Dean Rusk Grant for Study Abroad in Sweden

My application for a Dean Rusk Travel Grant for the Summer of 2022 for a Gender Studies study abroad program in Stockholm, Sweden.

Introduction

The program “Gender, Equality, and Sexuality in Scandinavia” lasts for three weeks, two of them are spent studying in Stockholm, Sweden and one in Berlin, Germany. As an intended Gender and Sexuality Studies (GSS) major, this study abroad experience gives me the opportunity to see different perspectives and realities of gender and sexuality, outside of the westernised views of the United States. Moreover, Sweden and Germany are countries with rich but complex (and largely discriminatory and contradictory) LGBTQ+ histories that are worth studying and seeing as a GSS major and LGBTQ+ individual.

Project Description

As an intended Gender and Sexuality Studies major I want to gain insight into LGBTQ+ experiences and history in other parts of the world and the best way to do it is by actually being in those spaces. Sweden is the most gender equal country in the world but still struggles with discrimination based on race and gender since inclusive and accepting policies do not necessarily mean inclusive and accepting behaviours. This course explores how concepts of gender, bodies, sexuality, and race intersect in current debates about changing family structures, children’s rights, and new ethical dilemmas in Scandinavia (e.g. rising children with gender-neutral pronouns, a topic I have great interest in as someone who uses gender-neutral pronouns and wants kids). In Gender and Sexuality Studies 101 at Davidson (which I took this fall), we discussed this intersection but from a westernised and US-centric perspective. Therefore, this course would help me see how concepts I have already studied apply to people in a different society and culture. The program also includes a week-long study trip in Berlin, a city with a rich LGBTQ+ history. From student accounts of the Berlin study tour experience, that part of the program highlights the experiences of gay men in Nazi Germany, refugee perspectives, and historical LGBTQ+ art pieces and monuments (like “The Kiss” in Berlin’s East Side Gallery), which are all fascinating topics to study and discuss. This program poses a unique opportunity to study in and about two cities with old and strong connections to gender, equality, and sexuality. The course will act as an extension of my experience in Gender and Sexuality Studies 101 at Davidson by giving me an insight into the European experience and perspective, and its similarities, differences, and connections with the United States.

Presenting my project

The program includes field trips in Stockholm and a study tour in Berlin, therefore giving me a great opportunity to capture the beauty and history of these cities and create a video or photo essay about my summer abroad experience which I will submit to the VMC Symposium. I also plan to share my experience in the form of one or several blog posts which will most probably be shared on my Davidson domain website.

Feminist Mixtape: “What A Girl Is”

Dove Cameron singing “What A Girl Is” in the episode “Rate-A-Rooney.”

I had been trying to think of a song for the mixtape and suddenly this bop started playing in my head on repeat. I love Disney Channel shows but I know that Disney is highly problematic in its representation of women and marginalised people, so when Dove Cameron sang this bop back in 2015 I was very pleasantly surprised.

On the Disney Channel show “Liv & Maddie,” on the episode “Rate-A-Rooney,” a group of guys had been rating girls, giving them numbers on their appearances. Protagonist Dove Cameron sings “What A Girl Is” in response to their comments.

“On a scale from 1 to 10/I am perfect like I am/I don’t need your number”

This is Dove Cameron’s response to the rankings of the men. She expresses that she determines her beauty, that beauty is something internal and personal, not determined by others.

“And these stupid magazines/Want me to change my everything/They don’t even matter/They’re not taking my power”

Magazines nowadays feature and promote impossible beauty standards for women. Like Jean Kilbourne mentioned in her TED Talk “Killing Us Softly,” “the image of women in media is worse than ever” and puts unnecessary pressure on women to look thin and young. These lyrics convey that women’s diversity and uniqueness is their power and they shouldn’t try to conform to what magazines and the outside world deem ‘beautiful.’ These lyrics also reminded of a quote in Feminine Mystique: “When she stopped conforming to the conventional picture of femininity she finally began to enjoy being a woman” (Friedan 279) which is similar in mindset since Dove Cameron is singing about not conforming to the standards for femininity.

“I’ll show you what a girl is/’Cause all of me is perfect/Who cares about a dress size?/It’s all about what’s inside”

As Jen Baker said in her TED Talk “Complete and Total Body Love,” happiness is not a number on the scale or a size, it’s a state of mind where we say “I’m okay just the way I am.” This is exactly the message being passed on through the first few lines of the chorus.

While Disney has a long way to go regarding its diversity and inclusion in TV and films (with TV taking steps forward a tad faster than the films) this song of female empowerment and independence, even though it is sang by a white cishet actress, is certainly a step in the right direction.

Book Review: *The Tragedy of Heterosexuality*

Cover of Jane Ward’s The Tragedy of Heterosexuality.

The Tragedy of Heterosexuality, winner of the 2021 PROSE Award in Cultural Anthropology and Sociology, is Jane Ward’s third book. In it, she explores what is wrong with heterosexuality in the 21st century and what straight people can do to fix it. She compares straight to queer relationships, pointing out where straight couple could learn from queer culture, takes a look at the self-help industry (and how it’s not helping at all) and ultimately wonders how straight women (and to a lesser extent men) have survived the tragedy of heterosexuality. Ward offers us a map of the complex and shifting landscape of heterosexual desire in the era of #MeToo, sexual harassment, and Title IX.

Continue reading “Book Review: *The Tragedy of Heterosexuality*” →

Heroes So White: Lack of Diversity in the World of Superheroes

by Jo Papadopoulou

Written for Autostraddle

One of the first images that comes up when you google “superheroes.” Notice the number of non-male and non-white characters. (Screen Rant, 2019)

I once asked my 10-year-old sister who her favourite superhero was. “Flash!,” she answered excitedly. When I asked her why, she looked at me curiously and said “Cause he is fast, he is so fast sometimes it looks like he is flying, and he is so strong too!” Simple enough answer, right? Well, I then asked whether she knew of any female superheroes with the same abilities as Flash and she couldn’t come up with a reply. When asked about female superheroes, she only knew to list three: Wonder Woman, Supergirl, and Catwoman. None of them were her favourite though. An indicator that she probably didn’t choose her favourite based on gender but based on the abilities she could identify with best (she likes running, so Flash makes sense). However, what if she chose Flash because that was the only one she knew? There are other superheroes who are not cishet white males and have the same (and even more) abilities as Flash. She chose Flash because it was who she was most familiar with. It Is who TV series and ads and video games show her.

And that is not true only for my sister. Most kids, most people, only know the white, cishet male, super fit (and usually rich) superheroes. But they are not the only kind of superhero that exists. That is certainly not the only type of people who exist. So why are they the ones mainly shown? How can this very specific, very excluding group of superheroes represent the whole of them? The answer is, it can’t.

Diversity in Superheroes

For many years, the only superheroes shown on television are ones like Superman and Batman, white fit guys who fight crime and get all the beautiful girls. Companies have been trying to appeal to teenage white boys by promoting a heteronormative, fatphobic narrative. For decades, these companies have been creating false, dangerous role models for children and adults everywhere. And while most turn a blind eye to this, some people have always known how hurtful these role models are. All black, gay, fat, Latinx, trans (and many more identities not reprented) folx know. We have always noticed the lack of representation when it comes to superheroes. They never looked like us. We could never fully identify with them.

The “Original” Avengers of the Marvel Cinematic Universe, some of the most well-known superheroes by one of the most well-known entertainment companies. (Cinema Blend, 2019)

White Dudes (it’s always them)

White male superheroes are still dominating our screens and comic book pages (e.g. Iron Man, Spider-Man, Superman, Deadpool, etc.). When non-white characters are shown, they usually follow old, hurtful stereotypes (for example, Mantis of Guardians of the Galaxy appears as a submissive Asian woman and her main power is lulling people to sleep). When the companies try to create a more diverse environment around superheroes they usually go about it by adding characters of colour (e.g. Black Panther in the Marvel Cinematic Universe) and most (if not all) times these characters have huge success due to the fact that there’s so little diversity. So, the question that comes up is, are the companies really being more diverse and inclusive for the fans or for the money? (Sadly, usually capitalism wins over us).

Genre as Old as Time

This struggle with diversity has its roots mainly to the fact that the superhero genre was created some 40 or more years ago and has seldom changed since. Most, if not all, of the creators back then were rich white males making art for almost exclusively white male audiences. Because of nostalgia, a general fear of change, or pure laziness, the genre is still marked by the “white guy hero” trope that was the staple when it started.

Fighting the Status Quo

Another reason superheroes are still white guys is because a big part of what these heroes do is fight the status quo (e.g. bank robberies, coup d’états, etc.). And it is always shown from the perspective of the powerful, that is rich white men. For example, Bruce Wayne (aka Batman), who is a rich white cishet man, is at the center of Justice League sidelining the female characters and (few) characters of colour.

Fatphobia

Apart from being cishet guys and white, the majority of superheroes are slim and fit. In comic books, their abs and excessive muscles are always visible through their suits and in movies and TV shows actors go through long periods of dieting and strict work outs to achieve a “superhero-worthy” body. Whenever fat characters are included they are usually viewed as something to laugh at (e.g. Thor in Avengers: Endgame) or follow hurtful fatphobic stereotypes.

Chris Hemsworth as “Fat Thor”, as he was named by the fandom, in Avengers: Endgame. (“Avengers: Endgame”, Marvel 2019)

New Superheroes

To create a more diverse world, instead of dismantling the pre-existing wider superhero world, new ones are created without the stereotypes of the old ones. Companies like Marvel and DC, big entertainment companies, are starting to release novels with new, more inclusive, more diverse characters. Some examples are: América Chávez (the newest Miss America) is a Latina and a lesbian, Doreen Green (the newest Squirrel Girl) doesn’t have an incredibly slim body with abs and excessive muscles, and Miles Morales (the newest Spider-Man) is half African American and half Puerto Rican. But while it is great that all these diverse characters exist, they don’t appear in the companies’ big cinematic universes, they appear in comic book series not that accessible or well-known to the wider public. While the creation and existence of these characters is a huge step forward, it is still not enough. This diversity needs to be made more widespread and not stay limited to a few comic book characters. We, the fans, need to keep asking for more representation and we can only hope that the companies will listen.

We all deserve to be able to see ourselves as heroes.