Cultural propaganda, sexual assault, incest, compulsory marriage, economic dependence, control of children, and domestic violence; are the only possible reasons a woman would remain in a heterosexual relationship. As a straight woman and having had conversations with other straight women, these reasons are evident in every heterosexual relationship I have come across. Jane Ward in The Tragedy of Heterosexuality explores the societal expectations and pressures of the patriarchy upon heterosexuality and the heterosexual-repair industry that desperately attempts to mend these broken relationships. In addition, as a lesbian, in her book, she describes the sadness she feels upon witnessing the violence, control, diminishment, and disappointment experienced by straight women. In summary, her book leaves readers wondering, are heterosexual relationships worth the toxicity of straight culture?

Jane Ward is a professor of Gender and Sexuality Studies at the University of California, Riverside. She received her Ph.D. in sociology from the University of California, Santa Barbara. In addition to The Tragedy of Heterosexuality, Jane Ward has written two other books: Not Gay and Respectably Queer. Her books cover a wide array of topics including, feminism, queer parenting, the racial politics of same-sex marriage, and the social construction of heterosexuality and whiteness. She currently resides in Southern California with her partner, Kat Ross. One may argue that because Jane Ward is a lesbian, she should not be making such broad claims about heterosexual women. I counter this by suggesting that a lesbian is the best person to observe and criticize heterosexual relationships and the burden they put upon women. Ward can compare the respect and fulfillment she feels in her lesbian relationship, to the stress and disrespect felt by the heterosexual women in her life.

As a white woman, one aspect lacking from The Tragedy of Heterosexuality is the expectations imposed upon Black women by the patriarchy. One hardship that Ward’s book does examine is the fact that many early white feminists based their arguments for nonviolent marriage and women’s rights on the claim that bringing white women closer to equality with their husbands will ensure a unified front among white people against the Black civil rights activists. However, as a reader who has now read “Controlling Images and Black Women’s Oppression,” by Patricia Hill Collins, the lack of attention paid to the controlling images forced upon Black women in heterosexual relationships, and the constant criticism of their sexuality, is highlighted. Therefore, there is a slight bias in the book to feel sadness toward white women in heterosexual relationships, because Jane Ward is a white woman. 

 The overarching argument present in The Tragedy of Heterosexuality by Jane Ward includes the efforts by the heterosexual-repair industry to improve the enduring defects of straight culture. The heterosexual-repair industry has been flawed since its emergence. It is made up of eugenicists, sexologists, and social reformers. Ward cites three broad concepts present in the industry: they exposed the violence and mutual dislike in heterosexual relationships and reassured the population that this was natural, they took on the role of defining modern heterosexuality and repairing the problems that came along with it, and they accepted the premise that men and women found each other’s bodies undesirable and advocated for the use of beauty products to stimulate desire. Each of these concepts is inherently misogynistic. For example, at one point, experts were channeling their efforts to discover why women had annoying personalities and attempted to mediate men’s irritations with their wives. The solution the “experts” discovered involved women being submissive, lovely, and always putting their husband’s needs before their own. They went as far as asserting that women should be responsible for heterosexual success because they managed men’s emotions and should also be responsible for the happiness of their households and communities. Did no one ever wonder if it was men’s sexism and unrealistic expectations that caused them to be irritated with their wives? Or consider this: perhaps wives’ personalities come across as irritating because they are having unpleasurable sex?

Furthermore, the heterosexual-repair industry also came to the solution that women had to keep their bodies “fresh” and sexually appealing to their husbands. Advertisers collaborated with the heterosexual-repair industry in provoking fear among women to purchase their beauty products. The logic was that if women were not careful about their appearance then they could risk losing their husbands’ affection or “suffer their wrath.” One should not even have to explain the flaws in this argument and the unnecessary strain it places upon women to improve straight culture and desire. The toxicity rooted in straight culture is thanks to the patriarchy, and yet women are expected to help men improve their relationships. To conclude, Jane Ward, in her argument, exposes how the efforts to improve the conditions of straight culture are misogynistic and put the responsibility onto women. 

The single greatest strength in The Tragedy of Heterosexuality by Jane Ward is explaining the misogyny paradox that plagues straight culture. Essentially, this paradox asserts that boys’ and men’s desire for girls and women is expressed in a society that simultaneously encourages them to hate girls and women. Jane Ward provides a possible explanation for this paradox in which society is suspicious of women because they stand to threaten men’s patriarchal power. The author analyzes this in the context of violence against women and girls. The misogyny paradox is evident when a man rapes and/or murders a woman that he reported to have desired or loved. Another example of this outlook is seen in the 18th and 19th centuries in England and colonial America. At this time, wives were seen as a “necessary evil.” Many would argue that wives, and heterosexual marriages, in general, are still seen in this negative light today. While these are all extreme examples, the misogyny paradox takes a simpler form in everyday life. Often, straight men claim to love women but continue to speak over them, mansplain subjects to them, and train their sons to imitate this lack of respect for women. To comprehend the true tragedy of heterosexuality, the author must portray the disrespect, violence, and ignorance displayed by men to women who claim to be in affectionate, romantic relationships. Jane Ward understands the importance of this paradox to her argument and succeeds in making the misogyny paradox accessible and easy for her readers to understand. 

One weakness present in Jane Ward’s book, The Tragedy of Heterosexuality, is the lack of proposed solutions to this tragedy. The author notes that no feminist efforts have made a dent in straight culture, but she doesn’t go further to explain where they fell short. In fact, Ward describes the sexism and toxic masculinity surrounding heterosexuality as “inescapable.” Later, she also reveals that, as a lesbian, it is painful to witness straight women’s “endless and ineffective” efforts to repair straight men. As a straight woman reading this book, it is incredibly depressing to read these statements and feel as though there is no hope. The patriarchy and toxic masculinity seem like grand problems that can never be solved, certainly not by the time that I’m ready to settle down and get married. It leaves me wondering, am I destined for an unhappy marriage? Is there any point in dating if sexism is normalized in straight culture?

After reading this book and sharing facts and anecdotes with my non-straight friends, they unanimously decided that I represent The Tragedy of Heterosexuality. Over my 19 years as a straight woman, I have heard from friends, family members, and therapists that there are good men out there and not to give up. However, upon reading Jane Ward’s book about the emotional and physical strain of heterosexual relationships on women, I began to question if straight culture is worth the control, diminishment, and not to mention, disappointing sex. I will now respond to these friends, family members, and therapists that until the misogyny paradox is abolished and women are treated with genuine respect, finding “one of the good ones” will be challenging. Finally, I wish the heterosexual-repair industry the best of luck as they take on the impossible endeavor of mending the relationships between men and women, following a long history of sexism and abuse. 

Works Cited

Ward, Jane. The Tragedy of Heterosexuality. New York, New York University Press, 2020.