Book Review: Seeking the Straight and Narrow

Seeking the Straight and Narrow: Weight Loss and Sexual Reorientation in  Evangelical America: Gerber, Lynne: 9780226288123: Amazon.com: Books

Seeking the Straight and Narrow: Weight Loss and Sexual Reorientation in Evangelical America by Lynne Gerber explores the intersection of weight and sexuality in the Evangelical church. The book draws focus to two Evangelical ministries that directly address these topics, First Place and Exodus International. First Place is a Christian weight loss program that was founded in 1981 by members of the First Baptist Church of Houston. The premise of the program is that Christians look to guidance and help from God for every other aspect of life, so they should be able to seek help from him for weight loss. First Place claims that it is grounded in both a spiritual and scientific approach to weight loss that benefits the person physically, mentally, emotionally, and spiritually. It uses divine assistance rather than intervention, and sees divine authority as complementary to scientific authority rather than contradictory. With the rise of the ideas that homosexuality is immutable and natural from the gay right’s movement, ex-gay ministries grew in opposition. Exodus International is an organizational umbrella for roughly one hundred and thirty ex-gay ministries that evolved when the new evangelical movements started to reach out to gay people in the 70s. These ministries use evangelicalism to focus on issues like drug addiction, cultural exploration, sexual promiscuity, and homosexuality. Gays and lesbians that were “newly saved” went to these ministries to reconsider their sexuality in the context of their faith. Exodus International was intent on helping people overcome their homosexuality rather than them being in the closet or taking the liberal approach of acceptance. The ministries see homosexuality as a moral and psychological issue that is undeniably a sin. 

Although the connection between homosexuality and fatness is not a direct one at first glance and First Place and Exodus International exist in different realms of the Evangelical world, Gerber argues that they are in fact deeply connected. She states that “both are associated with excessive desires and excessive bodily expression, excesses that have long disturbed American culture and moral sensibilities” (Gerber 14). Also, homosexuality and fatness have been a “focus of containment” for the state, medicine, and religion. “Losing weight and reorienting sexual orientation are projects fueled by a tension between malleability and limitation that is very compelling in American culture” (3).” The interconnectedness between ex-gay ministries and weight loss ministries through the focus on the body, excess, containment, and malleabillity displays a strong similarity between the two groups that would not come to mind when first looking into these topics. 

The monograph is split into an introduction, three chapters, each with two subchapters, and a conclusion. This setup provides for a very organized and clear structure of Gerber’s argument. The first chapter titled, “Framing Right and Wrong,” is split into two subsections, “Sin” and “Health.” This chapter discusses how evangelicals use sin and health as a way to argue what is morally right and wrong. Food is often talked about in relation to sin, sinful foods or the sin of overconsumption of food. Homosexuality as a whole is seen as a sin by many religious communities. Gerber discusses how the definition of sin varies from person to person. Some people believe that some sins are mild and “not what God created you to be” (39) or to be very harsh and “disobeying God’s commands” (40). On the other hand there are people that believe a sin is a sin and that all sins are seen as equal in the eyes of God. One of the most interesting things I found in this section was Gerber’s claim that gluttony is seen as a worse offense than homosexuality in the bible but in Evangelical American society, homosexuality is seen as worse. In “Health,” Gerber discusses how “the Lord is conflated with health” (53) and any behaviors that do not promote health are against God’s will. Each Evangelical group equates their ideal with health, heterosexual relationships being the only healthy relationships, and having low cholesterol or weight is the only way to be healthy. The next chapter, “Making Christian Bodies,” discusses how these programs place the responsibility of the outcome on the participants. If people want to see change, either in their sexuality or weight it is on them to make that change. This then puts the success or failure of the program on the participant and not the ineffectiveness of the programs. The third and final chapter titled, “Accountings,” is split into “Success/Failure” and “Breaking.” In “Success/Failure” Gerber discusses the approach of the ex-gay and fat-loss groups. Both use a flexible programming design which lets participants talk about their frustrations about how they are not seeing progress. This pulls attention away from the program and to the actions of the participants. The flexibility makes it so the program’s successes and failures can be justified and not questioned. The section “Breaking” posits that the rise in queer activism and fat positivity and acceptance movements has allowed for positive narritives about gay and fat Evangelicals. As a result of this rise, Exodus and First Place had to work against those new movements to retain their membership and participant devotion. This was, however, not successful as many participants in these programs reach a breaking point and leave. They then find acceptance in themselves and their fatness or gayness. “Sexual identity is no more inherently true than religious identity. If people feel they need to pick, they may pick either” (223). The final conclusion of the book discusses how these ex-members must face an internal battle between their fat or gay identities and their Evangelical identities because they feel they cannot exist as both harmoniously. Gerber comes to the acceptance that some people, although not necessary, feel like those identities are not compatible and must choose one.

Lynne Gerber is an independent researcher and scholar. She has held academic positions at both the University of California, Berkeley and Harvard Divinity School. Presently, she is an independent researcher based in San Francisco. At the time of writing this monograph, Gerber was a research fellow in the Religion, Politics, and Globalization program at the University of California, Berkeley. Gerber’s research focuses on religion, the body, and morality. 

Gerber used qualitative research in her investigation through participant observation, interviews, and content analysis of ministry materials. She attended First Place meetings for seven and a half months and although she was not a Christian and they knew she was a researcher, the group welcomed her and filled in the gaps of what she might not understand without a Christian background. However, it was not as easy to get participant observation in Exodus International. The groups were not welcoming to a researcher that was neither gay nor Christian. They had experience with undercover journalists and also thought that she would not understand their teachings or process since she was not a part of the groups they worked with. Therefore, she conducted her research through public gatherings and conferences of ex-gay ministries. She also interviewed sixty three people, twenty eight from First Place, twenty eight from Exodus, and 7 former members of Exodus. She is transparent in the possibility of bias in her samples as the majority of them were white and in leadership roles. 

One of the main strengths I found with Gerber’s book was how she took into account all perspectives on these issues and did not use her preconceived notions on the topics to influence her findings. She is very explicit in saying that everyone comes into the book expecting a different answer based on their beliefs about religion, gayness, or fatness. She knew that the people she interviewed and worked with throughout the process were expecting fair representation and that their vulnerable experiences were not going to be exploited. I think she shares their stories tastefully and respectfully, without any bias and without passing any judgement on them. I personally had thoughts about this book before reading it that were proved wrong. I think that the work is written very well and tells all sides of the story even if it’s not necessarily what some audience members want to hear. She acknowledges that there is validity to these programs while also talking about the pitfalls of them. 

The main weakness I found in the book was that the samples that Gerber used in her research were mainly white- 5 out of 63 participants were people of color. Although Gerber explicitly recognizes this underrepresentation in her analysis, it does not change the fact that her findings are not an accurate representation of the population. The attitudes and experiences collected from the Exodus and First Place people are only really representative of the white experience. The social impacts of weight and sexuality are not independent of race, for example a fat white person, fat black person, skinny white person, and fat black person will all have very different attitudes towards their fatness or lack thereof and will all have very different experiences regarding their fatness. Another example is that black gay men are more likely to face adversity than white gay men. Queer theory has historically already been focused around the white experience and failing to complete a more diverse assessment adds to this issue. Painting a white centered narrative of experiences in these Evangelical programs does not provide a comprehensive, representative view on how the programs affect people and the success of them. 

Overall, I enjoyed this scholarly read. I think it was a very interesting intersection between queer studies, fat studies, and religion studies. The book is written well and structured clearly, making it a read that is fairly easy to understand and follow while also being engaging. It is fascinating how these two Evangelical groups that seem to have nothing to do with each other, are very similar in their ways of teaching and programming, their beliefs around the things they are trying to fix, and how neither of them are very successful for their participants.

Works Cited:

Gerber, Lynne. Seeking the Straight and Narrow : Weight Loss and Sexual Reorientation in Evangelical America, University of Chicago Press, 2012. ProQuest Ebook Central, https://ebookcentral-proquest-com.proxy048.nclive.org/lib/davidson/detail.action?docID=772137.

Theory to Praxis: An App to Save the Davidson Gays

By Chase Waldner

Davidson tries to be an inclusive school; at least on paper. We have resources like Lulabelle’s Market and the lavender lounge available for our students, but what is the experience of going to this school actually like? All I can comment on is my own experience, as a cis gay man, at Davidson, and how I think it could be improved.

I’d like to start with the acknowledgment that Davidson is a small, private, Christian, liberal arts school in the South. With all that comes some phobias and isms that are undesirable, and Davidson is not the only college with these flaws out there. That being said, I can count on my fingers how many other out, gay men I know who go here. And I would still have some fingers left over. My point is: there are very few of us. That feels isolating. I’ve found it difficult to feel like myself and connect with other gay men here.

Sure, we have YANASH and QSA, and other resources like the lavender lounge on campus, but with COVID none of the typical clubs or spaces have been up and running. YANASH and QSA hangouts are few and far between, and I’m not even sure if the lavender lounge is open or not. This begs the question, what can we do to improve the gay experience at Davidson? 

I would like to propose the creation of either an app or a website dedicated to all the LGBTQIA+ resources on campus and also serve as a platform to connect current and future queer Davidson students. With this program we could have a list of all the resources Davidson currently offers for LGBTQIA+ students and include descriptions and locations for them as well. I think if more people knew about what Davidson has to offer there would be increased participation across the board. Furthermore, I think it would be easier for closeted students to find safe spaces and friends if there was a platform built for queer students. You could take it as far as having anonymous chat rooms for those closted students to be able to express themselves without any risk or potential danger. 

Overall, I think the addition of either a website or an app with these features is paramount for the LGBTQIA+ population of Davidson. Currently, us Davidson gays have no real way of finding each other or connecting with the resources set up for us on campus, let’s change that! 

If there’s any comp sci gays out there reading this feel free to put this idea into reality!

How the Clueless Creators of “Clueless” Contributed to a Harmful Culture Around Gay Men

Amazon.com: Clueless : Alicia Silverstone, Stacey Dash, Brittany Murphy,  Paul Rudd, Donald Adeosun Faison, Dan Hedaya, Justin Walker, Donald Faison,  Elisa Donovan, Breckin Meyer, Jeremy Sisto, Aida Linares, Wallace Shawn,  Twink Caplan,

Arguably, one of the most iconic movies ever created is “Clueless.” This movie features everything you could want and more from a classic 90’s high school movie. The lead, Cher, is the “it girl” at Bronson Alcott High, and she seems to have her life fully figured out. With her side-kick Dionne, she takes on some typical challenges accustomed to the privileged teenage life, like failing her driver’s test, going to parties, and meeting a cute boy she might have a crush on. His name is Christian, and, despite Cher’s keen eye, she fails to realize that he is gay. 

Cher tries every play in the book to try and seduce Chrisitan, she drops her pen to bait him into picking it up for her, invites him out to parties, and brings him to her house when her father is away. She puts an entire roll of cookie dough in the oven, in the hopes that the warm, sweet smell in combination with her domestic abilities will be enough to woo him. She ends up burning the cookies, and they move on to tour the house. As they walk through the backyard, Chrisitan is telling Cher what a beautiful art collection her father has and comments on all the statues talking about the various artists and meanings behind the works. This is a stereotype associated with gay men, a love and appreciation for art. This is only one of many different stereotypes the creators of “Clueless,” put on Christian, however.

Clueless': Cher's Love Interest, Christian, Was Almost Played by This  'Twilight' Star

All the characters from the movie continuously point out the effeminate qualities Christian has. His love for art and fashion comes to mind. He is also the most well-dressed and groomed man on the show. All these things are associated with and are stereotypical qualities of gay men. After the not-so-romantic night between Cher and Christian comes to an end, the movie flashes forward to Cher in the car with Dionne and her boyfriend, Murray. Murray is trying to teach Dionne how to drive while the two of them listen and try to counsel Cher about her failed date. After she says she was ready to, “go all the way,” and have sex with Christian, Murray laughs out loud and says, “are you bitches blind or something? Your man, Chrisitan, is a cake boy.” The sexist language he uses here and throughout the film is enough for a whole other essay, but he uses an old derogatory term, “cake boy,” meant to put down and make fun of effeminate men. He then goes on to list more stereotypically gay things that Christian does, like enjoying disco music and reading Oscar Wild. He then finishes his line by saying “he’s a friend of Dorthy if you know what I’m saying.” After all of that, Cher finally realizes that Christian is gay.

While the creators of the movie did a good job at making Chrisitan a likable character, they abused gay stereotypes and the “gay aesthetic” of the time to perpetuate a misguided view of what being gay means. The Hollywood interpretation of gay men specifically, was one of two character archetypes. Either a creepy, predatory character that you are meant to hate and fear, or an effeminate one that is clean, pristine, and loves to shop. Chrisitan is clearly the latter. 

Having this “gay aesthetic” be so wildly loved, admired, and used in media is damaging to gay youth. We’re told this is what it means to be gay. You have to dress a certain way, act a certain way, and like specific things to be “gay.” This puts pressure on young gay men especially to behave like this idolized character of fashion, art, and shopping. If you don’t look put together you aren’t good enough to be gay. If you don’t love shopping with your girlfriends then you’re either in the closet or some kind of outcast. These characters often become the “gay best friend” of a powerful female character as well. Effeminate gay men were never portrayed as powerful or independent, they always had a popular girl to take care of them and protect them from the rampant homophobia and toxic masculinity of high school. This is damaging to watch as a young gay child. You are told that to fit in and be accepted, you have to be feminine and hide behind other people for safety. When you stand up for yourself a bully will knock you down, and if you don’t act “gay enough,” neither the gay nor straight people will want to include you. Yet, this feminine gay aesthetic was one of the only positive representations of gayness from before the 2010s. Despite how damaging it is to be told you must be and act a certain way, it was the only way to survive.

Gayness is more than being effeminate and liking clothes and Britney Spears, however. As more modern media is starting to realize, gayness looks different for everybody and there isn’t one box of mannerisms and inflections that you can sort us into. Gay people each have their own personalities, behaviors, and interests. Being gay is just one part of us, one identity we have, nothing more. It can mean to you whatever you want it to. That’s why having this kind of representation (as in characters like Christian) is damaging to the gay community. Although Christian is seen as this perfect, sexy man better than all the other men in Bronson Alcott High, his character perpetuates a harmful culture around being gay.

written for Autostraddle | autostraddle.com

work cited:

Heckerling, A. (1995). “Clueless” movie poster. Amazon. Paramount Pictures. Retrieved October 1, 2021, from https://www.amazon.com/Clueless-Alicia-Silverstone/dp/B01M9B4FDS.

Heckerling, A. (2021). Cher and Christian watching a movie. cheatsheet. Paramount Pictures. Retrieved October 1, 2021, from https://www.cheatsheet.com/entertainment/clueless-christian-was-almost-played-by-this-twilight-star.html/.