Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde

Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde

Given the modern perceptions of Victorian-era society as one which held strict views on issues of gender and sexuality, it’s no surprise that a writer like Oscar Wilde has created such a lasting legacy. Kerry Powell, a Professor of English at Miami University, studies Oscar Wilde through the lens of Victorian sexuality in his book, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde. Wilde, an Irish playwright, novelist, and poet, was one of the most popular yet controversial writers of the 1980s, known especially for his society comedies. Much of the controversy over Wilde was rooted in the fact that he was quite open about sexuality in his works, and even alluded to homosexuality, which was an extremely taboo topic during the time period. For instance, one of his most famous works, The Picture of Dorian Gray, was heavily criticized for its homo-eroticism. However, the infamous trials that led to Wilde’s downfall were perhaps the most controversial aspects of his life and legacy. As a consequence of these trials, his literature, and his wild persona during his lifetime, Wilde became an iconic gay figure, remaining so today. According to Powell, whose research interests include not only Victorian literature, but also gender and performance studies, “Wilde was among the first to discern that life is a continuum of performance, and everyone an actor” (1). The objective of Powell’s book is to examine Wilde’s ideas of gendered and sexual identity, and analyze them through the framework of Victorian ideas of concepts such as masculinity and homosexuality. Powell claims that “Wilde’s revolutionary contribution was not only to conceive of gender, personal identity, and life itself as ‘performed,’ but to welcome this recognition with open arms and adopt, in both theory and practice, a calculate strategy of self-fashioning” (5).

Powell organizes his book into six different chapters in order to discuss various aspects of Oscar Wilde’s life and legacy, and how it tied into Victorian society during the time period. The first chapter, “Posing and dis-posing: Oscar Wilde in America and beyond” discusses Wilde’s ideas of self-enactment and how he presented himself through art. It also examines various representations of Wilde in Victorian society and popular culture, such as photographs and portraits, many of which were satire. The satirical nature of these representations were largely due to how Wilde was thought to have acted and styled himself in gender-non-conforming ways, particularly ways that were not considered masculine by contemporary ideals. Newspaper publications tended to focus on Wilde’s physical appearance, often describing him in meticulous detail. For example, The Daily Tribune wrote, “His nether garments did not extend to his ankles, as those of modest men ought to do, but stopped at his knees” (16). It also commented on how his “‘femininely disposed hair’ and ‘redundancy of collar and cravat’ made him look like ‘a great homely girl – one of those girls whose brother is sure to be good looking, ,and who would be good looking herself had she been born a boy” (17). Such descriptions demonstrate how important style of dress can be as a form of self-expression, both artistic and gendered, indicating how the rigidity of Victorian gender roles extended to clothing. Likewise, various magazines featured satirical comic-like images of Wilde depicted in “feminine” poses surrounded by clichéd images of “femininity,” like flowers. Interestingly, although people laughed at the way he dressed and found humor in these images, Wilde did not seem to take offense to such caricatures but instead found them rather entertaining. Wilde’s disregard for adhering to societal gender norms was a bold statement in more than one way – Wilde considered self-portraits to be forms in which he could “realize himself artistically and sexually, for art is a ‘mode of acting,’ and attempt by the artist to perform and develop his own personality” (33).

Nevertheless, although Powell presents some insightful information in Chapter 1, I believe Powell missed an opportunity to delve deeper into what these representations meant on a larger scale. He could have included greater discussion on Victorian ideas of gender and sexuality, Victorian constructions of gender normativity, and how Wilde threatened these gender norms. Instead, Powell mainly focuses on the representations themselves, and not as much on why Wilde was presented that way, or how those conceptions of him came to be. Meanwhile, chapters two, three, and four of Powell’s book examine Wilde’s works, including: Lady Windermere’s Fan, Salomé, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest. These chapters analyze how these literary works challenged common perceptions of gender and sexuality during the time period. However, the bulk of the analysis involves close readings of the texts, and is therefore primarily aimed at audiences familiar with Wilde’s works. As a result, these chapters do not pertain to the larger scholarly discourse in gender and sexuality studies to the same extent as the other chapters in the book. Perhaps the most important takeaway from these chapters is the claim that “Wilde’s greatest plays of the 1890s are the acting out of the author’s conflict and to a high degree his compromise with an increasingly powerful variety of late-Victorian feminism – rigid in its insistence that the ‘law of purity’ be applied to men and women alike” (41). This “law of purity,” in other words, refers to the double standard regarding chastity in men and women in Victorian society, a concern which Wilde addresses in his plays. Skipping over to the sixth and final chapter, in “Prison performativity,” Powell discusses Oscar Wilde’s experience during his two years in prison and how it connects to his performed identity. While the chapter analyzes Wilde’s letter from prison, De Profundis, which documents his personal experiences, much of Powell’s emphasis is on Wilde’s identity in his artistry rather than in his sexuality.

On the other hand, the fifth chapter of Powell’s book, “The ‘lost’ transcript, sexual acting, and the meaning of Wilde’s trials,” which focuses on the infamous trials that led to Oscar Wilde’s demise, contains perhaps the most significant contribution to other scholarship on gender and sexuality studies. Powell initially points out, “Although the trials in Wilde’s retrospective view were an irredeemably coarse drama – not metaphorically, but really – they have come to be seen more positively in our own time as a painful yet valuable crisis of transition between the Victorian world and what came after” (11). However, Powell’s research is more concerned with the meaning of these trials during Wilde’s lifetime as opposed to its meaning for modern society. In the course of doing research for his book, Powell examined the recently recovered transcript of Wilde’s first courtroom trial – a transcript he describes as “one of the top-security items in the British Library” and having only “been seen first-hand by very few people” (131). During the time period of Wilde’s trials, any case involving homosexual activity would have been heavily censored in written accounts, and this censorship also applies to the Wilde transcript. This erasure of detail in the transcript reflects how homosexuality was an unspeakable, taboo topic in Victorian society. Powell suggests, “The Victorian code of silence on this matter, therefore, hardly means that homosexuality did not exist before Wilde – and the fact that so many scholars today believe that Wilde was the “first Homosexual” is testimony to the power of a social policy of silence whose entire point and purpose was to erase all traces of the existence of homosexuality even while policing it” (139). This Victorian silence also pertains to the Criminal Law Amendment Act of 1885, the law which Wilde was persecuted for violating. This law forbade “any male, in public or private, committing any act of gross indecency with another male” (135). Interestingly, the law fails to specify what exactly constitutes “gross indecency,” making the reference to homosexual activity very vague. Furthermore, the law only refers to males, not females, demonstrating the double standard in Victorian society that Wilde wrote about in relation to the “law of purity.” The exclusion of females also relates to the Victorian controversy over what it means to be a man, or what it means to be masculine. Although Powell only touches on these points, he clearly articulates in this chapter how “Part of the inestimably great value of the lost and now recovered transcript of Wilde’s first trial is that it breaks through [the] veil of silence and allows us a glimpse of homosexual culture” (139). Ultimately, as a comprehensive piece, Kerry Powell’s Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde offers an insightful glimpse of not just Victorian homosexuality, but gender and sexuality in general. Powell’s book successfully presents the audience with a more realistic, rather than romanticized, portrayal of Oscar Wilde’s life that stays true to the historical and social circumstances of the time period.

 

Work Cited:

Powell, Kerry. Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde. Cambridge: Cambridge University Press, 2009. Print.

Will we ever escape compulsory heterosexuality?

Screenshot_2016-02-22-01-10-46

No matter how hard we try, we can’t seem to ditch Rich. Since reading about Adrienne Rich’s theory of compulsory heterosexuality I see evidence of Rich’s theory (and its theoretical successor, heteronormativity) everywhere. Last night, when I was mindlessly scrolling through the –rather angsty- late night Yaks (as one does) I came across a Yak where someone was asking for advice on how to handle their unrequited love of a Davidson girl. The first commenter, assuming the original poster was a guy because they were pining for a girl, recommended that OP “whip out the dong” to which OP responded “Sorry, don’t have one of those.” The OP was a girl. The fact that the first commenter immediately assumed OP was heterosexual and, thus, must be a guy demonstrates how pervasive heteronormativity is in today’s society and, further, reminds us all to be mindful of that when posting on social media.

Bex, Med Techs, and Intersex: A Review of Contesting Intersex

In the Grey’s Anatomy episode “Begin the Begin” Bex, a fourteen-year-old, comes in for a biopsy on an enlargement of a pelvic lymph node. In the process, it is discovered that Bex has a benign tumor compressing, not an ovary, but a testicle: Bex is intersex. Her parents, in light of this discovery, request that the doctors remove her intersex trait without telling Bex. Appalled, the doctors refuse, forcing Bex’s parents to tell her the truth (see appendix for clips from the episode). In “Begin the Begin” the medical professionals are painted as the heroic advocates for intersex individuals while the parents appear insensitive and selfish. Contesting Intersex, the scholarly monograph by Georgiann Davis, offers a different view. In Contesting Intersex, Davis argues “that medical professionals have replaced intersex language with disorder of sex development nomenclature, a linguistic move designed to reclaim their authority and jurisdiction over the intersex body.”[1] Far from being the heroes we see in “Begin the Begin,” in her monograph, Davis paints the medical professionals as antagonists to intersexuality and those it affects.

Davis is uniquely qualified to author such a text in that she herself is an intersex individual who has experienced firsthand the negative impacts the medical field can have on intersexuality and those who experience it. When Davis was thirteen, she was diagnosed with complete androgen insensitivity syndrome (CAIS). Worried that knowledge of her condition would stunt her developmental trajectory, her parents and doctors concealed her diagnosis: “the doctors told me that I had underdeveloped ovaries that had a very high risk of being cancerous and would need to be surgically removed before my eighteenth birthday […] The purported ovaries were actually undescended testes […] and when I was seventeen, I had surgery to remove the supposedly dangerous organs.”[2] It was not until she requested a copy of her medical records when she was nineteen that Davis discovered the truth. Almost a decade later, liberated by her feminist studies in her sociology doctoral program, Davis felt empowered enough to have her first experience with the intersex community at a meeting of the Androgen Insensitivity Syndrome Support-Group- USA in Chicago. It was there that Davis decided she wanted to “pursue a sociological analysis of intersex in contemporary U.S. society”[3] and the idea behind Contesting Intersex was born.

Formally, Contesting Intersex resembles Anne Balay’s Steel Closets, parts of which we read in class. Like Balay, Davis compiled a collection of interviews to compose an oral history on the subject of intersexuality. Davis interviewed sixty-five individuals: thirty-six adults with intersex traits, seventeen parents of children with intersex traits, ten medical experts on intersexuality and two social movement organization board members. To preserve their anonymity, participants chose a pseudonym at the beginning of the interview and Davis assigned medical professionals letters, A through J. Davis then used what the interviewees told her to explore a host of issues surrounding intersexuality in an attempt “to understand the complexities of living outside sex, gender, and sexual binaries”[4] and “to elucidate how those binaries constrain all of us, whatever our genitalia.”[5] Davis’s argument is focused on three facets of intersexuality: Nikolas Rose and Carlos Novas’s theory of digital biocitizenship, sociologist Barbara Risman’s gender structure theory, and the shift from intersex language to the terminology of disorders of sexual development (DSD) as a result of the 2006 “Consensus statement on the Management of Intersex Disorders.”

Before we can understand how gender theory and the theory of biocitizenship (both of which later serve as lenses through which Davis does much of her analysis) intersect Davis’s argument, we must first understand DSD terminology and the tensions it has created within the intersex community. In 2006, the medical community switched from defining those with intersex traits as intersex to defining them as individuals with disorders of sexual development. Davis argues that “DSD terminology has heightened tension within the intersex community. Some individuals born with intersex traits are embracing the new nomenclature; others resist it, citing the pathologization that underlines the term disorder.”[6] Furthermore, from her interviews, Davis determined that those who embrace intersex language, rather than DSD, have more positive self-identities or ideas about themselves but, have troubled relationships with medical professionals and parents while those who embraced DSD nomenclature tend to report positive relationships with doctors and parents but have less positive views of themselves. Davis argues that this is because “Disorder of Sexual development implies that the sex binary system is natural”[7] and, thus, portrays intersex as a negative deviation or mutation from the “natural” system.

Davis uses Nikolas Rose and Carlos Novas’s idea of digital biocitizenship and sociologist Barbara Risman’s gender structure theory to explore how DSD terminology, and by extension the medical community, is detrimental to the intersex community. Digital biocitizenship (a term Davis uses interchangeably with biological citizenship) is the electronic connection of an individual to a specific community via “a support group website or email listserv.”[8] This is significant because Davis argues that “for intersex people, biological citizenship is accessible only to those willing to engage with DSD nomenclature.”[9]

While biocitizenship demonstrates the issues with DSD on one level, Davis uses Risman’s theory to show the pervasive detriments of DSD on all levels of society. Davis explains that the theory “conceptualizes gender as deeply embedded as a basis for stratification not just in our personalities, our cultural rules or institutions but in all these, and in complicated ways.”[10] By looking at intersexuality through this lens (that is, the idea that gender and sexuality affect three levels of society: the individual, the institutional, and the interactional) Davis is able to analyze her interviews for “the consequences of meanings of intersex at the institutional, individual, and interactional levels.”[11] This, then, is what the majority of her book is dedicated to: the exploration of intersexuality and the consequences of DSD terminology on all three levels. She concludes the text by highlighting “the possibility for social change in the form of practical actions that intersex activists and allies can take to decrease intersex stigma and the shame and secrecy that surround it”[12] and the need for “medical allies”[13] to the intersex community to help said change come about.

When evaluating Contesting Intersex, it is important to consider not just the strength of the book’s argument (which is well supported by a plethora of anecdotes and, further, compelling analysis of those anecdotes) but also its value in the greater context of queer theory. Because of the unique authorship of Contesting Intersex, it is more important to highlight the overall generic value of the text rather than a specific strength within the text itself. What makes Contesting Intersex remarkable in intersex scholarship, and queer theory in general, is that it is written by a member of the intersex community. Throughout the text, Davis highlights her unique perspective and how her “personal experience with intersexuality provided an inroad into the field and community.”[14]  Because she was an “insider” her interviewees trusted her and were willing to share, perhaps more willing than they would have been with someone approaching the same issue from the outside. As Peggy –on of the intersex individuals Davis interviewed- said to Davis: “I feel that you’re going to be on my side. You’re not like someone at the zoo saying, ‘well I’m a human being and I’m taking notes on monkeys.’ You’re the monkey in the cage with me.”[15] Contesting Intersex contains many very personal delicate anecdotes that offer eye-opening insight into intersexuality and it’s possible that these valuable contributions would have been censored, altered, or kept secret if the interviewees hadn’t felt that they could share with Davis because of their common struggle. Thus, a strength of Contesting Intersex is that it offers its readership valuable and obscure understanding of something most of us cannot experience firsthand and may not have access to secondhand.

In a somewhat paradoxical notion, the greatest strength of Contesting Intersex and the greatest limitation concern the same aspect of the text. Contesting Intersex is valuable and strong because it provides important, new, and normally inaccessible information to queer theory and the public in the form of its interviews but, just as the book is strengthened by the interviews, it is also limited. Davis contained her research to four intersex support organizations and, in doing so, homogenized the pool from which she was gathering information. In her own words: “because my recruitment was limited to the four organizations […] it was difficult to locate participants who did not have a formal higher education.”[16] Although the pool contained individuals of racial and ethnic diversity, there was very little diversity with regards to the education levels of the interviewees, which may have lead to a lessening in the diversity of experiences Davis, and by extension her readership, were privy to. “Given that the racial and ethnic minorities in my sample had completed at least some college and most held college degrees, it seems likely that the absence of racial/ethnic differences has more to do with common education backgrounds than with any potential claim that racial and ethnic minorities at large experience intersexuality in a similar way to white individuals.”[17]  Davis admitted in her introduction that, for the most part, those who attend support groups and actively seek out the intersex community have achieved a certain level of education. I felt that by not limiting her research to the support groups Davis would have been better able to see how diversity affects intersex individuals and come to some conclusions regarding the intersection of race, class, ethnicity and intersexuality.

I was diagnosed with Type One Diabetes when I was two years old and it was my wonderful medical team that got myself and my family through the tough diagnosis and the subsequent years (to this day, in fact, I am still heavily dependent on a multitude of medical professionals). Because of this, I have always idealized medical experts and seen them as everyday superheroes without the capes. Thus, the premise of Contesting Intersex was, for me at least, radically eye-opening and slightly horrifying. That being said, I value it for its bold exposé of the darker side of the medical world. Well-supported and convincing, Davis’s argument demonstrating modern medicine’s use of DSD terminology to commandeer intersex agency is engaging and well written and is a text that anyone looking to holistically understand today’s medical institutions (or the general challenges intersex individuals face in today’s society) should absolutely check out.

Appendix

Bibliography

Georgiann Davis. Contesting Intersex: The Dubious Diagnosis. New York: New York

University Press, 2015.

 Footnotes

[1] Georgiann Davis. Contesting Intersex: The Dubious Diagnosis. New York: New York University Press, 2015, 2.

[2] Davis, Contesting Intersex, 4.

[3] Davis, Contesting Intersex, 5.

[4] Davis, Contesting Intersex, 7.

[5] Davis, Contesting Intersex, 7.

[6] Davis, Contesting Intersex, 2.

[7] Davis, Contesting Intersex, 89.

[8] Davis, Contesting Intersex, 3.

[9] Davis, Contesting Intersex, 21.

[10] Davis, Contesting Intersex, 8.

[11] Davis, Contesting Intersex, 9.

[12] Davis, Contesting Intersex, 24.

[13] Davis, Contesting Intersex, 144.

[14] Davis, Contesting Intersex, 5.

[15] Davis, Contesting Intersex, 5.

[16] Davis, Contesting Intersex, 12.

[17] Davis, Contesting Intersex, 14.

Steel Nerves

Miles Powell

Dr. Gonzalez

GSS 101

19 February 2016

Steel Nerves

What do Anderson Cooper, Tim Cook, and Neil Patrick Harris have in common? Beyond mere fame, they share wealth, white skin, and urban lives; in other words, each involuntarily matches stereotypical public perceptions of LGBTQ+ (hereafter “queer”) existence. In fact, Out.com’s recent “Power 50” list of “the most influential voices in LGBT America” includes only sixteen women and twelve non-whites, with significant overlap between categories (“Out”). If Out’s list is indicative of Americans’ perceptions regarding queer demographics, then the public may believe white gay males actually comprise fifty-two percent of the entire queer community. Such parochial assumptions are troubling for numerous reasons worthy of confrontation. In Dr. Anne Balay’s 2014 work Steel Closets: Voices of Gay, Lesbian, and Transgender Steelworkers, she challenges popular public stereotypes of queers as invariably educated, middle-class, gay Caucasians. Balay accomplishes this through an enormous five-year research monograph including forty personal testimonies related by queer steelworkers, whose lives operate in the dangerous intersection of archaic labor, ossified masculinity, and public blindness. Already, Steel Closets has won the Lambda Literary Emerging Writer Award and the Sarah A. Whaley Book Award for its compelling narrative organization (Author).

Balay didn’t set out intending to complete such laborious research. But no such data or stories had ever before been collected and published. Even in encompassing Ivy League libraries, research on blue-collar queer existence was woefully lacking, forcing Balay to pursue field work in steel mills, gay bars, even remote trailer parks. Dressing in a car mechanic’s jacket from prior work, Balay shed her professorial image to emerge approachable and relatable, thereby maximizing her ability to connect with potential interviewees. While transcribing forty queer steelworkers’ personal testimonies and distilling them into a coherent call-to-arms, she discovers the incredible courage of a vulnerable population. As Balay relates, “there is no safe way to be gay in the mills” (Balay p. 59). And yet, queer steelworkers “would always keep [their] heads up and try and carry on [their lives] the way [they] wanted to,” demonstrating a remarkably persistent flame of humanity flickering on Lake Michigan’s windswept shores (p.156).

But public perceptions of queer existence remain grounded in a singular, stereotypical narrative: gay, male, white-collar, educated, urban, monogamous. This is problematic for many  reasons, ranging from the fact that “gay” represents only a speck along the greater spectrum of sexuality, male isn’t even half of the population because the binary is falsely dichotomous, white-collar ignores both blue-collar workers and non labor –force individuals, few Americans ever receive college diplomas, many queers reside outside major metropolises, and sexual liberation applies not only to heterosexuals. By examining queer existence in perhaps the most repressive, masculine, industrial environment still operating, Balay increases visibility of all queers outside popular imagination and thereby redirects the ears of policymakers towards an audience never before considered. Already, her channeling of marginalized working-class queer personal testimonies has produced reform momentum.

Balay is uniquely qualified to investigate and translate queer steelworker life. Having both a PhD in English from the University of Chicago, and experience working in an auto shop as a gay women, Balay possesses the ability to contextualize and empathize with her subjects in profound ways.

Balay grew up in New Haven, Connecticut, the daughter of a Yale University librarian (AB’86). After earning a Doctorate in English from the University of Chicago, she “promptly” became a car mechanic, a fact she now relates with a wry chuckle (SPEECH AT DAVIDSON). She spent several years navigating this physical, blue-collar job– a heterosexual, masculine, men’s club offering “more danger and dirt than respect—“   as a lesbian woman, later recalling bonding with coworkers by sexualizing women and procuring bulk sales of “girlfriend parts” (p. 8, 16). Never did she challenge underlying assumptions of attraction to women present in her hypersexualized work space. Quite contrarily, she played up her “shared interest in women” to “gain respect and fit in” with coworkers (p. 13). This background, bringing calloused hands, forward self-presentation, a mechanic’s jacket, and blunt humor, would prove invaluable during subsequent career stages.

Balay eventually abandoned auto repair work and returned to academia to teach at the University of Illinois and at Indiana University Northwest. Throughout her teaching career, however, even amidst university pomp and polish, she always retained strong interest in blue collar environments. In Gary, Indiana, her curiosity manifested itself in her compulsion to unearth queer steelworker stories. However, no germane research existed, so she changed “costumes” from professor to mechanic, and began a relentless five-year hunt for knowledge, balancing her previous and current images to optimize research. Because Balay is a white, well-off, educated, monogamous, committed lesbian, great irony exists in that the stereotype incarnate is fights its own propagation. In a sense, she isn’t particularly distanced from the singular narrative whose perceived ubiquity she seeks to disprove.

Though Steel Closets is divided into seven chapters, Balay’s ethnographic work can be segmented into three rhetorical sections: structural chapters about mill history and operation, human chapters about queer invisibility and gender-specific experience, and policy chapters about vulnerability and union involvement.

Age is etched into daily working in steel mills. It’s inescapable; steel and associated metaphors frame American lore. Sheer factory enormity intimidates workers and represents an era gone by. Balay is blunt: “Resistance to change… characterizes the physical space of the mills and rubs off on the people whose lives are shaped by them” (p. 22). Moreover, what little change has occurred is concentrated in technological advancement, leading to reductions in the work force and thereby reducing mill visibility in steel regions. This isolation, according to Balay, constitutes a “closed community” in which inherited patterns are reinforced (p. 23). Thus, separate and apart from evolution just outside mill boundaries, within the complexes, everything stereotypical hyper-masculinity entails has been preserved and propagated. Steelworkers take substantial down time to bond over shared “palpable bitterness and insecurity,” often being extremely explicit (p.35). This creates tremendous anxiety among queer workers, because in detailed conversations meandering through family and romantic relationships, they must toe the line between friendliness and self-preservation. Workers have been yelled at for not socializing enough, for not sharing enough— of necessity, queer “steelworkers perfect the art of talking without saying anything” (42). Such conditions preclude community development and are both demoralizing and dehumanizing.

Human conditions are as impersonal as the physical and hierarchical structures maintaining them. Even when harassment isn’t explicit, there is a prevailing “atmosphere of constant antagonism” (p. 65). Public presuppositions about queerness and blue-collar labor create mutually-sustaining social attitudes toward both. Inhospitality is so cutting, and protective laws so nonexistent, that queer populations suffer significantly heightened rates of alcoholism (around Gary, Indiana, some queer millworkers refer to Alcoholics Anonymous as “Gay A” (p. 69)). Queer men and women run different gauntlets each day at the mill. Steel’s masculine history effectively erases femininity from contemporary mills. Women, typically lesbian, must exhibit masculinity and sexually objectify women to “fit in” at work—sometimes even as a “price of admission” (p. 87). Women are also subjected to intimidation up to and including rape. Despite attempts to change gende Female mill workers can be sexist; Fern, a worker, believes few women can take a “true ass-chewing” without tears (p. 81). Men, by contrast, exhibit masculinity not to fit in, per se, but as a defense mechanism implying heterosexuality. Risk-seeking behavior in particular helps men assert masculinity, with gay men often taking chances especially desperately (p. 110). Interestingly, owing to the working-class homoerotic continuum, masculinity is determined not by sexual partners but by gender presentation (p. 115). But perhaps most tragic is the inescapable sense of entrapment many queers feel knowing that coming out and remaining closeted both “foster self-loathing and self-blame” (p. 67).

Policy structures accomplish similar end results by pandering to popular support in a cowardly method failing to uphold any normative judgments. Unions do woefully little to safeguard members’ rights, preferring to stick to the “straighter path” to maximize popular support (p. 152). This effectively means ignoring queer suffering entirely, even as queers express concern at being killed by purposeful coworker negligence and at becoming mere statistics (p. 123). Generally speaking, unions are helpful in processing external claims against firms, but tend to turn a blind eye toward internal harassment of queers. In such alienating environments, is it any wonder “most [queer] folks… believed they were the only gay person working in basic steel” (p. 9)?

Balay exceeds expectations in her unique ability to bridge the socioeconomic divide between privileged target audience and silenced sample population. She distills, rather than dilutes, the heart-wrenching narratives of abuse and trauma suffered by queer steelworkers. She thus delivers a concentrated jolt to readers’ hearts and minds alike, engendering perspectival broadening and painful realizations of the duality privilege and subjugation constitute in modern America. Who could argue? Working class bodies are devalued and queer bodies even more so. Of the forty people interviewed, twenty-five currently have cancer. Many more are, presumably, currently developing serious career-related health complications. Steelworkers interviewed by Balay agree: “it’s a man’s world… a good meal ticket at the price of ten years off your life” (p. 30). Furthermore, Balay exhibits a unique emphasis on empowering women’s voices; (AB’86) only two percent of millworkers identify as women (four transgender people were interviewed) but women receive half of Steel Closets’ interview slots. Though some might regard such over-representation of women as underrepresentation of men, given Balay’s explicit aspiration to provide invisible and silenced peoples with opportunities to be heard, relative overrepresentation of women reinforces functionality of form.

Systemic underrepresentation is also present, however. The glaring flaw in Steel Closets is lack of racial diversity. In Balay’s sample group of men, nineteen of twenty are white. Women’s diversity is hardly better, with fourteen of twenty being white. When considering systemic subjugation and silencing of sexual and racial minorities, providing representative anecdotal data is crucial. Especially considering de facto segregation, in which the “hot side” of steel mills “houses the hardest, hottest, and most dangerous work… [and] the lowest-paid jobs… and the most minority workers,” hearing these voices is necessary for Balay’s undertaking to achieve well-roundedness (p.33). A truly phenomenal iteration of Balay’s project would seek to tease minority queer steelworkers from their work “against the brutal scale of the mill and its machinery” (p. 5). However, given the difficulty in connecting with white queer workers, it is unsurprising that so few even less privileged minority queer workers responded. Compounding queerness with racial minority status and the innumerable burdens thereby imposed by society creates a perfect storm of vulnerability, so Balay cannot personally be held accountable for such little minority representation when lacking participation is borne of a need for survival.

Balay’s Steel Closets has not only disproven conventional stereotypes about queer existence, but has helped redefine what it means to be queer across socioeconomic spectrums. LGBTQ+ existence can so conveniently be imagined in terms of educated, white, well-off gays, but that ignores the vast majority of queer populations. And even though social acceptance of non-heterosexuality is increasing, “working-class and poor gay people don’t benefit from this change as much as urban, middle-class queers do” (p. 6). It is only through forceful distillation of raw personal testimonies that ideological, social, and policy change can be catalyzed- other mediums lack the brutal pathos Steel Closets so deftly. After all, as Balay states, “stories are power” (p. 6).

 

 

Works Cited:

“Anne Balay, AB’86, AM’88, PhD’94.” University of Chicago LGBT Alumni Network. Web. 19

            Feb. 2016.

Anne Balay at Davidson College. By Anne Balay. Hance Auditorium, Davidson, NC. 4 Feb. 2016. Performance.

“Anne Balay — Author, Professor, Activist, Mother.” Anne Balay. Web. 19 Feb. 2016.

Balay, Anne. Steel Closets: Voices of Gay, Lesbian, and Transgender Steelworkers. Chapel Hill,

NC: UNC, 2014. Print.

“Power 50 Famous Gay People.” Out. Web. 21 Feb. 2016.

 

 

LGBT Community and Greek Life

I know what you are thinking: “LGBT Community and Greek Life”… cue the apocalypse. But this article I found really caught my attention as I am part of an eating house at Davidson College. There has been a movement within PCC at Davidson to push for gender equality and respectable acknowledgement. For example, Warner Hall has recently changed its house chant from “all the boys will tell you so” to “everyone will tell you so.” First this new revision speaks to all members of the eating house who may not identify as a straight female. Also as a house, the original chant seemed to convey that members needed the approval of fraternity men; this was not okay. As a college woman, I see the importance of standing for equality, acceptance, and individuality even within the eating house culture. So when reading about fraternities–culturally stereotyped as a “boys club” and based on traditional heteronormative notions”–I found this piece to be inspiring.

This first step to societal change within the college culture reminds me of discussing Risman at the beginning of the semester. Gender is a social construct that is created on three levels: the individual, social interaction, and the institution. By individuals coming together and saying anyone who identifies as a man can join their fraternity, is changing the daily interactions of members of both the LGBT community and Greek life. This step is going to hopefully start a movement on all college campuses to create a “comfortable place” for trans men to join Greek life.

“We didn’t think it should be special. It was just a common sense approach.”

http://www.buzzfeed.com/tasneemnashrulla/two-university-of-oregon-fraternaties-begin-accepting-transg#.brQwwyV9R

A Nuanced Presentation of Gender in the Middle East

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Until recently, little work has been done to sufficiently address the extensive history of women in the Middle East. Much of this shortcoming arises from the inherent difficulties of finding documentation and sources to trace the history of a marginalized group. As women in the Middle East have traditionally been confined to roles in the home, little is known about their unique history. Middle Eastern history in general is problematic because of the lack of written documentation until around the third Islamic century (tenth century C.E.).[1] Nikki Keddie’s book Women in the Middle East Past and Present serves to correct the faults of recent histories by bringing pieces of this complex puzzle together and attempting to create a broad overview of the field. To accomplish this daunting task, Keddie’s work attempts to take current work pertaining to Middle Eastern women’s history and compiles them into a singular narrative history ranging from pre-Islamic times to the present.

In the introduction to her work, Keddie lays the groundwork for her analysis, engaging with the reader and discussing her arguments and choices in compiling this history. Within the book, she divides her discussions of women’s histories largely by country. Although she does acknowledge that the borders in the Middle East are largely arbitrary, Keddie uses them as an appropriate means of analysis given that different nations have adopted different legal policies on gender. Though she deliberately engages in country division within chapters, she states that her divisions between chapters are fairly random as she traces this history.

Engaging with so many different sources also lends itself to a variety of interpretations. Within this work, Keddie attempts to capture the different viewpoints and stances that people take on various historical artifacts. She makes this choice because historians decide to spin sources uniquely. Historically, Western interpretations have heavily focused on the negative side of the treatment of women, while in fact many of these documents contain nuanced takes on gender relations. However, until recently sources have been limited to elite men writing about upper class women, and thus there has been a lack of information on the life of the “everyday” woman in the Middle East.

Keddie later addresses the issue of Islam and its link to women’s subjugation. She writes, “it is impossible to escape an emphasis on early Islam and the Quran, as these have been central themes of local discourse about women over the centuries and to a degree remain so today” (10). It is important to recognize that in the Middle East much of women’s subjugation has come about as a result of Qur’anic interpretation and judicial rulings rather than the actual text itself. Too often, the West tends to intricately link Islam to the oppression of women when in fact the Quran proves to be a fairly gender-egalitarian text for the time it was written in. Furthermore, Keddie points out that gender relations in Middle Eastern countries were often more egalitarian in practice than texts would suggest. Women for centuries have been finding ways within existing structures to find agency and empowerment in subtle, subversive ways.

Keddie bases her analysis not just on other people’s work, but also explores legal and official state documents from Middle Eastern empires. Furthermore, she uses information from present-day Middle Eastern states to inform her analysis of more recent history. She opens the book by examining gender roles in pre-Islamic times, demonstrating the differences that existed in a decentralized society. Essentially, gender roles arose out of the necessity to protect male honor. Keddie talks about how, historically, female virginity and chastity have been primary components of the preservation of male honor (17). Because of this emphasis on male honor, wealthier urban families tended to isolate their women in the home and veil them. Conversely, nomadic tribes could not afford to do the same because the women were central to everyday life in their societies. Keddie writes, “nomadic tribes had far less economic surplus and hence less social and gender stratification, as everyone had to do various physical tasks” (16). Keddie’s next section of the book focuses on the solidification of gender stratification in Middle Eastern society after the rise of Islam. Islam led to the collective unification of much of the Middle East, and as a result much of society settled in towns or villages and nomadic tribes ceased to be prevalent. During this time period, legal rulings and precedent solidified gender roles in Islamic nations for hundreds of years to follow. Keddie asserts, “the writings of the strict ulama (men with Islamic education and functions) stressed the importance of clear definition and separation of male and female, with no cross-dressing or homosexuality permitted” (31). Thus, Islamic jurisprudence played a central role in dividing men and women and creating a divided, heteronormative society. For the rest of the book, Keddie divides her discussion into specific time periods, including the invasion of the Mongols in the Middle Ages, the 19th century, the start of World War I to the end of World War II, and then all the way up to the present. Within each of these periods, she examines the changes that occurred in Middle Eastern civilization in different countries, specifically looking at them through the lens of gender relations. Her discussion is too broad to examine in detail, thus I will be looking at some specific examples discussing Egypt from each of her sections to demonstrate how she paints this broad picture.

During Mamluk rule in medieval Egypt, women found ways to circumvent social codes or avoid them altogether. Indeed, one scholar was extremely distraught at all of the activities that women were partaking in. Keddie writes, “these included women’s going out in several ways that allowed their being in contact with men, including shopping, … , partying and picnicking with their families in public parks, and even receiving unrelated men in their homes” (52). Even though women were restricted, they worked around the rules to take control and agency over their circumstances. Dissent towards legal discourse tended to be dispersed until mainstream discussion and writing arose in the late nineteenth century. Qasim Amin, a notable Egyptian writer, voiced loud dissent in The Liberation of Women (1899). Keddie writes, “Amin advocated Western ways and strongly criticized Egyptian ones, especially the ulama’s ideas. Amin used Islamic modernist arguments to oppose patriarchal oppression” (71). Later as time went on women became more influential in mainstream discussion and discourse, “their role is often ignored in discussions of Middle Eastern intellectual history. Their writings on scientific domesticity included much practical advice on homemaking and child rearing, including health, hygiene, and child care at a time when infant and child mortality was high” (92). Finally, modern day discussions about feminism and modernity often concern the imposition of Western culture. Keddie elaborates, “Egypt, like several Arab countries, has also seen growing concern about ‘authenticity,’ both Islamic and national, in part against feminisms that are tainted as being Western” (126-127). This idea has been a major hindrance towards the advancement of women’s rights in Egypt and the Middle East in general.

I would argue that the major strength of Keddie’s book comes from her effective synthesis of vast swaths of information. She tackles a large mountain of information and delivers it in a digestible manner. She successfully takes hundreds of years of history and packs it into 150 pages of valuable information and analysis. Furthermore, taking a narrative approach allows the history to unfold like a story. While her synthesis is powerful, Keddie’s narrative plays into the weaknesses of previous narratives and focuses largely on the experiences of the elite, creating a narrow viewpoint of class. Though this weakness comes as a result of the nature of the sources she works with, she does little to address different classes given the opportunity in her chapter addressing modern times. Ultimately, Keddie’s overview comes at the cost of painting too broad of a picture that groups diverse Middle Eastern women together.

Keddie seeks to offer a general overview of the field in as simple a way as possible. She was extremely qualified to write this book based on her past academic work. For decades, Keddie has been one of the foremost academics in the field of Middle Eastern studies. Within this field, her specialty has always been women’s issues. By tracing this history she creates a more comprehensive narrative than ever before created. Overall, it presents a good starting point for further comprehensive work on the subject of Middle Eastern women’s history.

[1] Nikki R. Keddie, Women in the Middle East Past and Present, (Princeton: Princeton University Press, 2007), 9.

Hook Ups: A Pervasive Force on College Campuses

Thrill seeking, sexual gratification, and intense infatuation are all reasons college students engage in hookup culture as Kathleen Bogle describes in Hooking Up: Sex, Dating, and Relationship On Campus (2008), the culmination of years of research done on two college campuses that includes studies of sexual double standards, gender norms, and how relationships and sex have changed overtime. Bogle chronologically presents the evolution of hookup culture, from its roots in dating and calling to its present widespread cultural norm. Through interviews with seventy-six people (fifty-one undergraduates and twenty-five alumni), Bogle questions how these students understand this culture, how they participate, their interaction with the opposite and same sex, as well as fall into the structural roles that this sexual culture makes available.


In Hooking Up, Bogle addresses the chronology of hookup culture and how it has changed over time. Yet, she lacks a central argument. The interviews and reasoning based on opinions that she hears are not brought forth in a constructed viewpoint; rather the argument is left for the reader to construct. However, Bogle’s work does present a couple major conclusions. First, hookup culture and its script are less gendered, as both men and women have the ability to access these sexual interactions. Second, even with different powers in this system, there are still double standards between men and women that negatively affect the success and experiences of college women. Third, hookup culture supports those in the majority in terms of race, ethnicity, gender, and sexuality. Heterosexual white men, especially those involved in Greek life, tend to maintain dominance in this world of hook ups, while heterosexual women, gays, lesbians, minorities, and others are subverted and forced to find other methods of socialization. This book carries importance in understanding how hookup culture has evolved and changes within itself; the culture is very fluid and influential, but there are not many mainstream works that compile some brutally honest, eye-opening, and comprehensive discourse on this aspect of college like Kathleen Bogle has. Hooking Up provides many examples on the emotional, institutional, and systematic ways in which men have successfully taken full advantage of this hookup culture, while in the process of participation, have been able to maintain a higher status and control than women could ever hope to have.


Dr. Kathleen Bogle, author of Hooking Up, is an assistant professor of sociology and criminal justice at LaSalle University in Philadelphia, Pennsylvania. She received her bachelor’s and master’s degrees from St. Joseph’s University and her Ph.D. from the University of Delaware. Hooking Up is her first book, but she has also published an article titled “The Shift from dating to hooking up in college: What scholars have missed” and a paper titled “Exploring the Connection between Pornography and Sexual Violence.” To this conversation of youth hookup culture, Dr. Bogle’s publications rightfully place her in the middle of the conversation; more than a few times in Hooking Up, she speaks to her work as being one of its kind as many previous scholars have failed to study this subject in the same way.


To compile her research, Boyle conducted qualitative data collection from 2001-2006 through interviews with thirty-three college women, eighteen college men, sixteen male alumni, and nine female alumni (Bogle 187-188). To find these interviewees, she asked professors at an unnamed religious college and a state university to find volunteers for her study. She used vague solicitations to these students so that a larger group of people would be interested in being a part of the study instead of a small group deciding to participate based on very specific characteristics (187-188) Her interviews were recorded and transcribed, lasting between one hour and ninety minutes (187-188). In this interview process, Bogle used a relaxed, conversational way of interviewing as a way to gain as much knowledge as possible from the participant, as the likelihood remains that they would reveal more of their opinions if they were comfortable.


In Bogle’s work, she gives chronological background to dating and hookup culture, interspersing quotes and conversation from interviews as they fit into this discourse. In the second half of her work, she includes more interviews as she tries to reveal more intrinsic and subconscious aspects of the culture. Beginning with a definition of a hookup, Bogle cites a national study of college women’s sexual behaviors that states that a hookup occurs when a girl and a guy get together for a physical encounter and don’t necessarily expect anything further (2). She proceeds to describe to question the change from adolescence to college life to life as an adult as denoting different norms of what sex and romantic culture should look like. She describes different sexual scripts that culture participants use in their different encounters overtime; in the early 1900s, the practice of calling, where young men call young women in the hope of getting invited to the woman’s home to meet their family, was well-practiced, but as time persisted, the concept of the date came around, as dating was more individual and less focused on the family (7, 12, 14).


The gender imbalance of power in the hookup culture arguably began as men went off to war in the 1940s. There were a lot fewer men available and after they returned from overseas, the popularized concept of domestic life took hold for a few decades (17). Men were the ones who held the jobs, made money, paid for dates, and made decisions regarding where they and their significant other were going and doing. In addition to the post-World War II culture change, the 1960s were a defining decade in terms of liberation and feminist movements, group socialization, and party culture. Feminist movements encouraged women to be free as sexual beings and to value the expression of personal choice (21-22). This support of free expression was only furthered by the increased availability of the birth control pill (21). Both men and women were encouraged to start sexual interactions, taking away the role traditionally served by the male. Sexuality became more public, accepted, and supported; this openness can be considered a catalyst for the rise and continued popularity of hookup culture.


After describing the evolution of this culture, Bogle transcribes many interviews that ask students how hooking up occurs, stereotypes and sexualization of the other gender, factors that play into the hookup, and the gender roles that come into effect in a hookup. Bogle finds that women can remain under the impression that they must not be as sexually active in a first hookup with a male so as to be sure that the male does not think less of them because they are perceived as being aggressively sexual (38). This is only one of the many places in which Bogle points to the unfair conceptions of this culture that males and females undertake.
Later, Bogle speaks more to the logistics of hooking up on a college campus. As women tend to be enrolled in college at a greater ratio than men (80 men to 100 women), this presents another structural constraint to the already marginalized female (19). There remains very little incentive for men to settle into one relationship; instead, it has become normalized that males can have sexual interactions with more women than is acceptable for women to have with men (55). In these situations, alcohol is a resource that makes initiating sexual contact a much easier feat, as it sets a tone of relaxation (63).


After an exploration of campus culture and the logistics of a hook up, Bogle summarizes different arguments and opinions regarding the double standards that persist for men and women. Using Doris Day and Sandra Dee as examples of the squeaky clean, virginlike image of a woman, she divides undergraduate sexual desires as women looking more for relationships and men enjoying the status quo of the hookup culture (96, 97). Men garner little to no stigma for their sexual exploits, even if they are called a man-whore or slut, it tends to be perceived as a joke; for women, it is very easy to be labeled as a slut (103-104). Bogle describes this process of labeling as being one that alters one’s sense of self and leads to a self-fulfilling prophecy that subverts and harms, even if it was not their own construction (113).


Many of the factors that affect hooking up disappear after college as individuals tend to become more isolated and have less factors and comparisons to create between them and their peers. Alcohol remains central to adult socializing, but hooking up with strangers in unfamiliar places is a logistic factor that presents itself in this adult world (130, 133). Though these adults are older than their college days, there remain sentiments of a game, arguably inspired by the college hookup culture, including being more respectful, polite, and caring to women, as the circumstances expect formality as well as seriousness (137). Speaking to adult relationships, one male interviewee indicates that the less a girl does sexually the better (150). Though one’s environment has changed from the college campus to the working adult environment, this process of othering and subverting the woman, even as an adult, seems to have persisted.

One of Bogle’s strengths in her book and research is that she offers very clear examples of the gender hierarchy and the beliefs, concepts, and areas of influence that gender comes into effect. Bogle will question the men she interviews when they tell her their opinions on what women should do in their role in hookup culture and she turns the question to them, asking why he should not adhere to the same expectations.

A very obvious weakness is Bogle’s research is the lack of minority acknowledgment inside this college culture. At the schools she surveyed, there was a predominantly white student body, but there was a significant amount of minority (racial, sexual, etc.) representation. In the few thoughts she contributed to the discussion of minority students, she generalizes opinions heard from interviewees and says that many minority students are not interested in sexual encounters with white students and vice versa (68). Though she does speak to the lack of queer-positive cultures and spaces on college campuses, she marginalizes the already less supported minority groups by putting them all in the categories of inner-socialization and tied to friends from home (68-69).

In my opinion, Bogle’s Hooking Up does offer a more contemporary and knowledgeable analysis of the hookup culture that has become normalized since its evolution from the era of calling and dating. Personally, I thought the shear amount of interviews she had with clear demonstrations of male privilege and the subversion of women were very valuable to her overarching arguments. One can talk about the sexual double standard, but until those opinions are truly expressed with valid examples, there will be no acknowledgment of a need for change. Bogle’s research does well in identifying the amount of sexualization, stereotypes, and preconceptions play into the game of hooking up. Though Bogle has recognized that this work is not intended to speak to all of college students, as well as in any large way to minorities, it would be good for further research to expand on Bogle’s to include sexual, ethnic, and racial minority hook up culture, so as to offer some deeper insight in the possible different spectrums of college youth culture. Audiences that enjoy this work would include college students, as a way to reflect on one’s role in the culture that may or may not be present around them, as well as adults, administrators, and other outsiders that would like to learn more about the sexual culture perpetuated on college campuses.

 

BookReview (Full paper attached w/ footnotes included)

Third Wave Manifesta: Blind-Spot Central

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During Thursday’s class we were supposed to discuss potential blind spots in the thirteen point agenda produced by Bumgarder and Richards. Carolina and I found issues with point 4: “To bring down the double standard in sex and sexual health, and foster male responsibility and assertiveness in the following areas: achieving freedom from STD’s more fairly dividing the burden of family planning as well as responsibilities such as child care; and eliminating violence against women”

The wording of this point tends to leave out lesbian and gay couples. We created this meme to point out how the point should have been worded along the lines of “equal sexual responsibility among partners, regardless of sex” so that the sexual health of lesbian couples is also included.

The Happy in Unhappiness

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The cover of Sara Ahmed’s The Promise of Happiness seems designed to evoke the emotion of happiness. Titled Happiness Isn’t Happiness without a Violin Playing Goat, everything in the artwork, from the design, to the colors, to the title, exudes light-hearted whimsy. It seems to be a cover that conceals happy contents, but it encloses a book that critiques the emotion the artwork attempts to portray: happiness (Collura). While the idea that happiness is good and that unhappiness is bad is generally accepted as a common worldview, Ahmed challenges this viewpoint by examining how we act and react to the promise of happiness. She primarily does this by observing how groups such as feminists, queers, and migrants are exposed to different expectations for happiness and to different experiences of the emotion. Although she does not explore a topic as lighthearted as the cover suggests, Ahmed’s exploration of the concept of happiness effectively brings the problematic associations of the emotion to light.

The author of the book, Sara Ahmed, is a professor of race and cultural studies at Goldsmiths College, University of London, and she serves as an important voice in the fields of feminism, queer theory, race, and affect theory. When discussing migrants in The Promise of Happiness, she states that she was born to a Pakistani father and English mother, and she comments on the fact that her experiences being in the second-generation of a mixed race family has given her insight into how migrants view happiness (Ahmed 248). She has written several other books that deal with similar topics to the ones discussed in this monograph, such as Queer Phenomenology: Orientations, Objects, Others and Differences that Matter: Feminist Theory and Postmodernism. The Promise of Happiness has not been her first book to deal with affect theory; she also wrote The Cultural Politics of Emotion, demonstrating that on top of focusing on her obvious specialty of cultural studies, she also looks into the culture of emotions. The fact that she is an expert in many different fields of study allows her to provide insight on a topic as broad as the impact of happiness.

The objective of Ahmed’s work in this book is to examine how different groups of people are promised happiness and how this promise affects these people. She focuses primarily on affect aliens, “those who are alienated by virtue of how they are affected by the world or how they affect others in the world” (164). These are the people who do not receive the same promise of happiness as the privileged and those in the majority, and the affect aliens she focuses on are the feminist killjoy, the unhappy queer, the melancholic migrant, and the hopeless revolutionary. In the book, Ahmed gives stories as to why these groups of people are not met with happiness by the people around them and why this absence of happiness results in them being recognized as unhappy people. By analyzing these judgments of unhappiness and the lack of possibility for a traditionally happy future for affect aliens, Ahmed argues that unhappiness is not necessarily a bad thing and that happiness is not necessarily a good thing. Her book serves as an argument that “we need to think about unhappiness as more than a feeling that should be overcome” (217). She explores the idea that simply because these affect aliens do not experience traditional representations of happiness and face more challenges than those in the majority does not mean that they are worse off than those who fit the mold as being “happy.” Although unexpected, this argument caused me to recognize the problematic tendencies with the construct of happiness.

Ahmed’s method of research involves her following the word happiness as it appears in mediums such as movies, novels, and scholarly works as a way to uncover information about how the promise of happiness affects different groups of people. “[She tracks] the word happiness, asking what histories are evoked by the mobility of this word” as a way to view what the usage of this word implies and study the effect that it has (14). She uses this method in order to uncover how happiness promises hope. She defines this “the promise of happiness [as] what makes certain objects proximate, affecting how the world gathers around us,” and by tracking the word, she is able to view how this promise of happiness affects different people (14). Her main sources are “unhappy archives,” which are primarily books and films that are “assembled around the struggle against happiness” (18). She discusses books such as George Eliot’s The Mill on the Floss to discuss finding happiness as a feminist and Annie on My Mind to discuss the the power parents have in determining happiness for queers. She also looks into movies such as The Hours, If These Walls Could Talk 2, Bend it Like Beckham, and Children of Men, which all look at happiness from the perspective of affect aliens. She also states that her archive for the book draws from more than simply just books and films, and that “[her] archive is also [her] world, [her] life-world, [her] past as well as present, where the word happiness has echoed so powerfully” (19). Encounters with happiness occur in all mediums, so Ahmed follows the emotion wherever it takes her.

On top of an examination of popular constructions, Ahmed also looks into the analysis of happiness from scholarly perspectives. Ahmed combines her expertise on her specialties of affect theory, gender theory, and feminist theory with philosophy and positive psychology in her research. This includes a focus on works done on happiness by philosophers such as Nietzche, Aristotle, Rosseau, and Kant, on top of looking at works by psychologists such as Alan Carr and Michael Argyle. Her incorporation of these authors demonstrates how her work combines aspects of multiple different fields of studies. Her analysis allows her to expand on and also to negate the popular ideas on happiness made by other scholars. This commentary along with her personal research allows her to insert herself into the scholarly conversation on happiness. By combining works of specialists in these fields with her own findings on the cultural productions from her “unhappy archives,” Ahmed creates a portfolio of sources that examine the effects of the promise of happiness.

Out of all of the sources that Ahmed uses from her unhappy archives, cultural productions are what the majority of her arguments are based off of. She uses both books and movies that center around characters who identify as affect aliens, and she uses the stories of these characters as her sources about how happiness affects individuals. However, by focusing on the happiness of characters instead of real people, her arguments on the happiness of actual feminists, queers, migrants and others seems inauthentic. Books and movies are created in order to be dramatic, so the stories of characters in them do not necessarily depict real-life experiences. Therefore, I have trouble with the fact that Ahmed uses these sources as examples of the struggles that affect aliens go through. Some of the stories that she follows may depict real-life situations, but as a whole, the plotlines that she examines are fictional. Because of this, I left the book wishing that she had examined the stories of real people as in-depth as she examines cultural productions. The anecdotes from other people that she mentioned were some of the most impactful parts of her book. For example, Ahmed uses a story from Audre Lorde about being spit on by white men as a young, black child to consider the unhappiness surrounding racism (82-83). After I finished the book, I did not remember the details about every cultural production that Ahmed examined, but this account of racism made a lasting impact. Therefore, I wish that Ahmed had used more stories like this one.

Despite some problems, as a whole, I believe that the majority of Ahmed’s arguments rang true, and I left the book questioning if happiness was in fact a positive construct. I especially identified with her analysis on the ways most people, myself included, feel inclined to appear happy for those around us. She argues that “we have a responsibility for our own happiness insofar as promoting our own happiness is what enables us to increase other people’s happiness” (9). We feel obligated to always project ourselves as happy people because by appearing unhappy, we are preventing happiness from spreading. Feminists are often labelled as “killjoys” because they refuse to participate in this cycle of false happiness. Shulamith Firestone led a feminist movement to encourage women to only project signs of happiness when they felt truly happy, demonstrating that “feminism involves challenging the very ‘pressure’ of happiness, the way it restricts the possibilities for finding excitement, of being excited” (69). This desire to limit portrayals of happiness that only are for show has resulted in feminists often becoming labelled as killjoys because they reject the pressure of presenting themselves as “people pleasers.” I had never paid much attention to the pressure placed on me or the people around me to never appear unhappy, but this book prompted me to notice it. I found this theme explored by Ahmed to be her most effective argument in terms of explaining the role of happiness in my day-to-day life, and her discussion on this subject has been my biggest takeaway from the book. She allowed me to further understand the negative perceptions surrounding feminism, and as a feminist, her argument caused me to start to make more of an effort to let go of my desire to people please.

The Promise of Happiness offers a perspective on happiness that goes against the norm. Calling happiness bad seems to be an oxymoron, and the same goes for calling unhappiness good. However, Ahmed argues that these associations should be made more often. She convinced me to stop automatically assuming that happiness is always positive. On top of agreeing with what Ahmed said, I enjoyed reading her arguments. Her book was well-written, easy to follow, and I would definitely recommend it. Although she primarily studies the effects of happiness on affect aliens, her study on happiness can be applied to how all groups of people react to the emotion and judge the happiness of those around them.

 

Works Cited

Ahmed, Sara. The Promise of Happiness. Durham NC: Duke University Press Books, 2010. Print.

Collura, Reyna. Happiness Isn’t Happiness without a Violin-Playing Goat. n.d.

 

A Review of Racial Castration: Managing Masculinity in Asian America

During my Davidson career, I have become increasingly interested in Asian American Studies. For my book review, I decided to take advantage of the flexibility of the topic and expand on my knowledge in the subject. In Racial Castration: Managing Masculinity in Asian America, David L. Eng creates the argument that race and sexuality are connected. Eng supports his argument by analyzing the subject of Asian American masculinity. By applying psychoanalytic theory to literary works, Eng shows that race and sexuality cannot be separated from each other. Overall, his argument brings new insight to the subject of Asian American masculinity and also Queer studies, but a couple writing decisions that Eng makes prevent full comprehension of the topic.

Firstly, Eng analyzes two works, China Men and Donald Duk, that question the historical photo of the “Golden Spike” ceremony, the event where the east and west sides of the transcontinental railroad were connected. In the photo, the Asian American workforce was not represented, rendering their work and the lives lost invisible. Eng begins his analysis with a deconstruction of photographs as a medium of information and connects them to gaze, look, and screen from the Four Fundamental Concepts of Psycho-Analysis. I believe, however, that this connection required too much explanation. While the information is applicable to China Men and Donald Duk, it isn’t necessary to be able to understand the analysis and arguments made in the rest of the book.

In Donald Duk, Frank Chin tells the story of a boy, Donald Duk, who at first rejects his Chinese American culture, but eventually grows to embrace it. Eng uses psychoanalysis to come to the conclusion that Donald Duk’s dreams provide him an outlet to escape societal structure. Through his unconsciousness, Donald Duk is able to connect with his Chinese culture and is eventually able to bring this connection to his conscious state. Eng, however, criticizes Chin’s vision for the Asian American identity for excluding Asian American women and gay men.

Next, Eng analyzes the primal scene in “The Shoyu Kid” by Lonny Kaneko. The story takes place in a Japanese concentration camp during World War II. Itchy, looking for the Shoyu Kid, finds him being sodomized by a white, male camp guard. This causes Itchy and his friends to lash out and denounce Japanese culture and homosexuality. Eng relates this scene to how people react to Asian American sterotypes of homosexuality and femininity. He criticizes this reaction, saying that, “Psychic Salvation for the Asian American male cannot be the monopoly of a masculinist compulsory heterosexuality” (Eng 136). Eng again challenges society’s view on race through the lense of sexuality.

Eng narrows her scope in her analysis of M. Butterfly by David Henry Hwang, looking at Gallimard’s racialized homosexuality. In this play, Gallimard has an affair with Song Liling. Even though Song is male, his Oriental identity prevents Gallimard from seeing Song’s penis. Eng explains this phenomenon of misgendering Song through Freud’s theory of the divided ego. Freud’s psychoanalytic theory is usually used to describe female castration, in which men will fetishize a part of a woman, such as her hair, in order to project a substitute of a penis onto her. Gallimard’s situation however, is an occurrence of racial castration. Gallimard’s reverse fetishism of Song’s asian identity projects Song as a female, even though his penis is clearly visible. Eng believes that this is possible due to the situation’s commonality with traditional power relations. In Gallimard’s relationship with Song, the white male is in the same dominant position as a traditional relationship between a white male and female. Eng argues that M. Butterfly portrays the silent oppression of compulsory heterosexuality and whiteness and that the key to eliminating their power is to make them visible.

In Racial Castration, Eng also addresses the Asian American phenomenon of male hysteria. Hysteria, understood to predominantly be experienced by women, occurs when the emotions that come from the refusal to accept a societal position cannot be explained through language and are thus expressed through the body. Freud attempts to explain the possibilities of male hysteria, but is unable to due to his positionality. Eng clams that, “in a patriarchal world, the presence of the male hysteric would paradoxically imply the refusal of that male subject to occupy a symbolic position that prizes his social role above those of all others” (177). Male hysteric, however can be theorized in the case of Asian American men due to systemic oppression. Hysteria occurs in Asian American men when they refuse to play the role of the emasculated man. Eng gives an example of such hysteria in Eat a Bowl of Tea by David Wong Louie. When Ben Loy is finally able to bring his wife from China to the U.S., he is unable to consummate their reunion due to his impotence, revealing his lack of power and masculinity.

While Asian American male hysteria was caused by Yellow Peril and its exclusion acts, Eng claims that the Model Minority myth also causes the same issue of hysteria. He labels the psychological burden of the myth, “internal exile”(199). By attempting gain acceptance and achieve assimilation by living out the Model Minority myth, Asian Americans are making personal sacrifices toward a lost cause. Eng refers to “Birthday” by Louie for his analysis of the model minority myth, which feels out of place in his argument due to the lack of psychoanalysis. This ultimately makes his connection between Yellow Peril in the Myth more of a mention than a strong argument.

In his last section on male hysteria, Eng refers to Pangs of Love once again, but this time to address the hysteria that could occur in the queer community. Bagel is a gay Asian American that lives with three other gay men who are white. In their house, everything is white. The only thing that isn’t is Bagel. Not only is he Chinese American, but his muscle tone, and his colored clothes make him out of place in the environment as well. Eng states that: This is a queer affiliation, which demands the imitation of whiteness but ultimately finds this imitation intolerable” (201). While Bagel identifies as queer, his surroundings symbolize the white, silent denial of assimilation into the queer community.

Eng concludes his book with the subject of queerness and diaspora. In his epilogue, Eng increases the scope of his discussion and proposes that the intersection of queerness and diaspora with Asian American studies should be addressed in scholarly conversation. She states that the knowledge jurisdiction of Asian American studies is expanding using post- 1965 Asian immigrant communities as an example, as most of their identity was created outside of the United States. I think that Eng is arguing that as knowledge continues to extend outside of the United States, a diasporic approach needs to be taken towards analysis.

Eng also addresses the argument of whether or not to place a hyphen between, “Asian American.” Eng sees the hyphen as a symbol of repression and believes that it should be omitted: “the elimination of the hyphen from this term clams not only psychic but also spatial entitlement to Asian American membership within the larger U.S. national collective” (211). Eng appears to be referring to a previous debate about the subject, but seeing that this book was published in 2001, I am too young to remember this academic conversation and will have to do further research to understand it.

While Eng uses the epilogue to present many questions, by doing so explicitly he makes it difficult for the reader to differentiate which ones will be answered later in his discourse. This leads to paragraphs that contain nothing but questions, breaking the reader’s attention. Ultimately, Eng’s approach to raising questions takes away from the structure and message of his closing remarks.

Finally, Eng analyzes Rolling the R’s by R. Zamora Linmark to show the power of intersecting queer and Asian American perspectives: “Indeed, Linmark extends this project to its imaginable limits by bringing together the model minority myth with the image of the flaming Filipino faggot” (227). Through Linmark’s work, Eng believes that the combination of identities, “allows this explosion and reworking of stereotypical images and categories” (228). In conclusion, Eng achieves her objective in Racial Castration and starts the conversation of how race and sexuality can bring valuable insight to the subject of Asian American masculinity.

Works Cited

Eng, David L. Racial castration: managing masculinity in Asian America. Duke University Press, 2001.

#FreeKesha

When I read about what happened to Kesha yesterday I thought of a quote from Cixous. Even though Cixous was writing in the 1970s I think this quote still holds some relevance in today’s society. She writes, “When I say woman, I’m speaking of woman in her inevitable struggle against conventional man.” Kesha claimed she was sexaully abused by her music producer Dr. Luke and yesterday the judge ruled that she could not leave her contract with Sony. Kesha cannot make music with any other company and she cannot leave Sony. The injustice of the situation is not even that surprising considering how unjustly sexual assault is often treated in courtrooms. With the decision regarding Kesha’s contract with Sony not going in her favor, many fans and celebrities have taken to twitter to spread messages of love and support for the singer. However as this article points out, many proclaimed feminist singers/celebrities have not spoken out for Kesha. The article chalks this up to how feminism is now something that celebrities claim they are when convenient for their careers. A tweet that’s currently gaining traction says, “Silence about #FreeKesha makes it even more clear certain pop stars only call themselves “feminists bc it’s good for their brand.” A big example of this is Taylor Swift (she has only recently said that she is a feminist). For a female artist to proclaims she is a feminist is good for her image now that fans invest so much time into carving idealized role models out of anyone on a top ten chart. Maybe 21st century fans are putting too much pressure on celebrities (especially female celebrities) to be the voice of feminism BUT still just calling yourself a feminist is not the same as “practicing feminism.” The injustice happening to Kesha deserves attention because ultimately her case is another example of the “inevitable struggle” against our patriarchal society.http://mic.com/articles/135773/one-tweet-about-kesha-reveals-a-double-standard-in-the-music-industry#.2I3O6c84x

Living Out Islam: Voices of Gay, Lesbian, and Transgender Muslims

Almost a year ago same sex marriage was legalized in the United States. After the legalization, homosexuality became a more integrated topic of conversation in the media. However, it is easy to forget that legalization of same sex marriage does not solve all of the struggles of LGBTQ persons. There are still communities within the encompassing queer community that need more representation. With all of the recent discourse surrounding the LGBTQ community, there has not been much mainstream discussion on minorities within the already minority community. However, diversity within the LGBTQ community is important and should be discussed. I wanted to research a minority group in the LGBTQ community so I chose to focus on LGBTQ Muslims. In Living Out Islam: Voices of Gay, Lesbian, and Transgender Muslims, Scott Siraj al-Haqq Kugle brings the rarely heard stories of gay, lesbian, and transgender Muslims to the forefront of discussion by exploring how Muslims reconcile their sexuality with their faith through a series of interviews.

Kugle begins with problems he found in past research on gay, lesbian, and transgender Muslims and challenges previous notions of identity formation. In order to set up his argument, Kugle situates himself in opposition to Joseph Massad’s Desiring Arabs in the introduction of the book. According to Kugle, Massad contends that the “gay and lesbian identity is imposed upon Arab and Middle Eastern societies as part of a ‘gay international agenda’ of American neoimperialism in the region.”[1] Massad faults the “gay and lesbian identity” on an American agenda, which demeans the identities, that queer Muslims form. Massad’s attempts to find blame for homosexuality or to make homosexuality seem “imposed” contrast what Kugle seeks to accomplish in his research.

While Kugle challenges Massad’s work, he also notes that his work is “theoretically indebted”[2] other authors, including Saba Mahmood and Talal Asad. In Formations of the Secular: Christianity, Islam, Modernity, Asad invalidates the assumption that religion and secular practices are “contradictory loyalties.”[3] Kugle pushes Asad’s work further by proving that a person can be openly homosexual while still maintaining a deep respect and commitment to Islam. Kugle also uses Mahmood’s theoretical approach from her book The Politics of Piety: The Islamic Revival and Feminist Subject where Mahmood delves into Michel Foucault’s theory of subjectivity.[4] Mahmood recognizes that individuals have more agency in their lives than writers like Massad attribute them. Kugle draws from both Asad and Mahmood’s arguments in order to further his own argument regarding the lives of gay, lesbian, and transgender Muslims.

Kugle elucidates, “this book documents the lives of the kind of activists who Massad denounces.”[5] In Kugle’s case, “activists” are people who want to change the social relationships in their lives in order to achieve justice. He credits the mere desire to create social change as activism, which makes the term “activist” more accessible to the average person. Reinterpreting the term “activist” is important because by doing so Kugle avoids alienating people who do not want to be in the forefront of the queer activism. Essentially any queer person who struggles with his/her/their plight as a minority is an activist. Living as an out homosexual is difficult in Muslim communities, so he recognizes the interviewees’ bravery whether or not they are actively involved in organizations.

Keeping in mind his definition of “activist,” Kugle interviewed fifteen lesbian, gay, and transgender activists to document an oral history of an underrepresented minority within the Muslim community. Kugle only interviewed Muslims living in countries with democratic constitutions such as the United States, South Africa, Canada, the Netherlands, and the United Kingdom. While Kugle does have diverse accounts in the book, he limits himself by only focusing on countries with democratic constitutions and therefore neglects the countries with the largest Muslim populations like Indonesia, Pakistan, and India. Another limitation Kugle grappled with in his research was sexual orientation. Kugle does not use the term LGBTQ in the book because he only has interviews from gay, lesbian, and transgender persons and within that group he has significantly more interviews from gay men than lesbians and transgender persons.[6] Despite the fact that Kugle focused only on certain sexualities, his research opens the door for more writers to explore the complex lives of queer Muslims.

Even with such diversity of location, the stories of those Kugle interviewed are all connected through a deep understanding of their faith as well as with their struggles sexualities and gender identities. Each chapter of the book explores a different “mode of activism,”[7] which are “patterns of action, decision, and compromise”[8] that disclose one’s identity formation in the setting of Islamic communities. The structure that the specific modes of activism provide allows Kugle to pair certain parts of certain interviews together in a fluid and cohesive manner that helps the reader draw connections between experiences naturally. Kugle weaves the various interviews in order to give a multi-faceted view of lesbian, gay, and transgender Muslims while simultaneously illuminating a common thread between them.

The first chapter introduces the first mode of activism, which is activism through “engaging religious tradition.”[9] Here Kugle focuses on the stories of a gay man, a lesbian woman, and a male-to-female transgender woman. He questions all three about their experiences with religion and sexuality, specifically how important the both are to their identity formations. All three participants stress the significance of Islam in their lives and present nuanced interpretations of the Qur’an that allow for self acceptance of their sexual orientations. One of the interviewees, Muhsin, who is an out gay man, spoke extensively on ways to interpret the Qur’an to be accepting of one’s nature. Muhsin helped start the Al-Fitra Foundation, which one of the first support groups for gay, lesbian, and transgender Muslims in Cape Town. Kugle uses this passage from the Qur’an to demonstrate how Muhsin chooses to read the Qur’an:

‘So set your face toward the moral obligation in a true way, according to the essential nature granted by God, upon which God fashioned people, for there is no changing the creation of God! That is the original and steadfast moral obligation, but most of the people do not understand.’ (Q 30:30)

Most people interpret “original and steadfast” as referring to the Islam and subsequently a universal human nature but many gay, lesbian, and transgender Muslims see it differently. They believe God makes each person with an original nature and that nature cannot be altered. Then the “original and steadfast” religion is to “return to God in harmony with one’s own nature.”[10] With this interpretation one’s sexual identity becomes an unalterable part of them and therefore a homosexual person is following the Qur’an by being true to their nature. This example of activism by engaging religious tradition is just one of many unique ways that gay, lesbian, and transgender Muslims justify their sexual identities and their commitment to Islam.

Kugle captures how his interviewees employ both an open minded and analytical approach to the Qur’an, which again offsets assumptions that gay, lesbian, and transgender Muslims have to choose between their religion and sexual identity. Kugle focuses on the Qur’an as his primary evidence as he unpacks the passages that Muhsin, Nafeesa, and Tamsila (the third interviewee in this chapter) bring to his attention. The focus on the Qur’an and testimonies from real people as the main sources contributes to the authenticity of the book. Kugle dispels previous perceptions of how gay, lesbian, and transgender Muslims engage with Islam, particularly the assumption that queer Muslims must leave Islam in order “to live with dignity and pursue social reform.”[11] Muhsin, Nafeesa and Tamsila all prove that it is possible to have a non-heterosexual identity and remain a devout Muslim. Kugle also uses this chapter to uncover where the stigma surrounding homosexuality comes from in Islamic communities. Trans woman, Nafeesa, simply states, “Show me that the Qur’an says being gay is not allowed in Islam!”[12] Nafeesa has a point since nowhere in the Qur’an does it explicitly condemn or approve homosexuality[13]. With the new interpretations of the Qur’an, Kugle makes the reader question where the stigma comes from if the Qur’an does not present an opinion on homosexuality? Muhsin, Nafeesa, and Tamsila agree that the shame surrounding homosexuality comes not from Islam but from the dominant interpretations of Islamic tradition.

The Islamic community is the main focus of the second chapter, in which the mode of activism is “challenging family and community.”[14] This type of activism is different from the previous chapter since it more actively engages family expectations rather than Islamic tradition. This chapter delves into how personal relationships are affected when someone comes out in an Islamic community. Nargis, a lesbian woman in Cape Town, South Africa, describes her struggle with her parent’s control over her after they discovered her relationship with another woman. Nargis notes that it was the “prospect of community shame”[15] that drove her father to withdraw her from university and isolate her from society. Her family used the Qur’an and shariʻa law to argue with her about her sexual orientation so Nargis joined support groups like The Inner Circle and The Triangle Project for solace. Nargis used religion to help her come out again to her family by using the example of Sufi woman, Rabiʻa of Basra who never married due to her love of God. The use of religious tradition helped Nargis’s family understand her sexuality. Kugle notes that for many gay, lesbian, and transgender Muslims, Islam is important as “a symbol of family cohesion and care.”[16] The coming out experiences of queer Muslims in Islamic communities are difficult due to the stigma surrounding homosexuality but Kugle points out the that the emergence of support groups like The Inner Circle and the Al-Fitra Foundation help create new Islamic community where religion and sexuality are not at odds. Disowned gay, lesbian, and transgender Muslims often recognize members of their support groups as “found families.”[17]

Kugle’s interviews and analysis provide the reader with an insight into of the lives of gay, lesbian, and transgender Muslims today. Many of the people Kugle interviewed had been disowned by their families because of their sexuality or gender identity. While Kugle brings awareness to their pain, he also focuses on how they got to where they are now in terms of self-acceptance. The answer for many of them was religion. Kugle cleverly anticipates our outside assumptions from the beginning and works at disbanding them in order to provide an authentic perspective on the intersection between religion, sexuality and gender identity. I think that Kugle’s sharp analysis of the Qur’an contributes to the persuasiveness of the text. Where the Qur’an is used by some Islamic communities as a reason to reject homosexuality, Kugle interprets the Qur’an in a way to justify a person’s nature, which encompasses sexuality and gender identity.

 

[1] Kugle, Living Out Islam: The Voices of Gay, Lesbian, and Transgender Muslims (New York: NYU Press, 2013), 4.

[2] Ibid, 5.

[3] Ibid, 5.

[4] Ibid, 6.

[5] Ibid, 4.

[6] Ibid, 21

[7] Ibid, 3.

[8] Ibid, 3.

[9] Ibid, 21.

[10] Ibid, 25.

[11] Ibid, 53.

[12] Ibid, 39.

[13] Ibid, 25.

[14] Ibid, 55.

[15] Ibid, 61.

[16] Ibid, 78.

[17] Ibid, 40.

Work Cited

Kugle, S. A. (2013). Living Out Islam : Voices of Gay, Lesbian, and Transgender Muslims. New York: NYU Press.

Interconnectedness of Politics, Sexuality, and Race

Imposing Decency: The Politics of Sexuality and Race in Puerto Rico, 1870-1920 by Eileen J. Suárez Findlay highlights the changing politics in Puerto Rico from 1870-1920, focusing on how sexuality and race impacted politics and vice versa. Imposing Decency also looks at how race and social class were indicative of sexuality, or at least perceived sexuality. Findlay shows that politics, sexuality, and race are interdependent and impact history, urging us to look at history through a lens broader than simply looking at political events by themselves or the rise of feminism and instead see their relation.

Eileen Findlay teaches in the Department of History at American University. Professor Findlay also is involved with Women’s, Gender, and Sexuality studies at the University. Imposing Decency: The Politics of Sexuality and Race in Puerto Rico, 1870-1920 was her first book, but since she has written another book and two articles on Puerto Rico’s issues of sexuality and gender. She has numerous other works in progress. Her PhD is in Latin American History, and she is fluent in Spanish. Findlay has won several awards, including the Alice Paul Award for Life-long Achievement in the Advancement for Women, and others recognizing outstanding teaching and involvement in multicultural affairs and international students (American University).

In her book Findlay depicts 50 years of roller-coaster-esque, back and forth change in Puerto Rico, specifically in relation to politics of sexuality and race. According to Findlay, “this book demonstrates that throughout the period in question, race was quite important to Puerto Rican familial, community, and national politics, but often in subtle, shifting ways” and that “ ‘Cultural competencies and sexual practices,’ as well as material resources and physical phenotype, helped create individual and collective racial identities” (Findlay 7). Findlay acknowledges the impact of Spanish rule and later United States political rule on race and sexuality. Specifically, Findlay shows these political changes via the treatment of prostitution during the time as well as the shift to a legal divorce system. Findlay walks through the progression of views on prostitution, beginning with the non-confrontational acceptance of prostitution during the mid 1800’s and Spanish rule. In the 1890’s a “moral panic” emerged and prostitutes were pushed towards poor areas and were required to register as prostitutes as part of “Reglamento de Higiene” (150, 83). Along with registration came rough, embarrassing physical exams every other week to check for venereal disease (89). A positive result would end in confinement in the Hygiene Hospital (89). Then came the influence of the United States and their push towards revamping other areas of politics, so prostitution is momentarily overlooked once again until the U.S. realizes the state of prostitution in the country and begins to work on eliminating that as well. However, prostitution was seen as the fault of the woman, and not the reaction to desires of men (88, 94).

Additionally, Findlay relates race to sexuality. As in many parts of the world, whiteness was the ideal and often denoted the elite. In Puerto Rico during this time, there did exist “plebian white(s)” as well (32). Whiteness was the ideal, and as such people of color strived to achieve whiteness through action as well as physical change of color (23). Since there were many people of mixed-race, the lighter a person was, the better (23). One could “whiten” themselves through dress, marriage, respectability, manners, money, and more (23). On the other hand, “blackness” was seen as dirty and as such linked to sexual promiscuity, especially by women, and poverty (168). In terms of race and class, lower class people tended to live with their sexual partners in consensual unions (121). The lower in class and the “blacker” a person, the less likely that virginity was inferred, and the more likely that a rumors of sexual impurity would be understood to be true and have to be disproven rather than proven (25). Additionally, the elite had to worry about reputations and honor being lost due to a loss of virginity, which was not as high of a concern for lower class Puerto Ricans (23). The lower classes and racially inferior for the time were also used by the elite for sexual pleasure both consensually and through rape (147-148).

To make her claims, Findlay relies on past literature as well as personal interviews with Puerto Ricans. Findlay many times references an interview where a person directly commented on an aspect of history or sexuality, many times in relation to the legalization of divorce, as relating to a direct ancestor, such as a grandmother.

In terms of other literature, Findlay references many authors we have looked at so far this semester, including Foucault and Capetillo. Importantly, Findlay recognizes Capetillo’s harsh accusations at other women as potential areas that created enemies and limited her popularity (164). Findlay cites particularly harsh views Capetillo has of other women, including the idea that women who did not leave abusive or unsatisfactory mariages/relationships were “stupid” or “idiots” (162). Findlay would use this statement to bolster her argument that Capetillo was not as popular as she could have been; however, I would point to this to argue Capetillo was a bit hypocritical as well. Capetillo used her children’s father for financial support, allowed herself to be under strict surveillance of him, and knew he was off having sexual relations with other women (159). Only after he left did she begin to work to provide for her family and begin criticizing masculine roles and feminine submission. Though influential and important, I would argue Capetillo not only criticized other women but also hypocritically criticized other women. Findlay certainly is valid in saying Capetillo could have been more popular without the backlash towards other women. She may have been more productive if she had fought her battle and empowered the victims rather than blamed them.

Findlay also acknowledges 19th century feminists’ views that “educated mothers were essential in the creation of a responsible citizenry,” but she also acknowledges views on education that push past simply education for stereotypical female purposes as a mother and wife (67). Interestingly, during around the same time Elizabeth Cady Stanton was arguing for education of women in America for purposes related to raising children and bolstering the current male-centered regime (Stanton 123).

In terms of the book itself, it is well laid-out and flows together nicely. The book’s points are understandable and Findlay does a good job of indicating how the time period, the politics, and society are all connected. However, the book is not as concise as it could have been and often repeats seemingly unnecessary points to the arguments being made. The inclusion of anecdotes and short stories are not only interesting and add dimension and a personal feel to the book, but also solidify information given and arguments made by Findlay.

Imposing Decency: The Politics of Sexuality and Race in Puerto Rico, 1870-1920 was highly informative and caused me to think about race and sexuality in a greater context than simply the United States. Often we get stuck thinking about issues only in terms of the environment we are in, but culture and history around the world plays a large role in influencing issues such as race and sexuality. Not being particularly inclined to history myself, this book surprised me in how engaged I was and how much knowledge I took away from it. Being a psychology major, I enjoyed the anecdotes about real people and what they went through. I also highly enjoyed how Findlay structured the book so that you could clearly see what influenced what and why it was influential. For instance, the changing politics and people in power were important to understanding the changing views and policies relating to prostitution. Findlay also interestingly portrayed the impact of Puerto Rico’s gendered and sexual inequalities on racial discrimination.

 

**information regarding Eileen J. Suárez Findlay found at http://www.american.edu/cas/faculty/efindla.cfm

Findlay, Eileen J. Suárez Findlay. Imposing Decency: The Politics of Sexuality and Race in Puerto Rico, 1870-1920. Durham and London: Duke University Press, 1999. Print.

Stanton, Elizabeth Cady. “The Solitude of Self.” The Essential Feminist Reader 1892: 122-127. Print.

Latino Masculinity and Machismo: Hombres y Machos

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I decided to read Alfredo Mirandé’s book, Hombres y Machos, because growing up in a Hispanic family myself, I heard the phrase macho many times in my life. I never really associated this phrase with a negative connotation, but as I grew older, I began to see that others around me did not view the phrase as I did. As I began to read the book, Miranda approached the Cult of Masculinity, Machismo (in Spanish), through a personal level as he sought to find Latino men in parts of Northern California as well as Texas and interview them about their perception of Macho and Machismo. Miranda also seeks to study important events in Latin Culture, specifically Mexican culture, to truly understand the patterns he observed when interviewing his participants. After reading this book, Miranda’s findings and studies have helped me understand the false perceptions present about Machismo before his study and what it truly means to be a Macho.

Alfredo Mirandé was a professor of sociology and ethnic studies at the University of California. He was warded a Rockefeller Foundation research fellowship to conduct a study of Latino men and what they defined as the role in their family. This study would be what would lead the publishing of Hombres y Machos. Before this book was published in 1997, however, Mirandé had already written a book titled La Chicana in 1979 where he explores the oppression of women under the cult of machismo by tracking the role of Chicanas, a woman of Mexican descent, from pre-Columbian society to the present which at the time was late 1970s. After the publishing of this book, Mirandé attributes his writing of Hombres y Machos to the lack of connection he felt towards the Chicana experience and the generalizations made on Latino masculinity based on misinterpreted evidence and lack of research. Mirandé also credits his research from a personal life as a Mexican father of three: “At a deeper and more personal level, I believe that I undertook this study because I was dissatisfied with the images of Latino men and masculinity that prevailed not only in the social science literature but also in the society at large. I felt that these images were used to perpetuate negative conceptions of Mexicans and to legitimate our economic and political subordination” (5). In addition, Mirandé expresses different goals he had when researching for his book. The first was to “undertake a study of Latino men that did not begin with the premise that Latino culture and Latino masculinity were inherently negative or pathological” (6), the second was to “look at Latino men in a way that reflected the richness and complexity of Latino masculinities — a study, in other words, that would incorporate men who were as different and diverse as my father and uncles” (6) and the third to “was to articulate an insider ’ s perspective that would reflect the images that Latino men themselves have of machismo, masculinity, and fatherhood” (6). In studying masculinity in Latin culture, Mirandé focuses on a historical analysis of Latino men and masculinity and the correspondence of data through the Bem (BSRI) and Mirandé (MSRI) scales.

Mirandé argues throughout the book that the contemporary ideology behind Machismo during the publishing of the book is a false perception based on universalism by the white male norm and this norm only reflects the dominant theories and generalizations while forgetting to acknowledge the studies of specific groups. After conducting research and bringing his data from interviews, Mirandé concludes that what Latino men define as a good father is not external qualities such as success and wealth, but internal qualities like responsibility, selflessness, and moral character (115). In the end of his book, Mirandé asks for a deeper understanding of Latino masculinity through the fields of men’s studies and feminist scholarship while criticizing the way in which there has been a larger awareness of Chicanas and Latin Women, but little effort to asses the studies of Latino men and Latino masculinities (118).

Hombres y Machos is divided two major sections. The first section consists of chapter one and two in which Mirandé presents a summation of research on Latino men as well as background info on Bem and Mirandé’s scales and then goes on to present historical information to enhance one’s understanding of the manifestation of masculinity and manhood. In chapter one, Mirandé introduces the reader to the Bem Sex Role Inventory, BSRI, which is a scale designed by psychologist Sandra Bem in 1974 to measure masculine and feminine traits based on responses to different items within the scale (14). In his study, Mirandé did not want to include this scale to measure masculinity in Latino culture because he believed masculinity was defined differently. In the end, Mirandé decided to develop his own scale called the Mirandé Sex Role Inventory, MSRI, which is also a measure of masculinity like the BSRI, but includes traditional and nontraditional items unlike the BSRI (15). In chapter two of his book, Mirandé presents different historical context of Latino culture, specifically Mexican culture, to explain the surge of Machismo. Mirandé directly links masculinity in Mexico to the Spanish Conquest and states that masculinity was either “a response to the intense and persistent feelings of powerlessness and weakness” (34), a characteristic “imposed on the Indian in the same way that Catholicism, horses, pork and deadly diseases” (35) or that masculine displays “have had pre-Columbian origins that predated the arrival of the Spaniards” (35). Each of these explanations has valid argument and helps bring forth aspects of what former generalizations of masculinity in Latin culture lack: studies in the field of Latin culture. By bringing forth these ideals, Mirandé provides credibility to his method of finding data.

The second section of Hombres y Machos consists of chapter three, four, and five where Mirandé explores the perception of Latino men of the words Macho and Machismo, provides a structured investigation of the perceptions found and compares them using the BSRI and MSRI, and develops a thorough analysis of how regional, occupational, income, and language differences were found between the BSRI and MSRI. In chapter three, Mirandé studied the way the men he interviewed perceived the meaning of macho. To hiss surprise, Mirandé states, “Only 31 percent of the men were positive in their views of macho, compared to 57 percent who were classified as negative. This means, in effect, that more than two-thirds of the respondents believed that the word “macho” had either negative or neutral connotations” (68). Mirandé was surprised because he expected the men with greater ties to Latino culture to identify positive associations with the word macho, but that was not the case in the study as more individuals who decided to be interviewed in Spanish had a positive connotation to the word macho than those who were interviewed in English. In chapter four, Mirandé assessed how he came about making the responses into quantitative data. The way Mirandé did so was that he used a statistical method called “factor analysis” to cluster variables, in this case “items”, to be associated in in a predictable way. After this was done, Mirandé used “factor loadings” which, in Mirandé’s, words “tell us the relative strength of a factor by showing how much of the variation in an item or variable is explained by a particular factor” (84). After finding the factor loading within the BSRI and MRSI scales, Mirandé concluded that the MRSI demonstrated that men with a higher education and higher incomes were less traditional in ideas of gender, but the BSRI demonstrated that that men with a higher education and income were more likely to score higher on the masculinity factor than feminine factor (98). In chapter five, Mirandé analyzes his data altogether to conclude the way his participants view masculinity and father hood. Mirandé concludes his research and suggests that the conception of dominant America of Latino culture involving masculinity is radically different from the results he found in his research. In the end of the chapter, he states, “According to this ethic, whether a person is considered to be a successful man or a good father is determined not so much by such external qualities as success, fame, or wealth but by such internal qualities as responsibility selflessness, and moral character” (115).  Mirandé’s conclusion achieves the goals he set at the beginning of his research and go on to prove that the universal generalization of masculinity within Latino culture are no more than false perception lacking knowledge in the field of Latin studies.

The reason I really enjoyed reading Hombres y Machos is that Mirandé did an excellent job in structuring his book. While most authors writing a book on research would go straight into evaluating how they conducted their research, Mirandé begins by giving historical concepts and informing the readers about possible explanations towards Latin masculinity based purely on historical context. Mirandé included this context to not only to inform the people who are not familiar with Latin culture, but also to educate those who come from a Latino background on why negative generalizations on masculinity without proper background exist. Another major strength within the book is the personal connection Mirandé holds to the subject at hand and how his personal life pushes the research forward. Coming from a Mexican background myself, I am able to fully connect to Mirandé’s goals and experiences. It is this personal connection Mirandé holds that let him conduct research smoothly. In the book, Mirandé mentions how easy it was for him to find subjects for an interview when he says “Obtaining confianza (trust) or legitimacy is critical in carrying out research in the Latino community” (21). In addition, by learning about Mirandé’s personal life, the reader is able to understand why the research means so much to him and what his finding mean for the Latino community and the way masculinity in Latin culture is reflected.  This personal devotion towards the research is not only presented in the way Mirandé portrayed the qualitative data within his research, but also in the way Mirandé went through the method of turning this data into quantitative data through his use of the BSRI and MSRI scale. By providing a structural way to demonstrate his findings, Mirandé allowed the reader to observe the many patterns found within the results. For example, the way in which the participants who had more education, higher incomes, and chose to speak in English appeared to be less androgynous than those who ha lower income and chose to be interviewed in Spanish (95). Mirandé not only found the different opinions about associations with machismo, but also sought to find trends within his results and the ways in which language, regional, and economical aspects affected these associations.

With so many strengths within Hombres y Machos, it is hard to find many weaknesses. The only possible flaws I see within Mirandé’s method of obtaining data is the way in which he chose to only interview participants in the U.S and in certain states only. Mirandé mentioned he chose to interview men in Northern California and Texas. I believe it would have been interesting gif Mirandé would have also interviewed men in Mexico and parts of Southern California as well as men who resided in close to the border between Mexico and the U.S. If Mirandé would have done such, I believe he would have come across an even more interesting conclusion. Another way Mirandé could have improved his research would be y giving his participants more open-ended questions and including women in his interviews. Doing so would give a more in depth look on how men and women of the Latino culture view masculinity and what the people of Latin background feel about the generalizations made on machismo. However, I feel Mirandé did an excellent job of uncovering why it is that the generalization of masculinity is falsely perceived and in doing so he was able to accomplish a lot for Latino studies, the perception of masculinity, the goals he had coming into the research, and for his own personal growth as a father.

Alfredo Mirandé productively puts all the generalizations made on masculinity in Latin culture to rest through his research on Latino men, his outline of historical context, his narrative of personal life, and his systematic portrayal of qualitative and quantitative data. Through his work, the reader clearly visions Mirandé’s passion of the subject at hand the way in which the research not only changed the ideas held by society at the time, but the way in which the research changed Mirandé as a person and father. Although I am able to connect deeper with Mirandé on the fact I am a Latino American, Hombres y Machos is a book I would recommend for anyone who wants to learn more of what masculinity means in the Latin community. Before reading the book, I did not have a clear understanding of what it meant to be a macho. I never associated the phrase with a negative or positive connotation because I was aware of the different ways people understood the phrase. After reading Hombres y Machos, I now have a deeper meaning of what it means to be a macho and hope to read more of Mirandé’s works in the near future.

Mirandé, Alfredo. Hombres Y Machos: Masculinity and Latino Culture. Boulder, CO: Westview, 1997. Print.

Italian Feminism During the Fascist Regime: La Donna-Crisi

As a student who studied abroad in Florence, Italy, I have become fascinated in Italian culture. Living with an Italian host family and being around Italians, I have come to realize that the mother figure in every household is considered to be at the top of the familial hierarchy. The mother figure worked every day and came home to cook dinner every night. In addition, they cleaned the house, took care of the kids, and did the laundry for everyone. Italians are also known for defending their mothers when they have been criticized. To learn more about the Italian Feminist culture, I chose the book, The Crisis-Woman: Body Politics and the Modern Woman in Fascist Italy, by Natasha V. Chang.

During the time of World War I, Italy decided to join the Allies as method to create a sense of nation in order to promote nation cohesion by having Italians fight for their own country as well as benefits of new land that would come with winning the war. With the Allies’ victory, Italy was on the winning side, however, they did not receive any benefits that they were promised. With Italy being in an economic crisis and being on the verge of chaos, Mussolini came into power as the fascist party. The fascist party had their emphasis rooted in Italian nationalism and their desire to restore and expand Italian territories after the war.

At the same time, the idea of donna-crisi or crisis-woman emerged in Italy as a result of the aftermath of World War I. Chang’s primary argument is that the donna-crisi was an object of negativity, which portrayed the sterile and changing social roles of women that went against the ideals of the healthy and fertile fascist party. The Italian nation’s rate of industrialization and urbanization increased as a result of rapid growth of consumerism and mass culture that women began to occupy more visible positions in the public sphere and in the workplace (10). The notion was due to economic necessity rather than a desire to improve the condition of women in Italy.

Together, on the sociocultural front, the emergence of the modern woman came about, which was being supported by the strengthening market of Italian feminist campaigns. The modern woman was sought out to be a positive figure that raised concerns for issues such as suffrage, admission for women to higher education, wage equality, as well as support for mothers and pregnant women. Mussolini emphasized the idea of Italian nationalism and perceived women as child bearers who should be honored to be the reproducers of the nation. Therefore, the fascist party viewed the newly established notion of the modern woman as a threat to the nation.

The Italian modern woman took up activities that were traditionally considered to be male activities, such as smoking cigarettes in public, wearing pants, and driving a car at top speed. Fascist saw the Italian modern woman as a dangerous figure because they were cosmopolitan women depicted as extremely thin and consequently sterile body that were a deviant masculinization of the naturally curvy and fertile female body, which also portrayed non-domestic and non-maternal ideals. The modern women went against Fascists’ interest and were a threat to the regime because they caused a threat to the biological ability to bear health children and to her social inclination to do so. As a result, the term donna-crisi was coined by the Fascist party as a propaganda campaign against unhealthy, non-fascist images of the modern woman because they threaten the nation as a whole (13). Since thinness of the female body lead to sterility, if the idea of crisis-woman were left unaddressed, it would contribute to a rapidly declining birth rate and result in the weakening and the death of the Italian nation.

Since many characteristic of the modern woman challenged the traditional gender norms, Chang argues that she was represented negatively by the Fascist party because, ironically, I believe that this was due the concept that the modern women held such great power in determining the future of the Italian nation. The Fascist propaganda manufactured two female images, which included donna-crisi and donna-madre, when translated means mother-woman. The donna-madre was a national woman who was portrayed as robust and able to bear a child. Knowing how the culture functions in today’s society, I see that the idea behind donna-madre still exists in the Italian household. Italians view mothers in the household as important figures that maintain and keep the house together. The donna-crisi became a figure that represented a range of anxieties that included changing social roles of the urban woman to the decline of stable racial boundaries between the Italian nation and its colonies.

Chang explains that the construction of a crisis in Italy was parallel to the construction of the female body. The body was a crucial instrument of control that affected the future of the Italian nation. The Italian nation was a body that needed to be protected and defended which operated on the principle of building a cohesive nation by building the bodies of individuals, which was the power of childbearing through the bodies of women. As a result, I feel that the female body was seen as the center of great dangers as well as great potentials.

To support her argument, Chang explored Italian texts about the fashion industry of Italy in her book that depicted the representations of the modern woman. Chang investigated an Italian fashion magazine, Lidel, which published an article describing the liberated modern woman as being transformed (24). The modern woman is a new woman that is independent, physically active, and sensuously reveals her body by wearing clothing that exposed of her arms and legs. In the same article, it continues to mention a metamorphosis of the female body by writing about a woman who stained her clothes and later return looking “immacolata” or immaculate (26). It was revealed that the women just simply removed her dress and put it on backwards.

Chang explains that this body of text erases the traditional signs of sexual differences, the idea that the dress is cut the same in the front and in the back, which does not suggest a woman’s anatomical difference from a man. Additionally, luxury fashion trends became highly assessable for the lower class, which resulted in a rise of the new middle class that made it difficult to distinguish between the economic classes. In the Fascist party’s eye, the blurring of the lines between class differences was a danger to the nation. Chang used the basis of this notion to explore the fashion industry in order to explain that the sterility and distasteful masculine attributes of the crisis-woman, which caused anxiety and placed a fear of changing gender roles in the Fascist party.

Throughout the text, Chang explores the scientific discourse in terms of the crisis-woman. In her research, she found scientific studies that concerned the physical characteristics of a prolific woman in terms of distance between the shoulders and distance between the hips. The researcher of this study, Nicola Pende, reported his finding that the fertile maternal type of woman has hips that are broader than her shoulders where as less fertile non-maternal women has broader shoulder and narrower hips (46). Here, the physical structure of the less fertile non-maternal woman has similar anatomy associated with male bodies. Chang argues that the skeletal feature of the crisis-woman created political anxieties about the waning demographic power of the nation due to the notion behind less fertile women. As a result, it would lead to the decline of the Italian nation if females were unable to bear children. Overall, Chang claims throughout her book that the image of donna-crisi does not reflect or describe a crisis as simple as the social, economic, and historical realities of Italy, but rather the figure must be examined by the role that she plays in Fascist ideology.

A major strength in Chang’s arguments is that she used important context such as the fashion industry and scientific research in order to support her claims. Since Italy is known as an important fashion industry and that the term “made in Italy” has a positive connotation, using the fashion industry to support her claims helped her made her arguments more relevant. Additionally, using scientific findings also allowed her claims to be justified in a world that has many credentials. A major weakness in her argument is that it does not consider the idea of other culture that may come into play. The idea of the crisis-woman seemed very dominated by the racial preference of white individuals. Seeing that I had recently visited Italy, I know that there is a wide variety of different cultural background that exists. Without consideration of other cultural backgrounds, Chang does not examine other factors that may come into play for women of different backgrounds. Overall, the idea of crisis-woman is very interesting to me, especially seeing how the Italian culture is today in terms of the power that mother figures in the household has.

Natasha V. Chang is a visiting assistant professor in the Department of Comparative Literature and is the Dean of Brainerd Commons at Middlebury College. She teaches courses primarily in Italian language, literature, culture, and history. Her research interest includes twentieth-century Italian literature and culture with emphasis on gender studies.

 

References:

Chang, Natasha V. The Crisis-Woman : Body Politics And The Modern Woman In Fascist Italy. Toronto: University of Toronto Press, Scholarly Publishing Division, 2014. eBook Academic Collection (EBSCOhost). Web. 19 Feb. 2016.