti-male sentiments alienated many poor and working-class, especially non-white, women, from feminist movement, because Black women know the hardships all genders face in their communities. 

hooks also explains that working-class men attack and oppress women because they are usually “hurt” and emotionally scared because they do not have the privilege or power society has taught them ‘real men’ should possess” (75). She argues that when men beat or rape women, they may feel satisfied in exercising the only form of domination allowed to them in patriarchal society. Men must assume responsibility for transforming their consciousness.

Chapter six examines perspectives of power. hooks quotes Nancy Hartsock’s words that women must recognize how “power understood as energy, strength, and effective interaction needn’t be the same as power that requires the domination of others” (91). hooks says that feminist ideology should clarify for women the powers they exercise daily and show them how these powers can resist sexist domination and exploitation. For example, “one of the most significant forms of power held by the weak is the ‘refusal to accept the definition of oneself that is put forward by the powerful’” (92).

hooks also discusses the need to rethink the nature of work, once more criticizing Friedan for claiming that the most pressing problem for women was the need to get outside and work, to cease being ‘just’ housewives. This ignores how many working-class women find joy in housewifery outside of difficult, menial labor. Work can be an affirmation of one’s identity rather than a negation, as the powerful want women to view it. 

In chapter eight, hooks introduces how educating women is a feminist agenda. She explains how writing and literacy help develop an individual’s imagination and ability to think. A person’s access, through reading a variety of interpretations of reality, increases that person’s capacity to think for themself, to go against cultural norms, and to conceive of alternatives for society. However, many people don’t have literacy. Therefore, feminist ideas must also be spread by word-of-mouth. She proposes bringing women’s studies courses to local community centers. Ideology and mobilization are both vital parts to feminist movement, and hooks believes that revolutionary politics can only arrive from correct ideology.

In chapter nine, hooks discusses the feminist movement to end violence. She explains how the Western philosophical notion of hierarchical rule and coercive authority is the root cause of violence between those who dominate and those who are dominated, affecting male supremacy. hooks believes that battery is caused by the cultural belief that hierarchical rule and coercive authority are natural.

She introduces the idea of a “cycle of violence” for Black men and women. In the public world, the male worker may be subjected to psychological abuse by a boss or authority figure. Since he depends on the work situation for material survival, he suppresses this violence and releases it in what she calls a ‘control’ situation, at home and on women. hooks argues that the sexist and patriarchal notion of masculinity, exacerbated by capitalism, impacts men so that they feel degraded, alienated, and exploited in the work force. Men must begin to challenge notions of masculinity that equate manhood with the ability to exert power over others.

Furthermore, hooks explains how love and violence have become intertwined in this society, due to television and romance novels. Women are encouraged to accept violence as a sign of masculinity. Feminist efforts to end male violence against women must be expanded into a movement to end all forms of violence as social control.

In the next chapter, hooks asserts that effective parenting must make no distinction between maternal and paternal care. Until males are taught how to parent using the same model of effective parenting as is taught to women, they won’t participate equally in child care. hooks argues that community-based child care should become more prevalent, which could be improved through public day-care centers with all genders sharing responsibility for child care.

In chapter eleven, hooks explains the need to end sexual oppression. She explains how there is stigma regardless of how sexual people choose to be, including compulsive heterosexuality. Sexual freedom can exist only when individuals are no longer oppressed by a socially constructed sexuality based on biologically determined definitions of sexuality: repression, guilt, shame, dominance, conquest, and exploitation. Social relations must change to rid people from any of the violence and alienation of fixed images and norms. A line that still applies today is that “the right to choose must characterize all sexual interactions between individuals” (157).

hooks concludes Feminist Theory by explaining how feminist revolution must develop through gradual struggle. At the end of many small quantitative changes, everything will change gradually so that the whole system is completely different. However, a mass-based feminist movement requires ideology that can be shared with everyone, which can only be created if the experiences of marginalized people who suffer sexist oppression and other forms of group oppression are understood, addressed, and incorporated. Positive types of reforms focus foremost on educating masses about feminist movement on how it would transform their lives for the better. 

She also states that love is an essential part of the revolution, because love means commitment to others and their cause. This love is important particularly to those who are politically unconscious, because we cannot motivate them to join feminist struggle by asserting a political superiority that makes the movement just another oppressive hierarchy. The basis for revolution must be on cultural transformation and eradicating systems of domination. There are numerous examples of liberation struggles led by oppressed peoples globally who resist formidable powers that can serve as guidance.

Overall, this monograph explains complicated ideas clearly and accessibly. hooks wrote this monograph for the everyday human, and explains fundamental ideas in the beginning to ensure understanding. She references other voices effectively; enhancing the monograph with their diverse perspectives. 

hooks’ weakness is that she condemns women for enjoying forms of entertainment that many find enjoyable, such as romance novels and watching television. While I understand the patriarchal and dangerous sides of these consumption areas, she implies that they are ‘shallow’ pastimes. Furthermore, there are sections where she puts the impetus on women to help men overcome their internalized misogyny, when this isn’t women’s responsibility. 

I really enjoyed this monograph. It wasn’t too long, yet covered several different topics pertaining to a feminist revolution. Although it was written almost 40 years ago, many ideas still hold true, which is unsettling yet fascinating. It continued my education on intersectional feminism, which I’ve been interested in ever since reading bell hooks for the first time during my first year at Davidson. I think her ideas will continue to be applicable and relevant to all people for a long time.

Bibliography

Hooks, Bell. Feminist Theory: From Margin to Center. South End Press, 2000.

Wikimedia Foundation. “Bell Hooks.” Wikipedia, Wikimedia Foundation, 2 Nov. 2022, https://en.wikipedia.org/wiki/Bell_hooks.

Book Review – Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment

Spending my most formative years growing up in the city of Brooklyn, New York, I was surrounded by Black and Latina women of different body shapes, using colors, and bodily embellishments creatively in their fashion and self-representation, which seemed beautiful and fascinating to me. Until I learned to classify them as “other”… As a young white girl experiencing the world and all its differences, I learned to classify these groups as “other” based on their bodily aesthetic, the very aesthetics that society warned me about. Enter the monograph titled, Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, by Jillian Hernandez, the book that breaks down my childhood thoughts surrounding a topic called “aesthetic excess.” Hernandez examines the concept of aesthetic excess through the stories of working-class Black and Latina women from Miami. By amplifying these voices, the author sheds more light on ways that Black and Latina women in Miami have separated themselves from the prescribed white norms around gender, race, sexuality, and the neoliberal view of class.

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